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Review Summary
2016-04-18T12:25:04
The daylight-viewable audio monitors are worth the price of admission! Typical Video Devices superior build quality. If you own one of their recorders, you NEED this!
RUSSELL R.
Powered by the monitor
10Hz - 20 kHz +0,-0.5 dB re 1kHz
0.05% max (20-20kHz filter), 0dBu in, gain +12dB
+72 dB (dBu in to -20dBFS)
+45 dB (dBu in to -20dBFS)
+8 dBu (gain at +12 dB)
+26 dBu (gain at +12 dB)
-128 dBu (A-weighted)
+18 dBu (2k load)
40 dB range, 20:1 ratio, 1 mS attack, 200 mS release
Selectable frequency, 12 dB/oct
Full 10 mA each
Pin 2 = hot, pin 3 = cold, pin 1 = ground (To drive unbalanced source from output, only use pins 2 and 1; leave pin 3 disconnected)
Protected against 48V phantom, shorts and fully RF-filtered
1.3 x 5.4 x 2.1" / 33.02 x 137.16 x 53.34mm
8.0oz / 226.80g
A Must-Have if You Own a Pix-E Recoder
By RUSSELL R.
The daylight-viewable audio monitors are worth the price of admission! Typical Video Devices superior build quality. If you own one of their recorders, you NEED this!
The PIX-LR is an accessory that provides the PIX-E Series monitors with two XLR inputs, two XLR outputs, accurate LED metering and dedicated transport and gain controls. The mic preamps within the PIX-LR are some of the highest-quality preamps available and the same preamps for which Sound Devices, LLC is world-famous. These active-balanced preamps are sonically pure with extremely low selfnoise, high headroom and low distortion.
They also include excellent input limiters, which keep the input from overloading, even with unexpected loud noises or shouting right into the microphones. And they include full-spec 48V phantom for high-quality condenser mics and low-cut filters to cut wind noise and room rumble.