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Review Summary
Macintosh:
OS X 10.4, 10.5, 10.6 or later
A host program that supports the AU, MAS, VST, or RTAS plug-in architecture
All Mac plug-in formats compatible with Intel-based Macintosh computers (Universal Binary)
Windows:
Windows 2000, XP or Vista
A host program that supports the DirectX, VST, or RTAS plug-in architecture
Power Suite, A New Standard in Plug-ins
Our critically acclaimed audio plug-ins are now the top of their class, featuring outstanding sound quality, exceptional CPU efficiency, stunning visual interface design, world class customer support and tremendous value for the money. These new v5 plug-ins cover the essential aspects of sound design, tracking, mixing and mastering. They are available in various bundle configurations and individually, so you can choose the combination that best suits your audio needs.
The Power Suite Native plug-ins run within any Mac OS X (AU/VST/MAS/RTAS) or Windows (DX/VST/RTAS) based music production or audio editing application.
Power Suite consists of the following plug-ins:
TrackPlug 5 - The ultimate channel strip plug-in
MasterVerb 5 - Silky smooth multi-algorithm reverb
FinalPlug 5 - Professional peak limiter and volume maximizer
MultiDynamics 5 - Powerful multi-band dynamics control
Panorama 5 - Go beyond the limitations of conventional stereo, without using a surround system!
TrackPlug 5
TrackPlug is our most popular plug-in, an all-in-one channel strip which features a 10-band EQ, brickwall filters, spectrum analyzer, dual multi-mode compressors, gate/expander, extensive sidechain options and a peak limiter. It also boasts Wave Arts' outstanding sound quality and impressive CPU efficiency.
TrackPlug's interface has been meticulously designed for visual clarity and ease of use. For example, the EQ interface lets you add a new EQ band by double-clicking, then you drag the control point to change frequency and height, right-click (shift-click on Mac) to change width. Right-clicking on a meter or display axis gives a popup menu of display ranges. Right-click a knob drag to get fine tune adjustment, double-click a knob to revert to default value. And so on.
Our preset manager lets you A/B compare two different presets or undo the last change. TrackPlug also features preset managers per section so for example you can quickly combine an EQ preset with a compressor preset. Super handy. Like all Wave Arts' plugs, TrackPlug only consumes CPU for features that are enabled, so if you just need a few bands of EQ and some compression, TrackPlug has a negligible CPU load. Even with everything turned on, TrackPlug is very light on CPU. We've had users report using over 100 TrackPlugs in a single project.
The applications for TrackPlug are virtually endless: shape the tone of an instrument, fix sonic problems, bring dynamics under control, clean up noise problems, add some punch or vintage warmth to a track, de-ess a vocal track and much more The outstanding user interface puts the power of TrackPlug under your control.
MasterVerb 5
Why is MasterVerb a great reverb
1) It sounds great. The rooms sound natural and spacious. The plates are extremely dense. The decays are silky smooth without annoying artifacts. The reverb is clearly audible without being muddy. When applied to stereo inputs, the stereo soundstage is maintained with proper balance.
2) It can reproduce a range of spaces. MasterVerb contains two different algorithms to generate the dense late reverberation: a hall algorithm and a plate algorithm. Each of these algorithms has independently adjustable size and decay time controls, so they can be morphed across a wide range of characteristics.
The hall algorithm is intended for acoustic spaces, e.g. rooms, chambers, studios, halls, while the plate algorithms is for, well, plate reverbs. An early reflection section allows for various early reflection patterns, again with adjustable size. Wet and dry delays allow for pre-delay and other delay effects. Two three-band EQs are provided: the early EQ shapes the overall tonality of the reverb response and the late EQ shapes the frequency dependent decay.
On top of that there is a triggered amplitude envelope which can generate gated and reverse reverb effects. So, there is a ton of flexibility here. MasterVerb ships with 60 presets which cover a wide range of reverbs and serve as starting points for further exploration.
3) It's easy to use. The interface allows you to quickly visualize the changes you are making. A reverb time response lets you see the reverb decay, early reflections, amplitude envelope and delay settings. A 3-D frequency response plot shows the reverb decay as a function of frequency. There are graphical frequency response controls for both EQs.
4) It's CPU efficient. A huge amount of effort went into designing the low level algorithms so they could be fully automatable and also extremely CPU efficient. The result is that MasterVerb takes far less CPU than other reverb plug-ins.
FinalPlug 5
FinalPlug is a professional peak limiter/volume maximizer with extensive bit depth truncation and dither options, making it ideally suited for a final mix. Tame the peaks a bit or really squeeze all the volume you can out of it. The FinalPlug interface could hardly be simpler. Select a desired output ceiling level, say -0.1 dB and then adjust the threshold level. As you decrease the threshold you increase the volume.
The peak limiter section works by looking ahead 1.5 milliseconds. When a input peak is detected that will exceed the desired output ceiling, the gain is quickly ducked to let the peak pass, then the gain is restored relatively slowly according to the release time control. During rapidly changing program material with frequent peaks, a faster release time will achieve better results. During slowly changing material, slower release times prevent excessive modulation distortion. FinalPlug's auto release feature analyzes the input signal to determine peakiness and selects the optimum release time for the program material.
The truncate/dither section is usually used for CD mastering, where truncation to 16 bits can create audible quantization distortion. By adding special dither noise, the quantization distortion can be eliminated and the dither noise can be spectrally shaped to move it to frequency ranges where it is less audible. FinalPlug contains a comprehensive noise shaping section which reproduces a variety of commonly used noise shapes.
MultiDynamics 5
MultiDynamics is a powerful multi-band dynamics processor useful for mastering, track processing, sound design and noise reduction. MultiDynamics provides up to 6 bands with independent compression or expansion per band. MultiDynamics has an elegant and ingenious user interface that makes it easy to edit bands and to visualize and hear what is happening.
Multiband dynamics processing combines the techniques of equalization and single band dynamics processing. A simple application of multiband dynamics is to apply compression or expansion to a specific frequency range. It is also possible to think of multiband dynamics as applying equalization which is dependent on the level of the input sound. So one can set up an EQ curve for low volumes and set another EQ curve for high volumes.
Another use of multiband dynamics is noise reduction. One can set up multiple bands to do noise gating, by setting the gain to decrease when the signal falls below threshold. Also, multiband dynamics applied to solo instrument sounds can be used for sound design. It is possible to split up the sound into different frequency ranges, apply compression to some and expansion to others and dramatically change the character of the original sound.
Panorama 5
Panorama is a specialized tool for creating stunningly realistic 3-D audio scenes using regular stereo sound. The DSP technology in Panorama reproduces psychoacoustic sound localization and distance cues, allowing you to pan sounds in three dimensions: not just left and right, but up, down, front, back, near and far. Panorama combines HRTF-based audio panning with acoustic environment modeling, including wall reflections, reverberation, distance modeling and the Doppler pitch effect. Panorama sounds amazing when heard on headphones.
Anyone producing podcasts or music specifically intended for mobile devices should definitely check out Panorama. Panorama also includes a crosstalk canceller to format the output for playback over conventional stereo loudspeakers. In this mode, Panorama can make sounds appear to come from outside the normal stereo soundstage.