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Review Summary
2014-09-18T20:00:00
not clearly explained on usb record requirements
chris
2014-05-14T20:00:00
Just purchased this board and I really like the sound of the mic preamps and the FX are awesome. It's very easy to use for the most part and looks to be built like a tank.The only thing I don't like is all the how to You Tube videos on the MGP 24X are in Korean would love to see them in English.Especially the one on recording and the Ipad functions.
nasti d.
2014-03-17T20:00:00
Great board packed with features. Compressor/FX/eq. All very easy to use. The Ipad software is great and intuitive. Preamps are great. Was not expecting so much of an improvement in sound quality over my old board. Only complaint is I wish I could assign the onboard EQ to the aux sends. Not that big of a deal. Have used it for live sound only. Time will tell on how well it handles being moved around for live gigging but I can't find a case out there since it is fairly new on the market so am building one. Also, wish companies would stop claiming 24 channels on these boards. This is a 16 channel board from the standpoint of the live band application. The other "8" stereo channels just add bulk to the board for my use and let yamaha call it a 24 channel board.
Dice
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16x Mic level XLRs
16x Line level 1/4" (6.35 mm) TRS
4x Stereo line level 1/4" (6.35 mm) TRS
16x 1/4" (6.35 mm) TRS Inserts
1x 1/4" (6.35 mm) stereo Return
For Mono Inputs, Actual Source Impedance 3 kohm:
Mic Level at -60 dB: -80 dBu (0.078 mV), for 50-600 ohm Mics
Mic Level at -16 dB: -36 dBu (12.3 mV), for 50-600 ohm Mics
Line Level at -34 dB: -54 dBu (1.55 mV), for 600 ohm Lines
Line Level at 10 dB: -10 dBu (245 mV), for 600 ohm Lines
Stereo Channel Input, Actual Source Impedance 10 kohm:
Line Level at -34 dB: -54 dBu (1.55 mV), for 600 ohm Lines
Line Level at 10 dB: -10 dBu (245 mV), for 600 ohm Lines
Mono Channel Inserts, Actual Source Impedance 10 kohm: -20 dBu (77.5 mV), for 600 ohm Lines
Stereo Channel Insert Input L,R, Actual Source Impedance 10 kohm: -20 dBu (77.5 mV)
Talkback Input, Actual Source Impedance 10 kohm: -66 dBu (0.389 mV), for 50-600 ohm Mics
For Mono Inputs, Actual Source Impedance 3 kohm:
Mic Level at -60 dB: -60 dBu (0.775 mV), for 50-600 ohm Mics
Mic Level at -16 dB: 16 dBu (123 mV), for 50-600 ohm Mics
Line Level at -34 dB: -34 dBu (15.5 mV), for 600 ohm Lines
Line Level at 10 dB: +10 dBu (2.45 V), for 600 ohm Lines
Stereo Channel Input, Actual Source Impedance 10 kohm:
Line Level at -34 dB: -34 dBu (15.5 mV), for 600 ohm Lines
Line Level at 10 dB: 10 dBu (2.45 V), for 600 ohm Lines
Mono Channel Inserts, Actual Source Impedance 10 kohm: 0 dBu (0.775 V), for 600 ohm Lines
Stereo Channel Insert Input L,R, Actual Source Impedance 10 kohm: 0 dBu (0.775 V), for 600 ohm Lines
Talkback Input, Actual Source Impedance 10 kohm: -50 dBu (2.45 mV), for 50-600 ohm Mics
For Mono Inputs, Actual Source Impedance 3 kohm:
Mic Level at -60 dB: -40 dBu (7.75 mV), for 50-600 ohm Mics
Mic Level at -16 dB: 4 dBu (1.23 V), for 50-600 ohm Mics
Line Level at -34 dB: -14 dBu (155 mV), for 600 ohm Lines
Line Level at 10 dB: 30 dBu (24.5 V), for 600 ohm Lines
Stereo Channel Input, Actual Source Impedance 10 kohm:
Line Level at -34 dB: -14 dBu (155 mV), for 600 ohm Lines
Line Level at 10 dB: 30 dBu (24.5 V), for 600 ohm Lines
Mono Channel Inserts, Actual Source Impedance 10 kohm: 20 dBu (7.75 V), for 600 ohm Lines
Stereo Channel Insert Input L,R, Actual Source Impedance 10 kohm: 20 dBu (7.75 V), for 600 ohm Lines
Talkback Input, Actual Source Impedance 10 kohm: -30 dBu (24.5 mV), for 50-600 ohm Mics
1x XLR Stereo out (L,R)
6x XLR auxiliary sends
16x 1/4" (6.35 mm) Channel insert outputs
1x 1/4" (6.35 mm) Monitor out (L,R)
4x 1/4" (6.35 mm) Group out
1x 1/8" (3.5 mm) headphones out
1x 1/4" (6.35 mm) Stereo insert (L,R)
2x 1/4" (6.35 mm) Matrix outs
1x XLR Mono out
Stereo Out (L,R): 4 dBu (1.23 V) at 75 ohm (for use with nominal 600 ohm lines)
Mono Out: 4 dBu (1.23 V) at 75 ohm (for use with nominal 600 ohm lines)
Group Out (1 to 4): 4 dBu (1.23 V) at 150 ohm (for use with nominal 10 kohm lines)
Aux Send (1 to 6): 4 dBu (1.23 V) at 75 ohm (for use with nominal 600 ohm lines)
Matrix Out (1,2): 4 dBu (1.23 V) at 150 ohm (for use with nominal 10 kohm lines)
>Mono Channel Insert Out (1 to 16): 0 dBu (0.775 V) at 75 ohm (for use with nominal 10 kohm lines)
Stereo Channel Insert Out (L,R): 0 dBu (0.775 V) at 75 ohm (for use with nominal 10 kohm lines)
Monitor Out (L,R): 4 dBu (1.23 V) at 150 ohm (for use with nominal 10 kohm lines)
Phones Out: 3mW at 150 ohm (for use with nominal 40 ohm phones)
Stereo Out (L,R): 24 dBu (12.3 V) at 75 ohm (for use with nominal 600 ohm lines)
Mono Out: 24 dBu (12.3 V) at 75 ohm (for use with nominal 600 ohm lines)
Group Out (1 to 4): 20 dBu (7.75 V) at 150 ohm (for use with nominal 10 kohm lines)
Aux Send (1 to 6): 24 dBu (12.3 V) at 75 ohm (for use with nominal 600 ohm lines)
Matrix Out (1,2): 20 dBu (7.75 V) at 150 ohm (for use with nominal 10 kohm lines)
Mono Channel Insert Out (1 to 16): 20 dBu (7.75 V) at 75 ohm (for use with nominal 10 kohm lines)
Stereo Channel Insert Out (L,R): 20 dBu (7.75 V) at 75 ohm (for use with nominal 10 kohm lines)
Monitor Out (L,R): 20 dBu (7.75 V) at 150 ohm (for use with nominal 10 kohm lines)
Phones Out: 75 mW at 150 ohm (for use with nominal 40 ohm phones)
0.02% (20 Hz to 20 kHz, 14 dBu)
20 Hz to 20 kHz, +0.5/-1.0 dB, refer to the nominal output level at 1 kHz
-74 dB at 1 kHz
100 to 240 V, 50/60 Hz
76 W, maximum
32.2 x 6.7 x 22.2" / 81.7 x 17.01 x 17.01 cm
34.2 lbs / 15.51 kg
086792973296
After extensive research and development, Yamaha presents the MGP24X 24-Channel Analog Mixing Console with DSP Effects. This state-of-the-art mixing console combines the best of both worlds, offering the warmth of analog sound with the precision and convenience of digital control.
The MGP24X boasts 16 D-Pre microphone preamps, renowned for their superior sound quality, and 24 line inputs, providing ample connectivity for a variety of audio sources. In addition, it features 6 auxiliary inputs and 2 effects sends, offering enhanced flexibility for live sound mixing.
Each channel is equipped with Yamaha's innovative X-pressive 3-band equalizer and 1-Knob compressor. These features allow for independent frequency and dynamic control across all channels, enabling you to shape your sound with precision and ease.
The MGP24X stands out with its integrated DSP Hybrid Channel section, which includes three types of reverb and 16 effects. This advanced feature set allows you to add depth and character to your mixes, creating a more immersive listening experience. The console also includes auto-ducker and auto-leveler functions, providing hands-off monitoring of sources and ensuring consistent audio levels.
The digital capabilities of the MGP24X extend to mobile device integration. With the free MGP Editor app, you can control a variety of parameters from your iPhone or iPod touch. The iOS input USB port allows you to playback music directly from your iTunes catalog, freeing up an analog input on the console for other uses.
For those looking to capture their live performances, the MGP24X offers a second USB port for direct recording to external USB media. You can record your mix as a stereo WAV or MP3 file, making it easy to share your performances or use them for post-production.
In summary, the Yamaha MGP24X 24-Channel Analog Mixing Console with DSP Effects is a versatile, high-quality, and user-friendly solution for professional audio mixing in live sound environments. Whether you're performing in clubs, houses of worship, or other venues, the MGP24X delivers exceptional sound quality and advanced features that will take your audio production to the next level.
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