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Review Summary
2017-03-14T20:00:00
i love this product, my first expirence was fabulous. i just want to thank you guys for this product. it also make my digital recording easy. Hans wilson
Ojezs
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
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32+1 Master
48 (40 mono + 2 stereo + 2 return)
3 (Left, Right + Sub)
8 mono + 6 stereo
8 DCA Groups
32 mic/line (XLR/TRS combo) + 2 stereo line (RCA pin)
16 (XLR)
1
8 Effects + 10 GEQ
34x34 USB Audio Interface
2-track
48 kHz
Less than 2.6 ms, INPUT to OMNI OUT, Fs=48kHz
100 mm motorized, Resolution = 10-bit, +10 dB to -138 dB, -Infinity dB all faders
+0.5, -1.5 dB 20Hz-20kHz, refer to +4 dBu output at 11kHz, INPUT to OMNI OUT
Less than 0.05% 20Hz-20kHz at +4dBu into 600 Ohms, INPUT to OMNI OUT, Input Gain = Min.
-128 dBu typ., Equivalent Input Noise, Input Gain = Max., -85 dBu, Residual output noise, ST master off
110 dB typ., DA Converter, 107 dB typ., INPUT to Omni OUT, Input Gain = Min.
-100dB, adjacent INPUT/OMNI OUT channels, Input Gain=Min.
120W
100-240 V 50/60Hz
Operating temperature range: 0 to 40 deg. C / 32 to 104 deg. F
Storage temperature range: -20 to -60 deg. C / -4 to -76 deg. F
Input Terminals: INPUT 1-32, ST IN 1,2
GAIN: -6 dB / +66 dB (INPUT 1-32)
Load Impedance: 7.5 kOhms (INPUT 1-32); 10 kOhms (ST IN 1,2)
For Use With Nominal: 50 - 600 ohm mics or 600 ohm lines (INPUT 1-32); 600 ohm lines (ST IN 1,2)
Sensitivity: -82 dBu (61.6 V), -10 dBu (245 mV) (INPUT 1-32); -30 dBV (31.6 V) (ST IN 1,2)
Nominal: -62 dBu (0.616 mV), +10 dBu (2.45 V) (INPUT 1-32); -10 dBV (316 mV) (INPUT 1-32)
Max. Before Clip: -42 dBu (6.16 mV), +30 dBu (24.5 V) (INPUT 1-32); +10 dBV (3.16 V) (ST IN 1,2)
Connector: Combo Jack (XLR-3-31 type or TRS phone) balanced (INPUT 1-32); RCA pin jack unbalanced (ST IN 1,2)
Output Terminals: OMNI OUT 1-16, PHONES
Source Impedance: 75 ohms (OMNI OUT 1-16); 100 ohms (PHONES)
For Use With Nominal: 600 ohm lines (OMNI OUT 1-16); 40 ohms (PHONES)
GAIN SW: +24 dBu position (default) (OMNI OUT 1-16)
Nominal Output Level: +4 dBu (1.23 V) (OMNI OUT 1-16); 3 mW (PHONES)
Max. Output Level Before Clip: +24 dBu (12.3 V) (OMNI OUT 1-16); 75 mW (PHONES)
Connector: XLR-3-32 type balanced (OMNI OUT 1-16); stereo phone jack (TRS) unbalanced (PHONES)
Terminals: USB (TO HOST)
Format: USB
Data length: 24bit
Audio: 34ch input / 34ch output, PCM
Connector: USB (B type)
Terminals: iPad
Format: USB
Audio: Playback: MP3 or WAV file data / Record: WAV file data
Connector: USB (A type)
Terminals: NETWORK
Format: IEEE802.3
Level: 10BASE-T/100Base-TX
Connector: RJ-45
Terminals: FOOT SW
Connector: TS Phone
866 x 225 x 599mm / 34.09 x 8.86 x 23.58"
20kg / 44.09lbs
086792992877
i love this product, my first expirence was fabulous.
By Ojezs
i love this product, my first expirence was fabulous. i just want to thank you guys for this product. it also make my digital recording easy. Hans wilson
While maintaining Yamaha's commitment to intuitive operation and high-quality sound, the TF5 Digital Mixing Console takes audio production to the next level. This advanced console, with its impressive 48 input channels and 33 motor faders, is perfectly suited for larger applications, offering unparalleled flexibility in recording and mixing multiple audio sources.
Yamaha's digital consoles are renowned for their design, which is informed by feedback from leading engineers worldwide. The TF5 continues this tradition, featuring the highly regarded Selected Channel and Centralogic interfaces, ensuring efficient and intuitive operation.
This state-of-the-art console integrates the latest touch-screen technology, offering an evolved experience in console operation. The TF5 is more than just a mixing console; it's a sophisticated system that includes practical presets and scenes, a refined design, and software applications that integrate seamlessly for smooth setup and operation.
The TF5 Digital Mixing Console introduces TouchFlow Operation, a revolutionary concept in console interfaces. This feature offers unprecedented comfort and convenience in small consoles, making it an ideal choice for a wide range of users and applications. Whether you're in a professional recording studio, managing live sound applications, or any setting requiring high-quality audio mixing, the TF5 Digital Mixing Console delivers superior performance.
866-430-2652