
Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
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Mixing: 32 mono, 4 stereo
Group: 8
Aux: 8
Main: Stereo
Input: Gate, attenuator, 4-band PEQ, 2 compressors, delay, pan
Output: Attenuator, 4-band PEQ, compressor, delay
4 x SPC multi effects processors
24-bit, 128x over sampling
+48VDC, On/off per 4 channels
Mic: 12
Line: 2 x stereo, 2 x 2-track
Stereo, monitor, 4 x Omni
ADAT (8 in, 8 out), 2-track in/out
Mini-YGDAI (16 in, 16 out)
USB to host, MIDI word clock I/O
32-bit (58-bit accumulator)
Internal: 44.1, 48, 88.2, 96 kHz
External: 44.1/88.2 kHz (-10%), 48/96 kHz (+6%)
< 1.6 ms (channel input to stereo out @ 48 kHz)
< 0.8 ms (channel input to stereo out @ 96 kHz)
< 0.05% (channel input to stereo out, 20 Hz to 20 kHz @ +14 dBu into 600 ohms, 48 kHz)
< 0.01% (channel input to stereo out, 1kHz @ +24 dBu into 600 ohms, 48 kHz)
< 0.05% (20 Hz to 40 kHz @ +14 dBu into 600 ohms, 96 kHz)
< 0.01% (1kHz @ +24 dBu into 600 ohms, 96 kHz)
20 Hz - 20 kHz (+4 dBu into 600 ohms, 0.5-1.5 dB, 48 kHz)
20 Hz - 40 kHz (+4 dBu into 600 ohms, 0.5-1.5 dB, 96 kHz)
110 dB (typical, DA converter, stereo out)
105 dB (typical, AD+DA, stereo out @ 48 kHz)
105 dB (typical, AD+DA, stereo out @ 96 kHz)
-128 dBu
-86 dBu (stereo out off)
-86 dBu (90 dB S/N, stereo fader at nominal level and all channel input faders at minimum level)
-64 dBu (68 dB S/N, stereo fader at nominal level and 1 channel input fader at nominal level)
-80 dB, adjacent channels, input to output
17 x 100 mm motorized faders
17 x 100 mm motorized faders Connectors Inputs 1-12: 3-pin balanced XLR and 1/4" TRS phone
Inputs 13-16: Balanced 1/4" TRS phone
Inserts 1-12 In: Unbalanced 1/4" TRS phone
2-Track In: Unbalanced RCA (L/R)
Stereo Out: 3-pin balanced XLR
Omni Out: Balanced 1/4" TRS phone
Monitor Out: Balanced 1/4" TRS phone
Inserts 1-12 Out: Unbalanced 1/4" TRS phone
2-Track Out: Unbalanced RCA (L/R)
Phones: 1/4" Stereo phone, unbalanced
2-Track Digital In: RCA coaxial
ADAT In: Optical
2-Track Digital Out: RCA coaxial
ADAT Out: Optical
0, 20 (Ch. input 1-12)
Ch 1-12: -60, -16 dB
Ch 13-16: -26, +4 dB
Ch 1-12: 3k ohms load, 50-600 ohms mic nominal, 600 ohms line nominal
Ch 13-16: 10k ohms load, 600 ohms line nominal
Insert 1-12 In: 10k ohms load, 600 ohms line nominal
2-Track In: 10k ohms load, 600 ohms line nominal
Ch 1-12: -70, -26, -6 dBu
Ch 13-16: -36, -6 dBu
Insert 1-12 In: -12 dBu
2-Track In: -10 dBV
Ch 1-12-: -60, -16, +4 dBu nominal, -40, +4, +24 dBu max
Ch 13-16: -26, +4 dBu nominal, -6, +24 dBu max
Insert 1-12 In: -2 dBu nominal, +18 dBu max
2-Track In: -10 dBV nominal, +10 dBV max
Stereo: 75 ohms source, 600 ohms line nominal
Omni: 150 ohms source, 10k ohms line nominal
Monitor: 150 ohms source, 10k ohms line nominal
Insert 1-12 Out: 600 ohms source, 10k ohms line nominal
2-Track: 600 ohms source, 10k ohms line nominal
Phones: 100 ohms source, 8-40 ohms line nominal
Stereo: +4 dBu nominal, +24 dBu max
Omni: +4 dBu nominal, +24 dBu max
Monitor: +4 dBu nominal, +24 dBu max
Insert 1-12 Out: -2 dBu nominal, +18 dBu max
2-Track: -10 dBV nominal, +10 dBV max
Phones: 4-12 mW nominal, 25-75 mW max
2 Track I/O: IEC-60958, 24-bit, 0.5 Vpp/75 ohms
ADAT I/O: ADAT, 24-bit
USB 2.0 type-B (24-bit, 0-3.3 V, audio and host)
5-pin DIN connectors for in, out and thru
BNC in and out connectors (TTL/75 ohms)
100, 120, 220-240 VAC, 50/60 Hz
90 W
17.1x5.9x21.6" (436x148x548 mm)
30.86 lbs (14 kg)
086792963105
The Yamaha 01V96i Multi-Track Digital Mixing Console with USB 2.0 takes the popular 01V96 design and makes it even better, adding a USB 2.0 connection so you can use the mixer as easily on the road as you can in the studio. This compact mixer features studio-quality amps and internal processing that supports 24-bit/96kHz AD/DA conversion so that no detail is lost in the digital representation of your audio.
The mixer offers 40 input/20 bus mixing and has a wealth of inputs and outputs for use with a huge variety of sound devices and systems. In addition to supporting connection to your Mac or PC for use with a DAW, the USB 2.0 port also delivers 2-way MIDI communication so you can combine the precise control offered by the mixer with the capabilities of your DAW software. A Cascade Link is available that lets you connect 2 mixers together, giving you up to 80 channels of mixing capability with a single connection.
The 01V96i has a full suite of Yamaha's VCM effects, including a channel strip, master strip and vintage stomp, plus high-resolution REV-x reverbs so you can shape your sound in a variety of ways. The mixer has the 01V96i Editor software package, which gives you full control of the console via your computer. Steinberg Cubase AI software is also included that turns your Mac or PC into the ultimate machine for composing, recording, editing and mixing.