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Review Summary
4/3" CMOS Sensor
19 x 13mm (Diagonal 21.63mm)
10.71M
13-15 Stops (Z-Log2) / 16 Stops (with WDR activated)
MFT Mount w/active lock (interchangeable)
Built-in Stereo Microphone
30fps max @ C4K Low Noise (4096 x 2160)
120fps max @ C4K (4096 x 2160)
150fps max @ C4K 2.4:1 (4096 x 1728)
30fps max @ 4K Low Noise (3840 x 2160)
120fps max @ 4K (3840 x 2160)
160fps max @ 4K 2.4:1 (3840 x 2160)
30fps max @ 3696 x 2772 (Low Noise)
60fps max @ 3696 x 2772
60fps max @ 3312 x 2760
170fps max @ S16 16:9 (2752 x 1548)
160fps max @ S16 (2704 x 1600)
240fps max @ 1920 x 1080
H.264 / H.265 / ProRes 422 Proxy / ProRes 422 LT / ProRes 422 / ProRes 422 HQ / ZRAW
ProRes RAW (using Atomos Ninja V); BRAW (using BMD VideoAssist)
10-bit 4:2:0 (H.265) / 8-bit 4:2:0 (H.264)
16-bit 48 kHz
AAC / PCM (for MOV only)
MOV / MP4
Video / Time Lapse Video / Still Image Capture
Auto, Manual (500 - 102400), Dual Native ISO: 500 / 2500
Shutter Speed: Auto, Manual (1- 1/8000") Shutter Angle: Auto, Manual (1 Degree - 360 Degree )
Auto, Preset, Manual (2300K - 30000K)
MF / AF / CAF
Sharpness / Brightness / Contrast / Saturation / Hue / Gamma / Matrix / Color Correction
Rec.709, Z-Log2, Flat, Concert, Vivid 0, Vivid 1, Vivid 2, HLG, Gamma
Current Time / Manual Input / External Input
CF Express Type B
exFAT
HDMI 2.0 Type A (up to 4K DCI 60p, 10-bit 4:2:2)
3G-SDI
LTC Timecode Input via BNC
BB/Tri-Level Genlock Input via BNC
USB 3.0 Type C for camera control & data transfer only
2.5mm jack socket (Sony LANC compatible)
3.5mm stereo jack socket (TRS) or 5-pin LEMO port for dual channel XLR microphone (require additional XLR audio connector)
3.5mm stereo jack socket
5G, up to 802.11n, external antenna port
Serial port
Gigabit Ethernet port
-4 Degree F to 140 Degree F (-20 Degree C to 60 Degree C)
32 Degree F to 104 Degree F (0 Degree C to 40 Degree C)
DC 12-18V (2-pin LEMO socket) / PoE+ (802.3at)
DC 12V 2A (2-pin LEMO socket)
18W maximum, not inclusive of AUX power consumption
Mini V-Lock 14.8V (Battery not included)
Optional, not included
lithium ion
Non-universal
1
Black
Aluminum Alloy
4.13 x 3.86 x 4.57" (105 x 98 x 116mm) (MFT mount)
Without Lens: 2.3 lbs (1.06kg) (with MFT mount)
841687100177
From Good to Better
Probably the Most Versatile Camera
You might not have seen the Z CAM E2 at these venues, but you've likely watched the stunning images captured by it.
Film Sets
Top Stadiums
Wildlife Locations
Volumetric Capture
Deep Sea Operations
Concerts
World Class Athletic Competitions
Space Operations
Theme Parks
Multiple Camera Synchronization
Z CAM has been widely adopted in many multiple camera applications worldwide due to its high sync precision, open API and reliability.
Z CAM EzLink Sync
All cameras are connected to a network switch for Z CAM EzLink Sync
Once connected, one camera must be designated as the master, with the others set as slaves
Z CAM EzLink ensures precise synchronization, maintaining a tolerance of no more than 0.5ms
Z CAM PixelLink
Z CAM PixelLink Sync (Master/Slave) requires all cameras to be connected in a daisy chain using Z CAM sync cables
Cameras are interconnected using Cat 6 Ethernet cables
Ensuring perfect line sync precision
Multiple Color Matrix
6 Groups of RGB Cross Adjustment for Precise Customization of Image Colors.
IP Streaming is the Future
Z CAM supports a number of streaming protocols. Easily accessible through the built-in web client.
Open API & SDK
Full set open API
Facilitates easier secondary development
Compact & Robust
Compact form factor
Full metal body construction
Built in Gyroscope Sensor
Durability & Reliability
The Z CAM E2 Mark II series are engineered for sustained, long-term recording and streaming. Fanless design. No active cooling.
Interchangeable Mounts
Z CAM E2-M4 Mark II : MFT Mount (Active Lock)
Stunning Image Quality
Go-to camera for many big film and documentary productions
Entrusted by many well-known DOPs and Directors
Qualified as A camera
Perfect for B camera