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Review Summary
50.81 x 23.32mm (65mm Format)
2.9 microns
PL mount. Interchangeable with URSA Cine Mount LPL included
Lens data from compatible PL or LPL lenses and control of some PL lenses. Lens control of compatible EF lenses
16 Stops
17,520 x 8040 (17K 2.2:1 open gate)
16,128 x 8040 (17K 2:1)
15,360 x 8040 (17K 17:9)
14,304 x 8040 (17K 16:9)
17,520 x 7296 (17K 2.4:1)
12,288 x 8040 (12K 3:2)
12,288 x 6912 (12K 16:9)
12,288 x 6480 (12K 17:9)
12,288 x 5112 (12K 2.4:1)
9648 x 8040 (12K 6:5)
11,680 x 5360 (8K 2.2:1 open gate)
10,752 x 5360 (8K 2:1 full height)
8192 x 5360 (8K 3:2)
8192 x 4608 (8K 16:9)
8192 x 4320 (8K 17:9)
8192 x 3408 (8K 2.4:1)
5840 x 2680 (4K 2.2:1 open gate)
5376 x 2680 (4K 2:1 full height)
4096 x 2680 (4K 3:2)
4096 x 2304 (4K 16:9)
4096 x 2160 (4K 17:9)
4096 x 1704 (4K 2.4:1)
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected
17K 2.2:1 open gate up to 60 fps
12K 2.4:1 up to 90fps
8K 2.2:1 open gate up to 100 fps
8K 2.4:1 up to 170 fps
None
Focus button turns on peaking, auto focus available using compatible lenses
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode
2x Monitoring Screens
1x Camera Status Screen
5" (12.7cm)
1920px x 1080px
1500 nits
LCD capacitive touchscreen
Automatically populated lens data from i/Technology with compatible PL, LPL lenses and electronic EF and Hasselblad HC lenses when using optional EF lens mount or HC lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes
Touchscreen menus on 5 inch screen. Push buttons for other controls. 7 assignable shortcut keys plus 6 assignable viewfinder shortcut keys on optional URSA Cine EVF
Highly accurate timecode clock. Less than 1 frame drift every 8 hours
2
1.5G, 3G, 6G, 12G
2x XLR analog switchable between mic, line and AES audio. Phantom power support
1x 3.5mm headphone jack
Tri-Sync/Black Burst and Timecode
1x Viewfinder USB-C with video, power, camera control data and locking connector. Works with URSA Cine EVF and PYXIS Monitor
2x USB-C side monitor ports support URSA Cine EVF, PYXIS Monitor or DisplayPort monitors
1x 7-pin Lemo 'EXT' for power out, serial communication, and run/stop.
1x 3-pin Fischer 'RS' for power out and run/stop
2x USB-C side expansion ports for camera accessories.
Software updates using side USB-C closer to rear
1x 10Gb/s RJ-45 connector supporting 10/100/1000/10G BASE-T for SMB file sharing, Web Media Management, Blackmagic Cloud uploads, camera control and streaming
Integrated stereo microphone
1x mono speaker
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1
48 kHz and 24 bit
1x Blackmagic Media Module
Blackmagic
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Bitrate 18:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5.
H.264 Proxy in 1920 x 1080, 8-bit 4:2:0
Blackmagic URSA Cine EVF can trigger record plus camera functions assigned to the VF1, VF2, VF3, Zoom, Exp and Record buttons. External Camera Control supported using REST API over Ethernet, Wi-Fi or serial communication via the 7-pin Lemo connector. Run / Stop supported via 3-pin Fischer and 7-pin Lemo connector. Blackmagic iPad control and Bluetooth control supported
Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling camera and compatible lenses
Supports Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) local live streaming using a Ethernet or Wi-Fi, or global live streaming using an internet connection via Ethernet, Wi-Fi or USB-C cellular data
Network time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice
Download files from any drive attached to your camera using FTP
Using a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera
File sharing using SMB
1x Blackmagic Media Module 8TB
Storage rates based on 24 frames per second.
17K - 17,520 x 8,040:
Blackmagic RAW 3:1 - 1,700 MB/s
Blackmagic RAW 8:1 - 637 MB/s
Blackmagic RAW 12:1 - 425 MB/s
Blackmagic RAW 18:1 - 283 MB/s
Blackmagic RAW Q0 - 425 to 2,040 MB/s
Blackmagic RAW Q1 - 255 to 1,020 MB/s
Blackmagic RAW Q3 - 170 to 425 MB/s
Blackmagic RAW Q5 - 127 to 319 MB/s
12K - 12,288 x 8040:
Blackmagic RAW 3:1 - 1,194 MB/s
Blackmagic RAW 8:1 - 448 MB/s
Blackmagic RAW 12:1 - 298 MB/s
Blackmagic RAW 18:1 - 199 MB/s
Blackmagic RAW Q0 - 298 to 1,432 MB/s
Blackmagic RAW Q1 - 179 to 716 MB/s
Blackmagic RAW Q3 - 119 to 298 MB/s
Blackmagic RAW Q5 - 90 to 224 MB/s
8K - 8192 x 5360:
Blackmagic RAW 3:1 - 533 MB/s
Blackmagic RAW 5:1 - 320 MB/s
Blackmagic RAW 8:1 - 200 MB/s
Blackmagic RAW 12:1 - 133 MB/s
Blackmagic RAW Q0 - 133 to 319 MB/s
Blackmagic RAW Q1 - 80 to 200 MB/s
Blackmagic RAW Q3 - 53 to 133 MB/s
Blackmagic RAW Q5 - 40 to 100 MB/s
4K - 4096 x 2680:
Blackmagic RAW 3:1 - 135 MB/s
Blackmagic RAW 4:1 - 101 MB/s
Blackmagic RAW 5:1 - 81 MB/s
Blackmagic RAW 6:1 - 68 MB/s
Blackmagic RAW Q0 - 34 to 81 MB/s
Blackmagic RAW Q1 - 20 to 50 MB/s
Blackmagic RAW Q3 - 13 to 34 MB/s
Blackmagic RAW Q5 - 10 to 25 MB/s
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions:
[17,520 x 8,040], [16,128 x 8,040], [15,360 x 8,040], [14,304 x 8,040] and [17,520 x 7,296]
Blackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions:
[12,288 x 8,040], [12,288 x 6,912], [12,288 x 6,480], [12,288 x 5,112] and [9,648 x 8,040]
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
[8,192 x 5,360], [8,192 x 4,608], [8,192 x 4,320], [8,192 x 3,408] and [6,432 x 5,360]
Blackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:
[4,096 x 2,680], [4,096 x 2,304], [4,096 x 2,160], [4,096 x 1,704] and [3,216 x 2,680]
with film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.
Constant Quality Rates for 17K and 12K are: Q0 12:1 - 2.5:1, Q1 20:1 - 5:1, Q3 30:1 - 12:1, Q5 40:1 - 16:1
Constant Quality Rates for 8K and 4K are: Q0 12:1 - 5:1, Q1 20:1 - 8:1, Q3 30:1 - 12:1, Q5 40:1 - 16:1
Actual storage rates are dependent on image subject matter
URSA Cine Blackmagic OS
DaVinci Resolve Studio for Mac and Windows including activation key
Blackmagic Camera Setup
Blackmagic RAW Player
Blackmagic RAW QuickLook Plugin
Blackmagic RAW SDK
Mac: Mac 14.0 Sonoma, Mac 15.0 Sequoia or later.
Windows: Windows 10 and 11
+24V DC external power supply 100 - 240 AC 50/60Hz compatible with IEC C14 socket.
Molex connector for rear battery plate
1x 8 pin Lemo compatible socket for external power or battery use.
B-Mount battery plate
1x 7-pin connector with +24V DC power output when camera is powered by +24V DC batteries or power supply.
1x 3-pin Fischer with +24V DC power output when camera is powered by +24V DC batteries or power supply.
B-Mount battery plate including 2-pin connector with +12V regulated output from camera
32 Degree to 104 Degree F (0 Degree to 40 Degree C)
-4 Degree to 113 Degree F (-20 Degree to 45 Degree C)
0% to 90% non-condensing
Optional, not included
Lithium ion
Non-universal
1
11.36 x 8.44 x 11" (28.8 x 21.4 x 27.9cm)
8.72 lbs (3.95kg) (Body Only)
9338716009859
Blackmagic URSA Cine 17K 65 is a revolution in digital film with an extremely large format 17520 x 8040 65mm RGBW sensor with larger photo-sites for 16 stops of dynamic range. This revolutionary model also includes interchangeable lens mounts, a dedicated assist station with a second 5″ HDR LCD touchscreen and industry standard Lemo and Fischer connections.
At the heart of the URSA Cine 17K 65 lies a full-frame sensor that captures at a native 2.20:1 aspect ratio, giving your visuals an undeniably cinematic edge.
With the URSA Cine 17K, you can hot-swap between PL, LPL, EF, and Hasselblad lens mounts — quickly and painlessly. That means your glass of choice, from vintage vibes to sharp modernity, will feel right at home.
Rugged enough to take a tumble, light enough to chase the light — URSA Cine 17K rocks a magnesium alloy chassis wrapped in a carbon fiber polycarbonate composite.
You’ve got a fold-out 5-inch HDR touchscreen that’s as vivid as it is responsive. Flip it over, and there's a crisp external status LCD for quick-glance monitoring.
The URSA Cine 17K has a built-in microphone, professional XLR mic input, standard mic input, and Time Code I/O. Whether you're recording scratch audio or syncing multi-camera setups, it’s plug-and-play all the way.
The URSA Cine 17K comes with built-in storage designed for high-bandwidth performance, letting you record at full resolution without worrying about dropped frames or external drives slowing you down.
https://www.blackmagicdesign.com/
408-954-0500