
Review Summary
2020-06-22T20:00:00
I've had this for a little over a year now and I'm so happy that I took the plunge and bought it! I tour around to local bars and restaurants and either play solo or with one other person and it has been a game changer! The sound is so crisp and clear and the compact set up has cut down my set up time and takes up much less space! I love love LOVE my Bose. Would recommend to anybody and everybody!
jess18
2019-07-05T20:00:00
I have used this system for over 10 years. I am m a solo performer playing a variety of gigs throughout Texas and the southwest. This system delivers hard volume (500 people +) and quality sound.
Beerman
2017-07-02T20:00:00
I bought this a week ago and love it. Sound quality, as with anything Bose is amazing, but the distance the sound travels on my back porch is amazing. It sounds even better the further back you go. I don't understand how this can be, but I'm sure not going to question it!
Juliet
2017-04-16T20:00:00
Our church has been using this the L1 for over a year. Fills the room that seats 200. Easy to transport, quick to set-up and tear down. Amazing product!
Danofhope
2017-03-25T20:00:00
I perform with a 7 piece acoustic / Bluegrass band, with 4 vocals, Acoustic Guitar, Banjo, Mandolin, Dobro, Upright Bass, Pedal Steel and Piano. All acoustic instruments are mic'd. We currently use two L1 / With B2 Bass modules to the left and right of the stage, and one Bose L1 Compact at the rear of the stage as an added monitor to help the players in the back. This setup is revolutionary in every way. Sound is utterly superb, and despite all the hot condenser mics, there are minimal feedback issues. Our stage mix is identical to the FOH, so there's never any "what did it sound like out front" questions. Comments from the audience usually include "I can hear every instrument like it was right in front of me", This system also replaced a monster system that took up an 8' trailer and took 2 hours to set up and tear down.
gman
2016-11-23T19:00:00
I've been using these for my full band (3 vocals, guitar, bass, drums, percussion) for about 3 years now. Two columns upfront and one column at the back. All instruments are electronic including drums & percussion. Works great, especially volume control as we can setup and play for small intimate occasions to large parties
Shri
2016-10-26T20:00:00
Every time I speak into the mic, it makes me smile. There is a bigness to the sound that L1 systems create that conventional speakers can't reproduce, even above this price point. This is an ideal solution for musicians and DJs. It is a bit much for use at home but if you need your music excessively loud, this one is for you.
BassHead
2016-10-14T20:00:00
Purchased a few months ago and after using for several gigs I must say that it is brilliant. The bass from the B1 is unbelievable, easily equivalent to a 15inch sub, but and this is the thing it goes right down to 32htz, which means no other speaker on the market sounds as good, I normally use two Mackie SRM 450 for my gigs, but after using the Bose system they now sound completely lacking in bass and I thought they where good when I purchased them. The secret to releasing the power in this system is the T1 Tone match mixer, there is a setting for high power music, used in conjunction with the stereo inputs from my DJ mixer, turbo charges the sound! I have never ever had so many compliments on the sound from guests, I also purchased a second B1 for the system and together they rattle everything in the room! So setting up is now a breeze as one speaker covers everything. 6 months on very impressed!
Alan37
2016-09-21T20:00:00
We're a three-piece rock band. Purchased an L1 Model II w/B2 bass to use for acoustic gigs. Ended up buying another to power our electric (rock) shows. We daisy chain the two systems and run vox/drum mics thru a mixer to the Tone Match and guitar-bass run direct to the TM. Only outboard gear is the guitarist's modeling amp head. The sound is amazing and it replaced the complete powered PA we'd been using. I'm going to buy two more B2's for max bass thump. Club owners like the great tone at lower volume levels.
Fndrbss
2016-09-14T20:00:00
I am using 2 L1 model 1s with 2 B2 basses and 1 Tonematch. I have used this setup for gigs the last couple of years with audience size from 25-280 people. I must say that I am very happy with the sound in both the high and low areas, it separates the sound beautifully and spreads the sound great in the room. I have though the time received a lot of positive feedback from audience. So all in all a top product that delivers!!
musikkentilfest
2016-06-29T20:00:00
First of all I never write reviews but felt compelled to share my new enthusiasm for this product. The singer in my band invested in two of these and we brought them to an outdoor wedding gig. There was a small stage and not much room on the dance floor for our lights or PA. Consequently, we positioned the L1/B2's behind the band as is the advertised setup and appropriate use of this PA. It took less than ten minutes to stage and plug-in. I thought L1/B2's were for acoustic guitar players or speaking engagements, not rock / dance bands like ours. I was dead wrong. Zero issues with feedback, clean full range sound, no floor monitors required. We performed better because we could all hear each other perfectly. We used about half of the available headroom with guitar, bass, drums, vocals x 3 and could have been ridiculously loud had it been required. WOW, I've been playing live for 30 years and used a lot of PA's, this is just too good to be true. The coolest part is our singer drove his sedan and threw the entire PA in the trunk after the gig.
guitarguy
2016-06-29T20:00:00
I dj for bars and wedding receptions. Hands down these speakers are the best in my opinion. I've gotten alot of comments on the sound quality. People find it hard to believe that it's coming from these speakers. Then I point to the name.
John
2016-05-09T20:00:00
I have run a dual version of this setup with my string quartet along with 5 vox, and one hardline mic with a vocal processor and run backtracks through it for over a year now.. Out doors, indoors, midsize venues and the like-- with a proper mix board and engineer.. This setup is unbeatable for the price range...
Deus M.
2015-11-17T19:00:00
I was already familiar with this system (and other Bose systems) because a fellow musician whom I play with has one. After hearing how nice his system sounded I had to purchase one for myself. I'm happy I did and I enjoy the heck out of my L1 Model II w/B2 PA system!
Sam
2015-10-20T20:00:00
The L1 Model II is the most articulate sounding sound system I've invested in. The bass is very clean and not boomy. The mids and highs is unmatched in sound reproduction. Excellent product with superior sound and I'm extremely happy with my purchase.
DJ D.
2015-08-27T20:00:00
We are a 4 person acoustic Bluegrass/blues/roots/originals band with vocals, some mic'd instruments and some DI input instruments. After fighting with big nasty directional speakers/monitors/stands for years. I finally grit my teeth and bought a Bose L1 1S with B2 bass module. We run into the Bose through a Mackie 16 channel mixer using 7-10 channels, and use the single tower and B2 as all our sound and monitor. AWESOME sound quality and clarity from small coffeehouses to large outdoor beer gardens ( 3-400 person areas ). ZERO feedback issues even running it very loud set behind us. AMPLE BASS even in big open areas. I use it as a PA for other more "electric" groups in the same settings and it performs flawlessly for all types of groups. One thing for new users to note is - even though the Bose L1 is very feedback resistant, use as your monitor requires ample distance either behind you or diagonally from you so it is not too loud for your players. Protect your hearing! We're learning to consider ourselves the "closest audience member" in terms of setting the overall volume, and try to get the tower at least 8 - 10 feet behind us or better still to the side slightly back of us. The linear speaker tower spreads an even 180 degrees of sound and the drop-off is minimal using my db meter even 30-40 feet away, and fades slowly so you need not "crank" it too loud at the source in our experience. The retail price was bracing, but as I added up the cost of decent powered speakers, stands, a couple good floor monitors and all the cabling monkey business for that stuff, the Bose L series became pretty reasonable, and is WAY easier to set up fast and transport. A perfect solution for acoustic groups playing in a lot of different venues.
Ross
2015-08-04T20:00:00
I gig professionally and picked this up to scale down my show when playing with smaller configurations. For single's - trio's it can't be touched from anything I've seen or heard like this. I've even ran a full band with 4 vox, and 3 instruments through it in an outdoor environment and it ran perfectly but less is more with these rigs. I can definitely here a compression kick in and things get a little squishy when you put a lot of different signals through but that's not what it was designed for. For smaller show's and groups it's unbeatable.
rooster16
2014-09-30T20:00:00
Broke within first use
Jesus
Great sound- and convenient set up.
By Deus M.
I have run a dual version of this setup with my string quartet along with 5 vox, and one hardline mic with a vocal processor and run backtracks through it for over a year now.. Out doors, indoors, midsize venues and the like-- with a proper mix board and engineer.. This setup is unbeatable for the price range...
Sounds great, packs up tidy!
By Sam
I was already familiar with this system (and other Bose systems) because a fellow musician whom I play with has one. After hearing how nice his system sounded I had to purchase one for myself. I'm happy I did and I enjoy the heck out of my L1 Model II w/B2 PA system!
L1 Model 1S Portable Line Array System
Spend less time setting up your gear and more time enjoying it. The new L1 Model 1S portable line array system delivers a potent combination of portability and performance. It's compact and light enough to make setup quick and easy, yet powerful enough to fill a mid-sized venue. And the ToneMatch audio engine provides a suite of studio-class effects and tone-shaping tools to give you just the sound you're looking for. Includes one B2 bass module for more flexibility and even greater power at the low end.
Recommended for audiences up to 300
12-speaker articulated line array delivers 180-degree horizontal sound coverage
Produces consistent tonal balance with less volume drop-off over distance
System's interconnecting pieces allow for easy transport, setup and breakdown
Four-channel ToneMatch audio engine with studio class effects
B2 bass module included
Spatial Dispersion and Articulated Array speaker technologies in the loudspeaker produce wide, uniform sound coverage. The 12 small drivers are arranged using Articulated Array speaker technology in a slim, vertical enclosure - creating nearly 180 degrees of horizontal coverage and consistent tonal balance
Integrated power amplifiers in the power stand provide clean, precise amplification for L1 Model 1S system with up to two B1 bass modules or one B2 bass module
ToneMatch port on power stand for digital audio and power connection to ToneMatch audio engine
Analog input, trim control and signal/clip LED for line-level analog input via 1/4" TRS phone cable. Can be used for instruments or other audio sources like DJ mixers, MP3 players, computers or DVD systems
Bass module out for amplified bass output signal to one or two B1 bass modules or one B2 bass module. L1 system automatically adjusts equalization appropriately when bass modules are connected
Interlocking design of the four lightweight components eliminates the need for speaker stands and speaker wires. Setup takes only minutes
Retractable legs provide stability for streamlined power stands and loudspeakers. Four retractable legs fold out of power stand simultaneously for quick setup and compact transport
Convenient carry bags - one each for the loudspeaker, power stand and bass module - make getting to and from your gig that much easier
Put your PA behind you
The vertical configuration of the system's small, closely spaced drivers allows the L1 Model 1S system to project sound forward and to the sides - delivering 180-degree coverage - but very little up and down, reducing unwanted reverberation. This produces consistent tonal balance as sound spreads more evenly across the stage and into the audience and the volume level drops off much more slowly than with a conventional speaker. Unique Bose technologies enable the system to serve as both PA and monitor. It can be positioned behind or to the side of the performer - and you hear just what the audience hears. You're in control and there's no need for conventional monitors, mixers and PA systems.
Convenience to go
The three components of the L1 Model 1S system - upper array, lower extension and power stand - connect quickly and easily without the need for separate speaker stands. Setup and breakdown take just minutes. And everything stores neatly into the included carry bags, making transport easy too.
Full, flexible bass
The high-performance B2 bass module delivers greater low-frequency output when you need more powerful bass for larger audiences. The module includes three settings for increased flexibility. The normal setting is ideal for bass guitar or when miking a kick drum. A higher setting is designed for DJ/music playback applications. And the lower setting works well for acoustic guitar and vocals.
Powerful multichannel audio engine
Combining the T1 ToneMatch audio engine with your L1 system expands your options to connect additional instruments and microphones. You can also use the ToneMatch engine to fine-tune your sound with powerful, proprietary tone-shaping tools. The compact, four-channel engine provides fingertip control of a library of ToneMatch presets. Just touch a button to make hundreds of precise refinements to the sound of instruments and microphones. The engine also features a complete suite of studio-class reverbs, additional effects and dynamics processing. It connects to the L1 Model 1S system via a single digital cable for quick, streamlined setup.
B2 bass module
The B2 bass module delivers the most low-frequency output for L1 system users who need more powerful bass for larger audiences. The rugged enclosure encases two 10" woofers. A switch on the rear panel offers the flexibility of three output levels, depending on application or preference. The L1 system automatically senses and equalizes the chosen setting for optimized performance. The normal setting is ideal for bass guitar or when miking a kick drum. A higher setting is designed for DJ/music playback applications. And the lower setting works well for acoustic guitar and vocals. Interlocking end caps allow two B2 bass modules to be stacked together. Included slip cover protects the module from dings and scratches during transport.
Compact enclosure is easy to transport, set up and break down. Small footprint takes up considerably less space than traditional bass cabs required for same performance. Interlocking end caps let you securely stack two modules together on their sides
Highly efficient speaker design features two 10" (13.3cm), high-output, high-excursion drivers that produce deep, strong bass from a small enclosure. Three level settings provide flexibility of output. When connected to power stand, active equalization circuitry automatically adjusts bass signal appropriately
T1 ToneMatch Audio Engine
Integrated ToneMatch audio engine and audio technologies provide four independent channels featuring a library of ToneMatch instrument and microphone presets, proprietary zEQ and a complete suite of studio-class effects and sound processors
Proprietary ToneMatch presets optimize L1 system to match intended natural sound of specific instruments and vocal mics. More than 100 presets are organized into quick-access banks and can be independently assigned to each channel. Free ongoing updates via USB connection between your computer and ToneMatch audio engine
Proprietary zEQ automatically adjusts the range of tone controls to match your voice or instrument, making it easier to fine tune your sound. Conventional mixers may have fixed EQ ranges that don't accurately affect desired frequencies when adjusted. But zEQ appropriately redefines low, mid and high frequency ranges of specified sources
Single-band ParaEQ centers on frequency you specify for each independent channel. Valuable tool for reshaping problematic frequencies in certain venues
Five reverb types (small, medium, large, plate and cavern) available for global assignment, with individual channel controls for decay time, mix level and brightness
Three delay types (analog, digital and tape) can be independently assigned to selected channels, with control over feedback time and mix level for each channel. For example, you can select tape delay for your vocal on channel 1 and analog delay for your guitar on channel 2
Ten modulation effects (three chorus types, two flange types, four phaser types and one vintage tremolo effect) can be independently assigned to selected channels, with control over designated parameters for each channel
Seven dynamics processing types (three compressors, limiter, de-esser, kick gate and noise gate) can be assigned to independent channels
Scenes allow you to store, recall and edit "snapshots" of all key ToneMatch audio engine settings at any given time. This feature helps simplify setup when you're using an L1 system repeatedly in different venues. The engine includes five predefined Bose scenes, five My scenes and five Shared scenes you can give to other L1 owners
Chromatic tuner for convenient tuning of instruments
Large backlit display with intuitive layout and easy-to-read text for modes and settings
Rotary encoder for quick access to modes, effects and parameters, including ToneMatch presets, zEQ, ParaEQ, reverbs, delays, modulators, dynamics processing, scenes and tuner. Features clean, circular layout
Aux mode (channels 1 - 3) send channels' dry, pre-fader or post-fader audio to aux output for connection to additional L1 systems or recording devices. Independent level controls for optimal signal output
Channel volume, mute and FX mute (1 - 4/5) for adjusting individual channel volume, muting individual channels and muting all effects on selected channels
Master volume adjusts overall level of master output
Phantom power applies +48V power to input channels 1 - 3 to drive specific microphones
ToneMatch cable transfers audio signals and provides power to ToneMatch audio engine from L1 power stand
Mounting bar and carriage securely attaches ToneMatch audio engine to L1 loudspeaker
Cover and carrying case help protect engine when storing and transporting