Name: NiSi ATHENA PRIME 135mm T2.2 Cinema Lens with Filter Holder, Leica L
Brand: NiSi
SKU: IAATH135L
Price: 1079.20 USD
Availability: InStock
Rating: 4.8 (6 reviews)

NiSi ATHENA PRIME 135mm T2.2 Cinema Lens with Filter Holder, Leica L

NiSi ATHENA PRIME

NiSi

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NiSi ATHENA PRIME 135mm T2.2 Cinema Lens with Filter Holder for Leica L

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Video Lenses

Digital Cinema Lenses

NiSi Digital Cinema Lenses

NiSi ATHENA PRIME 

Explore the NiSi ATHENA PRIME 135mm T2.2 Cine Lens. Leica L mount, full-frame, T2.2 aperture, and exceptional build. Capture stunning visuals! Shop now.

For filmmakers seeking to elevate their visual storytelling, the NiSi 135mm ATHENA PRIME Full Frame Cinema Lens T2.2 (L Mount) is a game-changer. As the largest lens in the Athena Prime series, it harmoniously aligns with the series' characteristics, micro contrast, and color, ensuring a seamless integration into your existing lineup. This lens is a testament to NiSi's dedication to superior image quality, featuring advanced micro-contrast control and minimal chromatic aberration. Every shot is rendered with impeccable detail and vibrant, true-to-life colors. The T2.2 aperture enhances subject isolation against a beautifully soft, out-of-focus background, enriching the visual depth and emotional resonance of your narrative. The 135mm ATHENA PRIME is meticulously engineered to minimize focus breathing, providing a consistent field of view when adjusting focus. This is crucial for maintaining the integrity of your visual storytelling, ensuring smooth, distraction-free transitions that captivate your audience. Despite its larger size, the lens's iris and focus ring positions match the rest of the Athena range, facilitating familiar and efficient operation in fast-paced shooting environments. The lens includes a 77mm filter thread and an 80mm clamp-on size, accommodating a wide array of lens accessories. The focus ring, with 300 degrees of rotation and fluorescent focal scales, promises precise and effortless focus adjustments, crucial for capturing fleeting moments with sharp clarity, even in challenging lighting conditions. The Athena Prime Lens Series (L Mount) is equipped with a drop-in filter mount, providing a more flexible workflow and creative control. Filmmakers can easily add ND filters, polarizers, or other filters to achieve their desired look without attaching filters to the front of the lens. This feature also facilitates quick and efficient filter swapping, saving time and reducing the risk of lens damage. Ideal for a diverse range of film projects, from epic cinematic productions to detailed close-ups in documentaries or evocative music videos, the NiSi 135mm ATHENA PRIME Full Frame Cinema Lens T2.2 (L Mount) pushes the boundaries of creative freedom and image quality. With a 46mm image circle for full-frame coverage and a fast aperture of T 2.2, this lens offers soft bokeh for beautiful background separation. The ultra-low chromatic aberration and micro-contrast control ensure unparalleled image quality with finer image details. Step into a world where your cinematic vision is bound only by the limits of your imagination with the NiSi 135mm ATHENA PRIME Full Frame Cinema Lens T2.2 (L Mount).

Love these lenses, this makes my second Athena Prime. I'm running them on my C70 with DJI Focus Pro for making it autofocus, the footage is ??

Great lens + great price = happy customer!

Amazing lens for the value. Paired it with a C70 and the DJI Lidar system. Love the colors and sharpness of this lens. I was hesitant at first, since the brand is new to the market- but I'm considering another focal length soon.

Great quality lens

Great budget lens, currently using with the DJI lidar/focus pro system. Unsure if this is chromatic aberration - subject outlines with pink color were noticeable when filming low-light with blue (240) 300w key.

Budget lens

This lens is cinematic and sharp. I love it. The best budget lens by far. I done shoot short film and music videos for quite a while. And over the years I experienced many lens. The image quality from this lens is amazing. I shout in the red Komodo and the drop in filter turns your red camera into the perfect compact cinematic solution. I recommend this lens

Nisi Athena 25mm

I've been hunting for some sharp glass for a good while. This small set of primes are just what the production doctor ordered!

Sharp glass

As an independent owner-operator, I'm always lusting after some of the top-shelf gear that I may never get to own. I've been looking far and wide for a solid cine lens set. I considered IRIX, Dulens, DZO, Meike, and Canon CN-E, but ultimately settled on these for their combination of low price, tiny weight, and bright aperture. 

At the end of the day, these are fantastic and I'm delighted with the choice. The entire set is sharp, fast, light, and consistent. The coverage is excellent, easily hitting full-frame and beyond with very little vignetting. The small size makes them convenient in a variety of setups, and ultimately they are just a ton of fun to use. The one drawback is how far they protrude behind the PL mount, which makes them incompatible with most drop-in filter systems. However this is a small price to pay in exchange for getting near-ARRI-level performance at 95% lower price and 50% smaller size and weight. Also, the Breakthrough Cinema DFM adapter *does* supposedly work with these, so I'm interested to try that out.  

In any event, I expect to keep this set for a very, very long time. At this price, the set is absolutely unbeatable. It provides s a very clean, neutral look which can be easily manipulated in post. I might go chase some vintage looks in the future, but I doubt I'll ever get rid of something this reliable, usable, and overall just FUN to shoot with as these. 

ONE THING TO BE AWARE OF, however. When I first got these lenses, I was shooting on the Canon R5 C. These lenses delivered very similar performance to what I was previously getting out of my native RF glass, what I called my "Mini Cine" kit. Those lenses are also extraordinary and largely overlooked. In fact, if you turn on the automatic corrections in camera, the RF set delivers an almost identical image to the Athenas, just that the RF glass is a little bit softer. In fact, the Athenas are SO sharp that on the Canon R5 C it was a bit too much, and made things look really harsh in some cases. This can be mitigated in post, or even in-camera if you aren't shooting RAW. But there's something in the nature of Canon's sensor or OLPF stack which was making for some unpleasant over-sharpness in some cases. But I recently added a RED V-Raptor to the arsenal, and the Athenas produce a much less harsh image on the Raptor. It's still sharp, but much more smooth and much more pleasant. The point is, just be aware that your camera's sensor can play a part in how the image comes back. You can manipulate things in post, of course, but for those who like to get a good image quickly without much manipulation, make sure to check your sharpness settings etc. Just do some tests, do your homework, and these lenses will reward you. I absolutely love them.

NiSi ATHENA PRIME 135mm T2.2 Cinema Lens with Filter Holder, Leica L

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