Name: NiSi ATHENA PRIME 40mm T1.9 Cine Lens without Filter Holder, Fujifilm G
Brand: NiSi
SKU: IAATH40GNF
Price: 1079.20 USD
Availability: InStock
Rating: 4.8 (6 reviews)

NiSi ATHENA PRIME 40mm T1.9 Cine Lens without Filter Holder, Fujifilm G

NiSi ATHENA PRIME

NiSi

<a rel="nofollow" class="promo-financing short trackEvent popup" data-track-data="financing apply,suggested minimum payment credit,pdp" data-callback-context="adrma" data-callback-arguments='{"financeMonth":"12","financePrice":"90","TotalPrice":"1079.2","financeDateEnd":"12/31/9999"}' data-callback="renderFinancingPromoPopup" data-href="/api/getContent?ContentName=CAFinancingPromo&Output=Desktop" data-popup-class="popup800 popupFinancing">$90/mo suggested payments with 12&#8209;month special financing. Learn&nbsp;how.</a>

In Stock

Adorama Protect 2-Year Protection Plan

Adorama Protect 3-Year Protection Plan

Adorama Protect 4-Year Protection Plan

Adorama Protect powered by Extend is available for purchases to customers in the United States only. Not available for international or U.S. territories purchases. Adorama Protect plans are available for ABS clients.

<a class="percent-off-everyday-promo popup promo-financing trackEvent" data-href="/api/getContent?ContentName=CAFinancingGenericPopup&amp;Output=Desktop" data-popup-class="popupFinancing popup800" rel="nofollow" data-track-data="financing apply,ways to save every day savings,pdp" 
		data-callback-context="adrma" data-callback-arguments="{&quot;financeMonth&quot;:&quot;{1}&quot;,&quot;financePrice&quot;:&quot;{0}&quot;,&quot;TotalPrice&quot;:&quot;{2}&quot;}" data-callback="renderFinancingPromoPopup"><img alt="edge-creditcard" src="/col/assets/edge-creditcard.png">
 <h3>Save 5% Every Day†</h3>with the Adorama Edge Credit Card.Learn More</a>

Adorama

Video

Video Lenses

Digital Cinema Lenses

NiSi Digital Cinema Lenses

NiSi ATHENA PRIME 

Shop the NiSi ATHENA PRIME 40mm T1.9 Cine Lens for Fujifilm G. Full Frame, T1.9 aperture, and superior build. Capture stunning visuals. Order today!

For filmmakers seeking to elevate their visual storytelling, the NiSi 40mm ATHENA PRIME Full Frame Cinema Lens T1.9 (G Mount | No Drop In Filter) is the latest addition to our ATHENA cinema lens collection. This lens is expertly engineered to enhance your cinematic creations with its innovative design and superior optical performance. Seamlessly integrating with the original Athena Prime series, this lens maintains the same impressive features, consistent weight, and synchronized focus and iris ring positions, ensuring a smooth and harmonious user experience across the range. The lens's superior micro-contrast control and minimal chromatic aberration deliver unparalleled image quality, resulting in crisper, more detailed images that truly bring your creative vision to life. With a large aperture of T1.9, the lens offers stunning background separation and soft, captivating bokeh, perfect for creating atmospheric shots with a distinct sense of depth. Precision-designed to minimize focus breathing, this lens ensures a consistent field of view as you adjust focus, making it an essential tool for filmmakers who require seamless focus pulls and a uniform visual style throughout their work. The compatibility and uniformity in design with the rest of the Athena Prime series eliminates the need for rebalancing your gimbal when changing lenses, as each lens in the series matches in weight and size for effortless transitions. The Athena Prime Lens Series (E mount) comes equipped with a drop-in filter mount, providing a more flexible workflow and creative control for filmmaking. This feature allows filmmakers to easily add ND filters, polarizers, or other filters to achieve their desired look without having to attach filters to the front of the lens. It also facilitates quick and efficient filter swapping, saving time and reducing the risk of lens damage. The 40mm ATHENA PRIME also features a 77mm filter thread, 80mm clamp on size, and matching aperture and focus rings across the series, simplifying the use of additional lens accessories. The focus ring, with 300 degrees of rotation and fluorescent focal scales, allows for unmatched precision in focus pulls, ensuring sharp, dynamic shots even in low-light conditions. Ideal for a wide range of cinematic projects, from feature films and documentaries to music videos, the NiSi 40mm ATHENA PRIME Full Frame Cinema Lens T1.9 (G Mount | No Drop In Filter) is a versatile, high-quality tool that offers unmatched image quality, flexibility, and creative freedom. Step into the future of filmmaking with NiSi, where your vision knows no bounds. With a 46mm image circle for full-frame coverage and a focal length of 40mm in the NiSi Athena range, this lens allows you to capture a wide variety of subjects. The fast aperture of T 1.9, soft bokeh for beautiful background separation, ultra-low chromatic aberration, and micro-contrast control all contribute to the lens's unparalleled image quality and finer image details. With no visible focus breathing and 300-degree focus rotation with fluorescent focal scales, the Athena Prime lenses offer precise focus pulls, making them an indispensable tool for any filmmaker.

Love these lenses, this makes my second Athena Prime. I'm running them on my C70 with DJI Focus Pro for making it autofocus, the footage is ??

Great lens + great price = happy customer!

Amazing lens for the value. Paired it with a C70 and the DJI Lidar system. Love the colors and sharpness of this lens. I was hesitant at first, since the brand is new to the market- but I'm considering another focal length soon.

Great quality lens

Great budget lens, currently using with the DJI lidar/focus pro system. Unsure if this is chromatic aberration - subject outlines with pink color were noticeable when filming low-light with blue (240) 300w key.

Budget lens

This lens is cinematic and sharp. I love it. The best budget lens by far. I done shoot short film and music videos for quite a while. And over the years I experienced many lens. The image quality from this lens is amazing. I shout in the red Komodo and the drop in filter turns your red camera into the perfect compact cinematic solution. I recommend this lens

Nisi Athena 25mm

I've been hunting for some sharp glass for a good while. This small set of primes are just what the production doctor ordered!

Sharp glass

As an independent owner-operator, I'm always lusting after some of the top-shelf gear that I may never get to own. I've been looking far and wide for a solid cine lens set. I considered IRIX, Dulens, DZO, Meike, and Canon CN-E, but ultimately settled on these for their combination of low price, tiny weight, and bright aperture. 

At the end of the day, these are fantastic and I'm delighted with the choice. The entire set is sharp, fast, light, and consistent. The coverage is excellent, easily hitting full-frame and beyond with very little vignetting. The small size makes them convenient in a variety of setups, and ultimately they are just a ton of fun to use. The one drawback is how far they protrude behind the PL mount, which makes them incompatible with most drop-in filter systems. However this is a small price to pay in exchange for getting near-ARRI-level performance at 95% lower price and 50% smaller size and weight. Also, the Breakthrough Cinema DFM adapter *does* supposedly work with these, so I'm interested to try that out.  

In any event, I expect to keep this set for a very, very long time. At this price, the set is absolutely unbeatable. It provides s a very clean, neutral look which can be easily manipulated in post. I might go chase some vintage looks in the future, but I doubt I'll ever get rid of something this reliable, usable, and overall just FUN to shoot with as these. 

ONE THING TO BE AWARE OF, however. When I first got these lenses, I was shooting on the Canon R5 C. These lenses delivered very similar performance to what I was previously getting out of my native RF glass, what I called my "Mini Cine" kit. Those lenses are also extraordinary and largely overlooked. In fact, if you turn on the automatic corrections in camera, the RF set delivers an almost identical image to the Athenas, just that the RF glass is a little bit softer. In fact, the Athenas are SO sharp that on the Canon R5 C it was a bit too much, and made things look really harsh in some cases. This can be mitigated in post, or even in-camera if you aren't shooting RAW. But there's something in the nature of Canon's sensor or OLPF stack which was making for some unpleasant over-sharpness in some cases. But I recently added a RED V-Raptor to the arsenal, and the Athenas produce a much less harsh image on the Raptor. It's still sharp, but much more smooth and much more pleasant. The point is, just be aware that your camera's sensor can play a part in how the image comes back. You can manipulate things in post, of course, but for those who like to get a good image quickly without much manipulation, make sure to check your sharpness settings etc. Just do some tests, do your homework, and these lenses will reward you. I absolutely love them.

NiSi ATHENA PRIME 40mm T1.9 Cine Lens without Filter Holder, Fujifilm G

Key Features

Product Options

Protect your gear with Adorama Protect.* Learn more