NiSi ATHENA PRIME 50mm T1.9 Cine Lens with Filter Holder, Canon RF

NiSi ATHENA PRIME

NiSi

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Video

Video Lenses

Digital Cinema Lenses

NiSi Digital Cinema Lenses

NiSi ATHENA PRIME 

Explore the NiSi ATHENA PRIME 50mm T1.9 Cine Lens for Canon RF. Full Frame, T1.9 aperture, and exceptional image quality. Shop now for cinematic excellence!

After extensive research and development, NiSi presents the ATHENA PRIME 50mm T1.9 Full Frame Cinema Lens, specifically designed for Canon RF mount cameras. This high-quality, professional lens delivers exceptional image quality, thanks to its meticulous design that ensures maximum micro-contrast control and ultra-low chromatic aberration. The result is finer image details that truly elevate your photography and videography.The ATHENA PRIME 50mm lens boasts a large T1.9 aperture, which not only allows for superior low-light shooting but also produces soft, beautiful bokeh for stunning background separation. This makes it an ideal choice for capturing breathtaking images and videos, whether you're a seasoned professional or an aspiring filmmaker.One of the standout features of this reliable lens is its innovative drop-in filter mount. This unique design allows for a more flexible workflow and greater creative control, enabling filmmakers to easily add ND filters, polarizers, or other filters to achieve their desired look. This feature also facilitates quick and efficient filter swapping, reducing the risk of lens damage and saving valuable time on set.Designed with the needs of filmmakers in mind, the ATHENA PRIME 50mm lens minimizes focus breathing, ensuring an extremely small change in field of view when adjusting focus from the minimum focus distance to infinity. This is a crucial feature for filmmakers who need to maintain a consistent field of view when focusing on their subject, allowing for precise focus pulls and a consistent look throughout their shots.The NiSi ATHENA PRIME 50mm lens is also matched in weight and size with other lenses in the series, eliminating the need for rebalancing on a gimbal when switching between lenses. The 77mm filter thread and matched aperture and focus rings across the range make it easy to use lens accessories such as filters and focus gears. The focus ring features a 300-degree rotation with fluorescent focal scales for precise focus pulls, further enhancing its versatility and ease of use.In conclusion, the NiSi ATHENA PRIME 50mm T1.9 Full Frame Cinema Lens for Canon RF mount is a durable, versatile lens that offers unparalleled image quality, flexibility, and creative control. Whether you're shooting a feature film, a music video, or a portrait session, the ATHENA PRIME Series will help you effortlessly achieve your creative vision.

Love these lenses, this makes my second Athena Prime. I'm running them on my C70 with DJI Focus Pro for making it autofocus, the footage is ??

Great lens + great price = happy customer!

Amazing lens for the value. Paired it with a C70 and the DJI Lidar system. Love the colors and sharpness of this lens. I was hesitant at first, since the brand is new to the market- but I'm considering another focal length soon.

Great quality lens

Great budget lens, currently using with the DJI lidar/focus pro system. Unsure if this is chromatic aberration - subject outlines with pink color were noticeable when filming low-light with blue (240) 300w key.

Budget lens

This lens is cinematic and sharp. I love it. The best budget lens by far. I done shoot short film and music videos for quite a while. And over the years I experienced many lens. The image quality from this lens is amazing. I shout in the red Komodo and the drop in filter turns your red camera into the perfect compact cinematic solution. I recommend this lens

Nisi Athena 25mm

I've been hunting for some sharp glass for a good while. This small set of primes are just what the production doctor ordered!

Sharp glass

As an independent owner-operator, I'm always lusting after some of the top-shelf gear that I may never get to own. I've been looking far and wide for a solid cine lens set. I considered IRIX, Dulens, DZO, Meike, and Canon CN-E, but ultimately settled on these for their combination of low price, tiny weight, and bright aperture. 

At the end of the day, these are fantastic and I'm delighted with the choice. The entire set is sharp, fast, light, and consistent. The coverage is excellent, easily hitting full-frame and beyond with very little vignetting. The small size makes them convenient in a variety of setups, and ultimately they are just a ton of fun to use. The one drawback is how far they protrude behind the PL mount, which makes them incompatible with most drop-in filter systems. However this is a small price to pay in exchange for getting near-ARRI-level performance at 95% lower price and 50% smaller size and weight. Also, the Breakthrough Cinema DFM adapter *does* supposedly work with these, so I'm interested to try that out.  

In any event, I expect to keep this set for a very, very long time. At this price, the set is absolutely unbeatable. It provides s a very clean, neutral look which can be easily manipulated in post. I might go chase some vintage looks in the future, but I doubt I'll ever get rid of something this reliable, usable, and overall just FUN to shoot with as these. 

ONE THING TO BE AWARE OF, however. When I first got these lenses, I was shooting on the Canon R5 C. These lenses delivered very similar performance to what I was previously getting out of my native RF glass, what I called my "Mini Cine" kit. Those lenses are also extraordinary and largely overlooked. In fact, if you turn on the automatic corrections in camera, the RF set delivers an almost identical image to the Athenas, just that the RF glass is a little bit softer. In fact, the Athenas are SO sharp that on the Canon R5 C it was a bit too much, and made things look really harsh in some cases. This can be mitigated in post, or even in-camera if you aren't shooting RAW. But there's something in the nature of Canon's sensor or OLPF stack which was making for some unpleasant over-sharpness in some cases. But I recently added a RED V-Raptor to the arsenal, and the Athenas produce a much less harsh image on the Raptor. It's still sharp, but much more smooth and much more pleasant. The point is, just be aware that your camera's sensor can play a part in how the image comes back. You can manipulate things in post, of course, but for those who like to get a good image quickly without much manipulation, make sure to check your sharpness settings etc. Just do some tests, do your homework, and these lenses will reward you. I absolutely love them.

NiSi ATHENA PRIME 50mm T1.9 Cine Lens with Filter Holder, Canon RF

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