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$229.99
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Review Summary
2024-10-30T08:52:54
Love these lenses, this makes my second Athena Prime. I'm running them on my C70 with DJI Focus Pro for making it autofocus, the footage is ??
Josh B.
2024-08-20T08:21:54
Amazing lens for the value. Paired it with a C70 and the DJI Lidar system. Love the colors and sharpness of this lens. I was hesitant at first, since the brand is new to the market- but I'm considering another focal length soon.
Josh B.
2024-07-12T09:36:52
Great budget lens, currently using with the DJI lidar/focus pro system. Unsure if this is chromatic aberration - subject outlines with pink color were noticeable when filming low-light with blue (240) 300w key.
NICHOLAS M.
2024-02-07T02:03:00
This lens is cinematic and sharp. I love it. The best budget lens by far. I done shoot short film and music videos for quite a while. And over the years I experienced many lens. The image quality from this lens is amazing. I shout in the red Komodo and the drop in filter turns your red camera into the perfect compact cinematic solution. I recommend this lens
DASHAWN S.
2024-01-03T05:11:51
I've been hunting for some sharp glass for a good while. This small set of primes are just what the production doctor ordered!
SCOTT B.
2023-12-29T10:25:41
As an independent owner-operator, I'm always lusting after some of the top-shelf gear that I may never get to own. I've been looking far and wide for a solid cine lens set. I considered IRIX, Dulens, DZO, Meike, and Canon CN-E, but ultimately settled on these for their combination of low price, tiny weight, and bright aperture. At the end of the day, these are fantastic and I'm delighted with the choice. The entire set is sharp, fast, light, and consistent. The coverage is excellent, easily hitting full-frame and beyond with very little vignetting. The small size makes them convenient in a variety of setups, and ultimately they are just a ton of fun to use. The one drawback is how far they protrude behind the PL mount, which makes them incompatible with most drop-in filter systems. However this is a small price to pay in exchange for getting near-ARRI-level performance at 95% lower price and 50% smaller size and weight. Also, the Breakthrough Cinema DFM adapter *does* supposedly work with these, so I'm interested to try that out. In any event, I expect to keep this set for a very, very long time. At this price, the set is absolutely unbeatable. It provides s a very clean, neutral look which can be easily manipulated in post. I might go chase some vintage looks in the future, but I doubt I'll ever get rid of something this reliable, usable, and overall just FUN to shoot with as these. ONE THING TO BE AWARE OF, however. When I first got these lenses, I was shooting on the Canon R5 C. These lenses delivered very similar performance to what I was previously getting out of my native RF glass, what I called my "Mini Cine" kit. Those lenses are also extraordinary and largely overlooked. In fact, if you turn on the automatic corrections in camera, the RF set delivers an almost identical image to the Athenas, just that the RF glass is a little bit softer. In fact, the Athenas are SO sharp that on the Canon R5 C it was a bit too much, and made things look really harsh in some cases. This can be mitigated in post, or even in-camera if you aren't shooting RAW. But there's something in the nature of Canon's sensor or OLPF stack which was making for some unpleasant over-sharpness in some cases. But I recently added a RED V-Raptor to the arsenal, and the Athenas produce a much less harsh image on the Raptor. It's still sharp, but much more smooth and much more pleasant. The point is, just be aware that your camera's sensor can play a part in how the image comes back. You can manipulate things in post, of course, but for those who like to get a good image quickly without much manipulation, make sure to check your sharpness settings etc. Just do some tests, do your homework, and these lenses will reward you. I absolutely love them.
Nick S.
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14mm
Sony E
Full Frame
46mm
T2.4
T22
Full Frame: 113.9 Degree
Full Frame: 103.6 Degree
From Unspecified Point in Lens: 9.84" (0.25m)
10
Focus: 0.8 MOD / 32 Pitch
80mm
None
Metric, Imperial
300 Degree
No
No
4.7" (119.3mm)
31.4 oz (890g)
18mm
Sony E Mount
Full Frame
46mm
T2.2
Focus: 0.8 MOD / 32 Pitch
Focus 300 Degree
77mm
Metric, Imperial
No
No
10
Diagonal: 101.3 Degree
Horizontal: 90.3 Degree
Vertical: 67.1 Degree
3.1" (80mm)
3.2" (81.3mm)
1.96 lbs (890g)
25mm
Sony E
Full Frame
46mm
T1.9
T22
Diagonal: 82.1 Degree
Horizontal: 71.7 Degree
From Unspecified Point in Lens: 11.8" (0.3m)
10
Focus: 0.8 MOD / 32 Pitch
80mm
77mm
Metric, Imperial
300 Degree
No
No
3.2" (81.3mm)
31.4 oz (890g)
35mm
Sony E
Full Frame
46mm
T1.9
T22
Diagonal: 64.3 Degree
Horizontal: 55.1 Degree
From Unspecified Point in Lens: 11.8" (0.3m)
10
Focus: 0.8 MOD / 32 Pitch
80mm
77mm
Metric, Imperial
300 Degree
No
No
3.2" (81.3mm)
31.4 oz (890g)
40mm
Sony E Mount
Full Frame
46mm
T1.9
Focus: 0.8 MOD / 32 Pitch
Focus 300 Degree
77mm
Metric, Imperial
No
No
10
Diagonal: 57.1 Degree
Horizontal: 48.8 Degree
Vertical: 33.5 Degree
3.1" (80mm)
3.2" (81.3mm)
1.96 lbs (890g)
50mm
Sony E
Full Frame
46mm
T1.9
T22
Diagonal: 47.5 Degree
Horizontal: 40.1 Degree
From Unspecified Point in Lens: 19.7" (0.5m)
10
Focus: 0.8 MOD / 32 Pitch
80mm
77mm
Metric, Imperial
300 Degree
No
No
3.2" (81.3mm)
31.4 oz (890g)
85mm
Sony E
Full Frame
46mm
T1.9
T22
Diagonal: 28.6 Degree
Horizontal:24 Degree
From Unspecified Point in Lens: 31.5" (0.8m)
10
Focus: 0.8 MOD / 32 Pitch
80mm
77mm
Metric, Imperial
300 Degree
No
No
3.2" (81.3mm)
31.4 oz (890g)
135mm
Sony E Mount
Full Frame
46mm
T2.2
Focus: 0.8 MOD / 32 Pitch
Focus 300 Degree
77mm
Metric, Imperial
No
No
10
Diagonal: 18.1 Degree
Horizontal: 15.1 Degree
Vertical: 10.1 Degree
39.3" (1m)
3.1" (80mm)
2.35 lbs (1070g)
6972949379346
Models | SKU: IAATHMKENF MFR: NIC-ATH-MASTERKIT-E-NF $9,499.00 Special Order Generally ships in 7-14 days, subject to availability | SKU: IANIC18PL MFR: NIC-AUREUS-18PL $2,599.00 In Stock | SKU: IANICATHTND5 MFR: NIC-ATHTUNED-5KIT-PL $7,199.00 Ships from Manufacturer Usually ships within 2-4 Days. Please note: Your card will be charged when order is submitted to the vendor (usually within 24 hours). |
---|---|---|---|
Kit Style | 14, 25, 35, 40, 50, 85, 18, 135mm Set | Base | 14, 25, 35, 50 & 85mm Set |
Format | Full Frame | Full Frame | Full Frame |
Lens Type | Multiple | Ultra-Wide Angle | Multiple |
Fixed Focal Length | Set | 18mm | Kits |
Lens Mount | Sony E NEX Mount | PL Mount | PL Mount |
Maximum Aperture | T1.8, T2.2, T2.4 | T1.4 | T1.9 & T2.4 |
Zoom Focal Length | NA | NA | NA |
Focus Type | Manual Focus | Manual Focus | Manual Focus |
Great lens + great price = happy customer!
By Josh B.
Love these lenses, this makes my second Athena Prime. I'm running them on my C70 with DJI Focus Pro for making it autofocus, the footage is ??
Great quality lens
By Josh B.
Amazing lens for the value. Paired it with a C70 and the DJI Lidar system. Love the colors and sharpness of this lens. I was hesitant at first, since the brand is new to the market- but I'm considering another focal length soon.
A comprehensive cinematography solution, the NiSi ATHENA PRIME Full Frame Cinema Lens MASTER Kit is an exceptional collection of eight lenses, specifically designed for Sony E Mount cameras. This kit includes lenses with focal lengths of 14mm T2.4, 18mm T2.2, 25mm T1.9, 35mm T1.9, 40mm T1.9, 50mm T1.9, 85mm T1.9, and 135mm T2.2, all housed in a sturdy hard case for maximum protection and easy transportation.
Each lens in this kit is meticulously crafted to deliver superior image quality, with a 46mm imaging circle that provides full-frame coverage and beyond. This allows for a broad spectrum of shooting possibilities, from capturing vast landscapes to focusing on intricate portrait details.
The ATHENA PRIME lenses are engineered with exceptional micro-contrast control and minimal chromatic aberration, ensuring every frame captures the finest details with unmatched clarity. The large apertures, ranging from T1.9 to T2.4, create a distinct soft bokeh effect, adding depth and emotional resonance to your narrative.
Designed with filmmakers in mind, the ATHENA PRIME lenses minimize focus breathing, maintaining a consistent field of view when adjusting focus. This feature is crucial for seamless, distraction-free transitions that keep your audience captivated.
The lenses in this kit share uniform weight and dimensions (except for the 135mm lens), eliminating the need for gimbal rebalancing when switching lenses. This feature saves valuable time on set, enhancing efficiency. The 77mm filter thread (excluding the 14mm) and matching aperture and focus rings across the range simplify the use of lens accessories.
The focus ring offers 300 degrees of rotation with fluorescent focal scales, enabling precise focus pulls for sharp, dynamic shots. The NiSi ATHENA PRIME Full Frame Cinema Lens MASTER Kit is more than just a set of lenses; it's a complete cinematography solution that offers unparalleled image quality, flexibility, and creative freedom.
The kit also includes a drop-in filter mount, allowing filmmakers to easily add ND filters, polarizers, or other filters to achieve their desired look without attaching filters to the front of the lens. This feature facilitates quick and efficient filter swapping, reducing the risk of lens damage and saving time on set.
From the 14mm ultra-wide angle to the 135mm portrait lens, the NiSi Athena range covers a wide variety of focal lengths, enabling you to capture a diverse range of subjects. With fast apertures of T1.9/T2.4, soft bokeh for beautiful background separation, ultra-low chromatic aberration, and micro-contrast control, these lenses offer unparalleled image quality.
The NiSi ATHENA PRIME Full Frame Cinema Lens MASTER Kit is not just a set of lenses; it's a complete filmmaking solution offering unparalleled image quality, flexibility, and creative freedom. Encased in a durable hard case for maximum protection and portability, ensuring you have everything you need to bring your cinematic vision to life.
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