Name: NiSi ATHENA PRIME 14mm T2.4 Cinema Lens without Filter Holder, Fujifilm G
Brand: NiSi
SKU: IANICAT14GNF
Price: 1399.00 USD
Availability: BackOrder
Rating: 4.8 (6 reviews)

NiSi ATHENA PRIME 14mm T2.4 Cinema Lens without Filter Holder, Fujifilm G

NiSi ATHENA PRIME

NiSi

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Generally ships in 7-14 days, subject to availability Estimated to Ship: 08/01/2025.

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Video Lenses

Digital Cinema Lenses

NiSi Digital Cinema Lenses

NiSi ATHENA PRIME 

Explore the NiSi ATHENA PRIME 14mm T2.4 G Mount Cinema Lens. Experience exceptional image quality, wide T2.4 aperture & robust build. Shop now!

Before you embark on your next cinematic adventure, consider the ATHENA PRIME 14mm T2.4 Cinema Lens, a high-quality, professional-grade choice for filmmakers and photographers seeking exceptional performance without the need for a drop-in filter. This ultra-wide angle lens is specifically designed for the Fujifilm G mount, and it is optimized for full-frame sensors, ensuring comprehensive coverage and outstanding image quality across the entire frame.Crafted for superior image rendition, the ATHENA PRIME lens boasts advanced optical engineering that effectively controls micro-contrast and significantly reduces chromatic aberration. The result is strikingly clear and detailed images that bring your creative vision to life. With its fast T2.4 maximum aperture, this lens excels in low-light environments and provides filmmakers with the ability to create a shallow depth of field, delivering soft, pleasing bokeh that beautifully isolates subjects from their backgrounds.Durability and versatility are at the core of the ATHENA PRIME 14mm lens. Its robust construction is built to withstand the rigors of professional use, while its innovative design minimizes focus breathing. This critical feature ensures a consistent field of view when adjusting focus, from the minimum focus distance to infinity, which is essential for maintaining the integrity of your shots during intricate focus pulls.The ATHENA PRIME series is designed with filmmakers in mind, offering a seamless experience when changing lenses. The 14mm lens is matched in weight and size with other lenses in the series, facilitating quick swaps without the need to rebalance your gimbal. The uniformity extends to the aperture and focus rings, which are consistent across the range, making the integration of lens accessories like focus gears effortless.For precise focus control, the lens features a 300-degree focus rotation with fluorescent focal scales, ensuring accurate focus pulls even in challenging lighting conditions. This attention to detail underscores the lens's commitment to professional standards and usability.The ATHENA PRIME 14mm T2.4 Cinema Lens is part of a comprehensive range that includes focal lengths from an expansive 14mm to a portrait-friendly 85mm, covering a broad spectrum of shooting scenarios. Whether you're capturing vast landscapes, intricate architectural details, or intimate character moments, this lens offers the flexibility and performance to meet the demands of your project.In summary, the ATHENA PRIME 14mm T2.4 Cinema Lens for Fujifilm G is a durable, versatile, and innovative choice for professionals who demand the highest quality in image capture. Its wide-angle perspective, fast aperture, and refined optical performance make it an indispensable tool for filmmakers and photographers aiming to elevate their work to new heights.

Love these lenses, this makes my second Athena Prime. I'm running them on my C70 with DJI Focus Pro for making it autofocus, the footage is ??

Great lens + great price = happy customer!

Amazing lens for the value. Paired it with a C70 and the DJI Lidar system. Love the colors and sharpness of this lens. I was hesitant at first, since the brand is new to the market- but I'm considering another focal length soon.

Great quality lens

Great budget lens, currently using with the DJI lidar/focus pro system. Unsure if this is chromatic aberration - subject outlines with pink color were noticeable when filming low-light with blue (240) 300w key.

Budget lens

This lens is cinematic and sharp. I love it. The best budget lens by far. I done shoot short film and music videos for quite a while. And over the years I experienced many lens. The image quality from this lens is amazing. I shout in the red Komodo and the drop in filter turns your red camera into the perfect compact cinematic solution. I recommend this lens

Nisi Athena 25mm

I've been hunting for some sharp glass for a good while. This small set of primes are just what the production doctor ordered!

Sharp glass

As an independent owner-operator, I'm always lusting after some of the top-shelf gear that I may never get to own. I've been looking far and wide for a solid cine lens set. I considered IRIX, Dulens, DZO, Meike, and Canon CN-E, but ultimately settled on these for their combination of low price, tiny weight, and bright aperture. 

At the end of the day, these are fantastic and I'm delighted with the choice. The entire set is sharp, fast, light, and consistent. The coverage is excellent, easily hitting full-frame and beyond with very little vignetting. The small size makes them convenient in a variety of setups, and ultimately they are just a ton of fun to use. The one drawback is how far they protrude behind the PL mount, which makes them incompatible with most drop-in filter systems. However this is a small price to pay in exchange for getting near-ARRI-level performance at 95% lower price and 50% smaller size and weight. Also, the Breakthrough Cinema DFM adapter *does* supposedly work with these, so I'm interested to try that out.  

In any event, I expect to keep this set for a very, very long time. At this price, the set is absolutely unbeatable. It provides s a very clean, neutral look which can be easily manipulated in post. I might go chase some vintage looks in the future, but I doubt I'll ever get rid of something this reliable, usable, and overall just FUN to shoot with as these. 

ONE THING TO BE AWARE OF, however. When I first got these lenses, I was shooting on the Canon R5 C. These lenses delivered very similar performance to what I was previously getting out of my native RF glass, what I called my "Mini Cine" kit. Those lenses are also extraordinary and largely overlooked. In fact, if you turn on the automatic corrections in camera, the RF set delivers an almost identical image to the Athenas, just that the RF glass is a little bit softer. In fact, the Athenas are SO sharp that on the Canon R5 C it was a bit too much, and made things look really harsh in some cases. This can be mitigated in post, or even in-camera if you aren't shooting RAW. But there's something in the nature of Canon's sensor or OLPF stack which was making for some unpleasant over-sharpness in some cases. But I recently added a RED V-Raptor to the arsenal, and the Athenas produce a much less harsh image on the Raptor. It's still sharp, but much more smooth and much more pleasant. The point is, just be aware that your camera's sensor can play a part in how the image comes back. You can manipulate things in post, of course, but for those who like to get a good image quickly without much manipulation, make sure to check your sharpness settings etc. Just do some tests, do your homework, and these lenses will reward you. I absolutely love them.

NiSi ATHENA PRIME 14mm T2.4 Cinema Lens without Filter Holder, Fujifilm G

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