Name: NiSi ATHENA PRIME 85mm T1.9 Cinema Lens with Filter Holder, Leica L
Brand: NiSi
SKU: IANICATH85L
Price: 1269.00 USD
Availability: BackOrder
Rating: 4.8 (6 reviews)

NiSi ATHENA PRIME 85mm T1.9 Cinema Lens with Filter Holder, Leica L

NiSi ATHENA PRIME

NiSi

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Generally ships in 7-14 days, subject to availability Estimated to Ship: 07/25/2025.

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NiSi Digital Cinema Lenses

NiSi ATHENA PRIME 

Shop the NiSi ATHENA PRIME 85mm T1.9 L Mount lens. Experience superior image quality & build. Perfect for full-frame. Order yours today!

An embodiment of professional-grade craftsmanship, the NiSi 85mm ATHENA PRIME Full Frame Cinema Lens T1.9 (L Mount) is a high-quality, reliable, and versatile tool for filmmakers and photographers alike. Engineered with meticulous attention to detail, this lens boasts superior micro-contrast control and ultra-low chromatic aberration, delivering unparalleled image quality with enhanced detail resolution.The lens's large T1.9 aperture and soft bokeh capabilities offer exquisite background separation, creating stunning visuals for both still images and video footage. The ATHENA PRIME Lens Series (L Mount) is uniquely equipped with a drop-in filter mount, offering filmmakers a more flexible workflow and expanded creative control. This feature allows for the swift addition and exchange of ND filters, polarizers, and other filters, streamlining the filmmaking process and reducing the risk of lens damage.Designed with a focus on precision, the NiSi ATHENA PRIME lens minimizes focus breathing, ensuring a consistent field of view when adjusting focus from the minimum distance to infinity. This feature is crucial for filmmakers seeking to maintain a consistent visual narrative throughout their shots. The lens's focus ring features a 300-degree rotation with fluorescent focal scales, facilitating precise focus pulls and enhancing overall usability.The NiSi ATHENA PRIME 85mm lens is harmoniously matched in weight and size with other lenses in the series, eliminating the need for gimbal rebalancing when switching lenses. The 77mm filter thread and consistent aperture and focus rings across the range further simplify the use of lens accessories such as filters and focus gears.Covering a focal length range from 14mm ultra-wide angle to 85mm, the NiSi Athena range offers comprehensive coverage for a wide variety of subjects. The fast T1.9 aperture (T2.4 for the 14mm lens) and soft bokeh effect ensure beautiful background separation, while the ultra-low chromatic aberration and micro-contrast control guarantee superior image quality.The NiSi ATHENA PRIME Full Frame Cinema Lens 85mm T1.9 (L Mount) is a durable and versatile lens that provides filmmakers with unparalleled image quality, flexibility, and creative control. Whether shooting a feature film, a music video, or a portrait, the Athena Prime Series is a reliable tool for realizing your creative vision.

Love these lenses, this makes my second Athena Prime. I'm running them on my C70 with DJI Focus Pro for making it autofocus, the footage is ??

Great lens + great price = happy customer!

Amazing lens for the value. Paired it with a C70 and the DJI Lidar system. Love the colors and sharpness of this lens. I was hesitant at first, since the brand is new to the market- but I'm considering another focal length soon.

Great quality lens

Great budget lens, currently using with the DJI lidar/focus pro system. Unsure if this is chromatic aberration - subject outlines with pink color were noticeable when filming low-light with blue (240) 300w key.

Budget lens

This lens is cinematic and sharp. I love it. The best budget lens by far. I done shoot short film and music videos for quite a while. And over the years I experienced many lens. The image quality from this lens is amazing. I shout in the red Komodo and the drop in filter turns your red camera into the perfect compact cinematic solution. I recommend this lens

Nisi Athena 25mm

I've been hunting for some sharp glass for a good while. This small set of primes are just what the production doctor ordered!

Sharp glass

As an independent owner-operator, I'm always lusting after some of the top-shelf gear that I may never get to own. I've been looking far and wide for a solid cine lens set. I considered IRIX, Dulens, DZO, Meike, and Canon CN-E, but ultimately settled on these for their combination of low price, tiny weight, and bright aperture. 

At the end of the day, these are fantastic and I'm delighted with the choice. The entire set is sharp, fast, light, and consistent. The coverage is excellent, easily hitting full-frame and beyond with very little vignetting. The small size makes them convenient in a variety of setups, and ultimately they are just a ton of fun to use. The one drawback is how far they protrude behind the PL mount, which makes them incompatible with most drop-in filter systems. However this is a small price to pay in exchange for getting near-ARRI-level performance at 95% lower price and 50% smaller size and weight. Also, the Breakthrough Cinema DFM adapter *does* supposedly work with these, so I'm interested to try that out.  

In any event, I expect to keep this set for a very, very long time. At this price, the set is absolutely unbeatable. It provides s a very clean, neutral look which can be easily manipulated in post. I might go chase some vintage looks in the future, but I doubt I'll ever get rid of something this reliable, usable, and overall just FUN to shoot with as these. 

ONE THING TO BE AWARE OF, however. When I first got these lenses, I was shooting on the Canon R5 C. These lenses delivered very similar performance to what I was previously getting out of my native RF glass, what I called my "Mini Cine" kit. Those lenses are also extraordinary and largely overlooked. In fact, if you turn on the automatic corrections in camera, the RF set delivers an almost identical image to the Athenas, just that the RF glass is a little bit softer. In fact, the Athenas are SO sharp that on the Canon R5 C it was a bit too much, and made things look really harsh in some cases. This can be mitigated in post, or even in-camera if you aren't shooting RAW. But there's something in the nature of Canon's sensor or OLPF stack which was making for some unpleasant over-sharpness in some cases. But I recently added a RED V-Raptor to the arsenal, and the Athenas produce a much less harsh image on the Raptor. It's still sharp, but much more smooth and much more pleasant. The point is, just be aware that your camera's sensor can play a part in how the image comes back. You can manipulate things in post, of course, but for those who like to get a good image quickly without much manipulation, make sure to check your sharpness settings etc. Just do some tests, do your homework, and these lenses will reward you. I absolutely love them.

NiSi ATHENA PRIME 85mm T1.9 Cinema Lens with Filter Holder, Leica L

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