Used Atomos Neon Series 24" 10-Bit HDR Cinema Monitor-Recorder for On-Set and In-Studio Production

SKU: US1764822 MFR: ATOMNEO241
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What`s in the box:

  • Neon Series 24" 10-Bit HDR Cinema Monitor-Recorder
  • Master Control Unit
  • Master Caddy II
  • AC Power Supply
  • AtomX SDI Expansion
  • Feet

INCLUDES FREE WARRANTY

  • This used item comes with a free 180-day warranty. ?
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Atomos Neon Specifications

Display

Display

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  • Size

    24"

  • Resolution / PPI

    4096 x 2160 / 193ppi

  • Aspect Ratio

    17:9

  • Color Gamut

    DCI-P3 100% Coverage, D65 or D93 White Point, Calibrated

  • Look up table (LUT) support

    3D LUTs (.cube format)

  • Anamorphic de-squeeze

    2x, 1.5x, 1.33x, Panasonic 4:3

  • Calibration

    Calibration to DCI-P3 with optional calibration unit

  • User interface

    iOS App via Bluetooth, IR Remote control of focus peaking, exposure, calibration, zoom, waveform monitor, RGB monitor, vector scope

Dynamic HDR Technology

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  • Zone Backlights

    512 (direct backlight individual LEDs)

  • LEDs

    Wide Color Calibrated D65 or D95

  • Bit Depth

    True 10-bit

  • Color

    DCI-P3 100% coverage

  • Brightness

    1000nit (+/- 10%)

  • Control

    Dynamic backlight control

  • SDR Monitoring

    Native Rec.709, Log/RAW to Rec.709

  • HDR Monitoring

    Log/RAW to HLG or PQ

  • Supported input /Gamma

    Sony SLog / SLog2 / SLog3
    Canon CLog / CLog2 / Clog3
    ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
    Panasonic Vlog
    JVC JLog1
    RED Log3G10 / RED LogFilm
    FujiFilm F-log
    PQ10k
    HLG

  • Supported input/Gamut

    Sony SGamut / SGamut3 / SGamut3.cine
    Canon Cinema / DCI P3 / DCI P3+
    Nikon NLog
    Panasonic V Gamut
    Arri Alexa Wide Gamut
    Rec709 / BT.2020
    JVC
    RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4

  • Supported input RAW/Gamma

    Sony SLog / SLog2 / SLog3
    Canon CLog / CLog2 / Clog3
    Panasonic Vlog

  • Supported input RAW/Gamut

    Sony SGamut / SGamut3 / SGamut3.cine
    Canon Cinema / DCI P3 / DCI P3+
    Nikon NLog
    Panasonic V Gamut

  • Video output

    Rec.709, HLG, PQ, LUT

Input Connections

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  • HDMI

    1x HDMI 2.0b

  • SDI - SDI Expansion Module required

    2 x configurable BNC

  • Signal

    Up to uncompressed true 10-bit

Output Connections

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  • HDMI

    1x HDMI 2.0b

  • SDI - SDI Expansion Module required

    2x configurable BNC

  • Signal

    Up to uncompressed true 10-bit

Supported Loop Out Formats

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  • HDMI to HDMI

    720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120,
    4kUHD/4kDCI 24/25/30/50/60

  • SDI to SDI-SDI Expansion Module required

    720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120,
    4kUHD/4kDCI 24/25/30/50/60

  • HDMI to SDI

    720p 50/60, 1080i 50/60,
    1080p 24/25/30/50/60/100/120,
    4kUHD/4kDCI 24/25/30/50/60

  • Dolby Vision Tunnelling

    Selectable on HDMI

Supported Codecs & Frame Rates

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  • Video to ProRes / DNxHR

    Apple ProRes RAW, ProRes HQ, 422, LT
    AVID DNx, HQX, HQ, SQ, LB,
    Cinema DNG RAW

  • Resolution / Frame rate

    4K DCI / UHD 24/25/30/50/60p
    2K 24/25/30/50/60/100/120p
    1080p 24/25/30/50/60/100/120/200/240p
    1080i 50/60i,
    720p 50/60p

Onboard Processing

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  • Pulldown removal

    24/25/30pSF > 24/25/30p (2:2 pulldown)
    60i > 24p (3:2 pulldown)

  • 4K DCI > UHD

    Yes - Loop-out and playback

  • 4K UHD downscaling

    Yes - Loop-out and playback

  • HDMI

    2 or 8ch 24-bit, camera dependent

  • SDI - SDI Expansion Module required

    12ch 48kHz 24-bit

  • Audio in

    Line in / Mic in

  • Headphone out

    3.5mm Headphone out
    2ch 48kHz 24-bit

  • Built-in speakers

    No

Remote Start/Stop

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  • HDMI

    Auto HDMI Trigger Supported Protocols - Canon, Sony
    Atomos Open Standard - Panasonic, Nikon, Olympus, Fuji, Leica

  • SDI - SDI Expansion Module required

    SDI trigger camera selectable

  • Genlock / LTC

    Yes - Bluetooth / iOS App

  • Serial Control

    LANC control - Slave RS232

  • Playback Features

    Jog control, slow motion, scheduled, tag-based scheduling

  • Pre-roll record

    HD 8s, 4K 2s

  • Project Metadata

    AtomOS on unit and iOS App input

  • Supported media

    Support for AtomX SSDmini and Master Caddy II with 2.5" SSD/HDD

  • Master caddy dock

    2.5" SATA to USB 2.0/3.0/USB-C 3.1

  • Supported applications

    All popular NLE applications, 3D applications

  • Metadata tagging

    Yes (10 tags available)

  • XML support

    FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools

Physical

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  • Construction

    Aluminum alloy chassis with ABS Polycarbonate back plate

  • Mounting points

    Full ARRI compatible, 3 Left, 3 Right, 7 Top, 7 Bottom; VESA Mount.

  • Dimensions

    Master Control Unit: 5.94 x 3.6 x 1.22" (151 x 91.5 x 31mm)
    Monitor: 23.38 x 13.38 x 2.85" (594 x 340 x 72.5mm)

  • Weight

    Master Control Unit: 10.5 oz (300g)
    Monitor: 18.95 lb (8.6kg)

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IBC 2019: Atomos Showcases Neon Cinema Monitor-Recording Displays, Announces Shogun 7 Upgrade & Lumix S1H ProRes RAW Update

IBC 2019: Atomos Showcases Neon Cinema Monitor-Recording Displays, Announces Shogun 7 Upgrade & Lumix S1H ProRes RAW Update

Atomos has brought an abundance of new announcements and gear to the 2019 International Broadcasting Convention (IBC), including some of its most talked-about monitor-recording displays, as well as upgrades to existing equipment, and updates with its biggest partners. 

Atomos Neo...

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About Atomos Neon Series 24" 10-Bit HDR Cinema Monitor/Recorder - SKU#1764822

neon

The Atomos Neon Series

The Neon series from Atomos is the beginning of a new journey for filmmakers by bringing together traditional filmmaking roles and pairing it with Atomos innovation and technology. We do this by combining RAW recording with cinema display technology for monitoring, on-screen production checking and review of creative intent, story flow and matching continuity between scenes. Neon streamlines the creative workflow from lens to viewing. We have adopted industry standard formats like ProRes RAW from major camera makers enabling the performance of ProRes and the flexibility of RAW into cinema productions and built for computer finishing. Neon performs real-time Dolby Vision processing to enable down-stream viewing on any Dolby Vision capable TV or monitor. The upshot is an on-set computer replacement merged with an ecosystem of field monitors that saves the creator time by allowing them to make more decisions in the moment of recording, playback, monitoring and editing.

Certainty of Image for the Entire Crew

atomos neon

The Neon comes in four sizes (17”, 24”, 31” and 55”) that can be synced together to provide an ecosystem of field monitors where accuracy of image representation and consistency of image is critical between crew members - all controlled by the Atomos App. The Neons’ 512 zoned dynamic backlight displays provide a calibrated 4KDCI 180-degree perfect viewing, 10-bit DCI-P3 100% color coverage, and 1,000,000:1 HDR-ready contrast for cinematographers to maintain exposure and creative look. With the built-in 4Kp60/HDp240 Apple ProRes RAW recorder capturing each take, Neon enables quick review and real-time playout with Dolby Vision to reality test content on domestic TVs.

Four Sizes for Flexibility In Any Production

atomos neon

The Neon comes in 17”, 24”, 31” and 55” screen sizes, and complements other Atomos products such as the Shinobi SDI, Ninja V, Shogun 7 and Sumo 19 to provide a flexible ecosystem of field reference monitors. Neon allows you the flexibility on low budget productions with HDMI 10-bit uncompressed video cameras, right up to 12G-SDI 12-Bit, 4Kp60 RAW.

Atomos App or Remote Control for Simple Operation

atomos neon

Neon shortens the gap between capture and final edit with real-time recording and playback of your captured shots at up to 4Kp60 in formats including ProRes, ProRes RAW, Cinema DNG, Avid DNx. When you’ve got the take you like, tag it on-set with the App for easy identification during editing. The App unlocks the ability to insert project specific meta-data frame-by-frame, so that the creator can focus on their artistic storytelling enhancements.

Record 12-Bit RAW, View & Deliver Accurate Dolby Vision HDR

atomos neon

Atomos and Dolby have teamed up to give you Dolby Vision live HDMI out, in real-time, from any SDI or HDMI HDR camera. All courtesy of AtomOS. Simply connect your Dolby Vision capable TV or monitor to your Neon and automatically, the AtomOS analyses the image, queries the TV, and applies the right color and brightness profiles for the best posisble HDR image on the display or TV. This ensures HDR footage always looks – as it was intended by the creator.

Sync All Your Neons Together

atomos neon

If you have more than one Neon in your production, you can perfectly sync them asynchronously together using the Atomos iOS App. Simply pair the Neons through the App and select all the monitors you wish to sync. You can also sync the Neons to any Atomos Ninja V using an AtomX Sync Module attached. Meta-data is captured for the entire production in every file recorded, avoiding the need for a sidecar file. At the end of filming, take each Neon’s SSD with the captured footage and meta-data, and import into your editing suite ready to go.

Precision HDR Field Monitor for the On-Set Digital Darkroom

atomos neon

Atomos brings dynamic zone backlight technology to the entire range of Neons powered by our proprietary Dynamic AtomHDR innovations. This yields a contrast ratio from one to a million gradations on discreet parts of the image on Neon’s daylight viewable anti-reflection display. The precision Atomos display uses a unique combination of advanced LED and LCD technologies which together offer deeper, better blacks than rival OLED screens, but with the much higher brightness and vivid color performance of top-end LCDs.

Capture 4K or 8K Now, Future-Proofed for Later

atomos neon

Capture technology moves fast, so your investment shouldn’t be locked into older formats and functionality. We’ve future-proofed Neon by designing it with the Master Control Unit, a replaceable brain that allows for upgradability as newer functionality and technology becomes mainstream. The Master Control Unit comes in two sizes, one for 4K capture and another for 8K.

Expand Neon with AtomX Expansion Modules

atomos neon

The Master Control Unit is also compatible with the AtomX expansion modules that provide SDI and NDI connectivity on top of the standard HDMI connectivity that comes with NEON. This provides total flexibility when it comes to the production environment you are operating in.

ProRes RAW – The Best of RAW and ProRes Combined

atomos neon

ProRes RAW combines the flexibility of RAW video with the incredible performance of ProRes. Import, edit and grade pristine video with RAW data straight from your camera sensor without slowing down your edit. These RAW files provide maximum flexibility for adjusting the look of your video, while extending brightness & shadow detail. The ideal combination for HDR workflows.

Mount Anywhere

atomos neon

Whatever way you like to view your images, the Neon comes with flexible mounting options for any production including Arri standard edge mounting points, VESA mount and feet for floor or desk viewing. The Neon 17 and Neon 24 are also designed to be rack ready and will fit seamlessly into any rack environment.

Warranty Information

This used item has a FREE 180-day warranty. See details.

What's in the box:

  • Neon Series 24" 10-Bit HDR Cinema Monitor-Recorder
  • Master Control Unit
  • Master Caddy II
  • AC Power Supply
  • AtomX SDI Expansion
  • Feet