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2 Year
$125.99
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$195.99
4 Year
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Review Summary
Extend coverage on pre-owned products after the retailer warranty ends and protect photo & video gear from accidental damage with Adorama Protect.
If we can’t fix it, we’ll replace it at no additional cost.
Coverage for pre-owned gear begins after the retailer warranty ends, plus accidental damage protection for photo/video gear that starts on day one.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for International and U.S. territories purchases. Plans on pre-owned items do not cover pre-existing damages.
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24"
4096 x 2160 / 193ppi
17:9
DCI-P3 100% Coverage, D65 or D93 White Point, Calibrated
3D LUTs (.cube format)
2x, 1.5x, 1.33x, Panasonic 4:3
Calibration to DCI-P3 with optional calibration unit
iOS App via Bluetooth, IR Remote control of focus peaking, exposure, calibration, zoom, waveform monitor, RGB monitor, vector scope
512 (direct backlight individual LEDs)
Wide Color Calibrated D65 or D95
True 10-bit
DCI-P3 100% coverage
1000nit (+/- 10%)
Dynamic backlight control
Native Rec.709, Log/RAW to Rec.709
Log/RAW to HLG or PQ
Sony SLog / SLog2 / SLog3
Canon CLog / CLog2 / Clog3
ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
Panasonic Vlog
JVC JLog1
RED Log3G10 / RED LogFilm
FujiFilm F-log
PQ10k
HLG
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / DCI P3 / DCI P3+
Nikon NLog
Panasonic V Gamut
Arri Alexa Wide Gamut
Rec709 / BT.2020
JVC
RED WideGamut / RED DragonColor / DragonColor2 / RED Color2 / RED Color3 / RED Color4
Sony SLog / SLog2 / SLog3
Canon CLog / CLog2 / Clog3
Panasonic Vlog
Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / DCI P3 / DCI P3+
Nikon NLog
Panasonic V Gamut
Rec.709, HLG, PQ, LUT
1x HDMI 2.0b
2 x configurable BNC
Up to uncompressed true 10-bit
1x HDMI 2.0b
2x configurable BNC
Up to uncompressed true 10-bit
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120,
4kUHD/4kDCI 24/25/30/50/60
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120,
4kUHD/4kDCI 24/25/30/50/60
720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120,
4kUHD/4kDCI 24/25/30/50/60
Selectable on HDMI
Apple ProRes RAW, ProRes HQ, 422, LT
AVID DNx, HQX, HQ, SQ, LB,
Cinema DNG RAW
4K DCI / UHD 24/25/30/50/60p
2K 24/25/30/50/60/100/120p
1080p 24/25/30/50/60/100/120/200/240p
1080i 50/60i,
720p 50/60p
24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
Yes - Loop-out and playback
Yes - Loop-out and playback
2 or 8ch 24-bit, camera dependent
12ch 48kHz 24-bit
Line in / Mic in
3.5mm Headphone out
2ch 48kHz 24-bit
No
Auto HDMI Trigger Supported Protocols - Canon, Sony
Atomos Open Standard - Panasonic, Nikon, Olympus, Fuji, Leica
SDI trigger camera selectable
Yes - Bluetooth / iOS App
LANC control - Slave RS232
Jog control, slow motion, scheduled, tag-based scheduling
HD 8s, 4K 2s
AtomOS on unit and iOS App input
Support for AtomX SSDmini and Master Caddy II with 2.5" SSD/HDD
2.5" SATA to USB 2.0/3.0/USB-C 3.1
All popular NLE applications, 3D applications
Yes (10 tags available)
FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
Aluminum alloy chassis with ABS Polycarbonate back plate
Full ARRI compatible, 3 Left, 3 Right, 7 Top, 7 Bottom; VESA Mount.
Master Control Unit: 5.94 x 3.6 x 1.22" (151 x 91.5 x 31mm)
Monitor: 23.38 x 13.38 x 2.85" (594 x 340 x 72.5mm)
Master Control Unit: 10.5 oz (300g)
Monitor: 18.95 lb (8.6kg)
The Neon series from Atomos is the beginning of a new journey for filmmakers by bringing together traditional filmmaking roles and pairing it with Atomos innovation and technology. We do this by combining RAW recording with cinema display technology for monitoring, on-screen production checking and review of creative intent, story flow and matching continuity between scenes. Neon streamlines the creative workflow from lens to viewing. We have adopted industry standard formats like ProRes RAW from major camera makers enabling the performance of ProRes and the flexibility of RAW into cinema productions and built for computer finishing. Neon performs real-time Dolby Vision processing to enable down-stream viewing on any Dolby Vision capable TV or monitor. The upshot is an on-set computer replacement merged with an ecosystem of field monitors that saves the creator time by allowing them to make more decisions in the moment of recording, playback, monitoring and editing.
The Neon comes in four sizes (17”, 24”, 31” and 55”) that can be synced together to provide an ecosystem of field monitors where accuracy of image representation and consistency of image is critical between crew members - all controlled by the Atomos App. The Neons’ 512 zoned dynamic backlight displays provide a calibrated 4KDCI 180-degree perfect viewing, 10-bit DCI-P3 100% color coverage, and 1,000,000:1 HDR-ready contrast for cinematographers to maintain exposure and creative look. With the built-in 4Kp60/HDp240 Apple ProRes RAW recorder capturing each take, Neon enables quick review and real-time playout with Dolby Vision to reality test content on domestic TVs.
The Neon comes in 17”, 24”, 31” and 55” screen sizes, and complements other Atomos products such as the Shinobi SDI, Ninja V, Shogun 7 and Sumo 19 to provide a flexible ecosystem of field reference monitors. Neon allows you the flexibility on low budget productions with HDMI 10-bit uncompressed video cameras, right up to 12G-SDI 12-Bit, 4Kp60 RAW.
Neon shortens the gap between capture and final edit with real-time recording and playback of your captured shots at up to 4Kp60 in formats including ProRes, ProRes RAW, Cinema DNG, Avid DNx. When you’ve got the take you like, tag it on-set with the App for easy identification during editing. The App unlocks the ability to insert project specific meta-data frame-by-frame, so that the creator can focus on their artistic storytelling enhancements.
Atomos and Dolby have teamed up to give you Dolby Vision live HDMI out, in real-time, from any SDI or HDMI HDR camera. All courtesy of AtomOS. Simply connect your Dolby Vision capable TV or monitor to your Neon and automatically, the AtomOS analyses the image, queries the TV, and applies the right color and brightness profiles for the best posisble HDR image on the display or TV. This ensures HDR footage always looks – as it was intended by the creator.
If you have more than one Neon in your production, you can perfectly sync them asynchronously together using the Atomos iOS App. Simply pair the Neons through the App and select all the monitors you wish to sync. You can also sync the Neons to any Atomos Ninja V using an AtomX Sync Module attached. Meta-data is captured for the entire production in every file recorded, avoiding the need for a sidecar file. At the end of filming, take each Neon’s SSD with the captured footage and meta-data, and import into your editing suite ready to go.
Atomos brings dynamic zone backlight technology to the entire range of Neons powered by our proprietary Dynamic AtomHDR innovations. This yields a contrast ratio from one to a million gradations on discreet parts of the image on Neon’s daylight viewable anti-reflection display. The precision Atomos display uses a unique combination of advanced LED and LCD technologies which together offer deeper, better blacks than rival OLED screens, but with the much higher brightness and vivid color performance of top-end LCDs.
Capture technology moves fast, so your investment shouldn’t be locked into older formats and functionality. We’ve future-proofed Neon by designing it with the Master Control Unit, a replaceable brain that allows for upgradability as newer functionality and technology becomes mainstream. The Master Control Unit comes in two sizes, one for 4K capture and another for 8K.
The Master Control Unit is also compatible with the AtomX expansion modules that provide SDI and NDI connectivity on top of the standard HDMI connectivity that comes with NEON. This provides total flexibility when it comes to the production environment you are operating in.
ProRes RAW combines the flexibility of RAW video with the incredible performance of ProRes. Import, edit and grade pristine video with RAW data straight from your camera sensor without slowing down your edit. These RAW files provide maximum flexibility for adjusting the look of your video, while extending brightness & shadow detail. The ideal combination for HDR workflows.
Whatever way you like to view your images, the Neon comes with flexible mounting options for any production including Arri standard edge mounting points, VESA mount and feet for floor or desk viewing. The Neon 17 and Neon 24 are also designed to be rack ready and will fit seamlessly into any rack environment.