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Review Summary
Accidents happen where life happens. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failure, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for purchase Internationally or in U.S. Territories.
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Mic inputs (MIDAS mic preamp): 8
Type: XLR, balanced
Mic EIN at 60 dB Gain, 50Ohms Source at Insert Send: -131 dBu, unweighted, 20 Hz to 20 kHz
Mic EIN at 60 dB Gain, 150Ohms Source at Insert Send: -128 dBu, unweighted, 20 Hz to 20 kHz
Noise at 10 dB Gain, at Insert Send: -97 dBu, unweighted, 20 Hz to 20 kHz
Frequency Response (-1 dB) at Main Output: 20 Hz to 20 kHz (-1 dB)
Frequency Response (-3 dB) at Main Output: 70 kHz (-3 dB)
Mic Gain Range: +10 dB to +60 dB
Maximum Input Level: +11 dBu at +10 dB gain
CMRR at +60 dB Gain: Typically -90 dB
Impedance: 2 kOhms, Balanced
Distortion (THD+N) at 0 dBu: 0.005% at 1 kHz Phantom Power: Switchable, +48 V
Type: 1/4" TRS, balanced
Impedance: 20 kOhms balanced / unbalanced
Line Gain Range: -10 dB to +40 dB
Maximum Input Level: +30 dBu
Type: 4x 1/4" TRS connector, balanced
Impedance: 20 kOhms balanced / unbalanced
Gain Range: -20 dB to +20 dB
Maximum Input Level: +21 dBu
Low: +/-15 dB at 80Hz, shelving
Mid (mono inputs only) +/-15 dB at 150Hz to 3.5kHz, variable semi-parametric High +/-15 dB at 12 kHz, shelving
Type: 1/4" TRS connector, unbalanced
Maximum Input / Output Level: +21 dBu
Type: 2x 1/4" TRS connector, balanced
Impedance: 240Ohms balanced, 120Ohms unbalanced
Maximum Output Level: +21 dBu
Type: 2x 1/4" TRS connector, balanced
Impedance: 240Ohms balanced, 120Ohms unbalanced
Maximum Output Level: +21 dBu
Type: 2x XLR, electronically balanced
Impedance: 100Ohms balanced, 50Ohms unbalanced
Maximum Output Level: +21 dBu
Main Out Inserts:
Type: 2x 1/4" TRS connector, unbalanced
Maximum Input/Output Level +21 dBu
Type: 1/4" TRS connector, unbalanced
Impedance: 25Ohms
Maximum Output Level: +21 dBu
Type: 2x RCA, unbalanced
Impedance: 20kOhms
Maximum Input Level: +21 dBu
Type: 2x RCA, unbalanced
Impedance: 1 kOhms
Maximum Output Level: +21 dBu
Main Mix at -infinity, Channel Fader at -infinity: -104 dBu, unweighted, 20 Hz to 20 kHz
Main Mix at 0dB, Channel Fader at -infinity: -91 dBu, unweighted, 20 Hz to 20 kHz
Main Mix at 0dB, Channel Fader at 0 dB: -84 dBu, unweighted, 20 Hz to 20 kHz
Switch Mode Power Supply: 100 to 240V to 50/60 Hz, switchable (T 1.6 A H 250 V)
Power Consumption: 40W Mains Connection Standard IEC receptacle
3.7 x 13 x 15" (9.40 x 33.02 x 38.10cm)
8.60 lbs (3.9kg)
192223287495, 192223075498, 4033653100939, 192223227576
The compact DM12 honors your stage or studio desktop space, while providing incredible sonic performance, amazing versatility and unheard of level of affordability.
What is the secret behind DM12' s superb, studio-quality sound? The DM12 features 8 award-winning, Midas microphone preamplifiers with true +48 V Phantom Power, acclaimed by audio engineers the world over for their transparency and nuanced low noise, high-headroom design. Add to this TRS Line Inputs on all 12 channels (8 mono and 2 stereo), mono channel Inserts and 3-band EQ with mid-frequency sweep, 2 switchable pre/post-fader aux sends, 2 monitor outs and 2-track RCA I/O, and you have an Analog work of art the fully featured DM12!
Live Performance and Studio Recording
With 12 channels, the DM12 has more than enough microphone and line inputs to manage a small band or worship team with channels to spare - both on the stage and in the studio. It is also the ideal choice for use as a keyboard or drum sub-mixer for larger scale performances.
Dedicated Stereo Inputs
Line channels 9/10 - 11/12 are dedicated stereo channels, making them ideal for stereo instruments, such as keyboards - and can also be used for mono signals thanks to a convenient balance control on each 2-channel grouping. These channels can also be used as return inputs for signals sent external effects processing equipment.
Sublimely Musical British EQ
The 3-band channel EQ on our DM12 mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. The sweepable mid-frequency band provides a broad tonal palette with which to finetune the ideal signal. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.
Dual Aux Sends
The DM12 is also equipped with 2 aux sends with pre/post fader switching for added versatility. Users can select to use them for external effects processing, custom monitor mixes, or a combination of the two. Additional monitoring outputs are provided of the main mix for stage or studio monitor applications.
Classic Precision
All of DM12 mixer's 60 mm faders have been carefully designed to provide a long life of highly precise level setting, ensuring repeatable and flawless performance for many years to come.
Value
No matter what your audio mixing needs, the DM12 provides the performance and features required to take your talent to the next level, at a price that is custom-tailored for the budget-savvy user. Professional sound quality, our legendary Midas mic preamps, 3-band EQs with sweepable mids, and much more make the DM12 mixer ideal for both your live gigs and recording.