
Review Summary
96kHz
<2ms input to master (no compensation)
106dB, 22Hz to 22kHz (no pre-emphasis)
80dB inputs to subgroups and masters
86dB inputs to aux and matrix
-100dB physically adjacent input channels
-90dB physically adjacent input channels
-100dB
-100dB
1 x 15" daylight-viewable color screen
25 x RGB color
20 x touch-sensitive
1024 steps
31 x touch-sensitive
512 steps
5RU x 7.87" D
100V to 240V a.c. +/-10%, 50 to 60Hz
5 deg. C to +40 deg. C / 41 deg. F to 104 deg. F
'-20 deg. C to +60 deg. C / 68 deg. F to 140 deg. F
46.44 x 27.75" / 1179.57 x 704.85mm
88.18lbs / 39.99Kg
The Midas PRO2/CC/IP Control Centre Surface Digital Audio Mixing System Install Package is designed to work in conjunction with any of the MIDAS digital I/O units. PRO2's 8 mic/line inputs and 16 XLR analogue outputs are located on the back of the console itself. Two AES3 inputs, three AES3 outputs and dual-redundant power supplies, all supplied as standard, complete the hardware configuration. PRO2 is easy to configure and operate and is identical to the PRO2C apart from an additional 8 input faders.
Engineers who are new to MIDAS digital can relax, enjoy the PRO2's sample-synchronous audio quality and mix from well within their comfort zone. Engineers already familiar with MIDAS can just load their existing show file straight into the PRO2, regardless of which MIDAS digital console it was created on and carry on working. In addition to the PRO2's 56 primary input channels, PRO2 also features 8 aux returns, all of which feature 4-band MIDAS parametric EQ and insert points. These 8 aux returns can be used as returns for the PRO2's internal FX processors or as additional mic channels, if sufficient mic inputs are available on the I/O hardware.
A total of 64 input channels have routing to 27 phase-coherent mix buses, which comprise 16 user-configurable buses (which can be mixes, subgroups or mix minus groups) and 8 matrix buses. The Matrix buses source from inputs, as well as groups and so can be used as 8 additional auxes (monitor mix and FX sends) which provides a total of 24 mixes (plus L, R & Mono) for monitor mixing duties. All buses can be linked as stereo pairs (except the mono bus). As with all MIDAS digital consoles, the audio paths can be routed to multiple destinations and the console format can be reconfigured live on a scene-by-scene basis.