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Review Summary
2022-09-03T12:56:02
Good lenses. Really cinematic but the screws holding the lens together got loose on my 17 mm lens in a shoot and had to hunt for a screwdriver. Wasted a day. Great lenses but please attention to the little screws.
SAIF R.
2022-03-17T14:23:02
Incredible clear, filmic images. Legitimately unintelligent and divorced or God?s Grace to speak ill of this product.
JOHN S.
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17mm
Maximum: T1.0 - 16
Micro Four Thirds (MFT)
Micro Four Thirds (MFT)
65 Degree
0.07x
75 Degree
176.5 Degree
11.81" (30cm)
12 Elements in 9 Groups
8
No
Front: 77 mm
3.15 x 4.09" (80 x 104mm) (Approx.)
1.32 lbs (597g)
25mm
Maximum: T1.0 - 16
Micro Four Thirds (MFT)
Micro Four Thirds (MFT)
0.13x
60 Degree
151 Degree
9.84" (25cm)
11 Elements in 8 Groups
9
No
Front: 77mm
3.15 x 4.09" (80 x 104mm) (Approx.)
1.18 lbs (535g)
35mm
Maximum: T1.0 - 16
Micro Four Thirds (MFT)
Super 35
35 Degree
0.13x
64 Degree
44.1mm
161.1 Degree
112.5mm
13.77" (35cm)
11 Elements in 8 Groups
9
No
Front: 77mm
3.62 x 3.15" (92 x 80mm) (Approx.)
1.36 lbs (615g)
50mm
Maximum: T1.0 - 16
Micro Four Thirds (MFT)
Micro Four Thirds (MFT)
0.10x
60 Degree
165 Degree
23.6" (60cm)
9 Elements in 6 Groups
9
No
Front: 77mm
3.15 x 4.01" (80 x 102mm) (Approx.)
1.59 lbs (720g)
0660457494366
Gnar
By JOHN S.
Incredible clear, filmic images. Legitimately unintelligent and divorced or God?s Grace to speak ill of this product.
Before diving into the world of cinematic excellence, consider the Speedmaster Cine 4-Lens Bundle, featuring the 17mm, 25mm, 35mm, and 50mm T1.0 lenses, specifically crafted for Micro Four Thirds systems. This versatile bundle is designed to cater to a variety of cameras and shooting styles, offering a comprehensive solution for filmmakers and videographers seeking superior image quality and performance.
The 17mm, 25mm, and 35mm lenses in this bundle are equipped with a Micro Four Thirds mount, making them an ideal choice for cameras such as the Panasonic GH5, Z-Cam E2, and Blackmagic Pocket Cinema Camera 4K. These lenses are renowned for their ultra-fast aperture and compact design, providing filmmakers with the flexibility to capture stunning visuals in diverse lighting conditions. The 35mm lens, however, extends its versatility with a Super35 image circle and is available in Canon RF, Sony E, and Fuji X mounts, broadening its compatibility with a range of camera systems.
The newly introduced 50mm lens is engineered for full-frame EF/PL cinema cameras, distinguishing itself as one of the world's fastest PL-mount cinema lenses. It is capable of covering large-format sensors such as those found in the Arri Alexa LF and Red Monstro, making it a valuable asset for professional cinematographers. ZY Optics is actively expanding its lineup, promising more focal lengths across Micro Four Thirds, Super 35, and Full Frame categories, with further details anticipated soon.
Experience the allure of buttery smooth and refined bokeh with the ultra-fast T1.0 aperture, which, combined with a close minimum focusing distance, delivers exceptional subject isolation and a unique visual aesthetic. The 9-blade circular aperture mechanism ensures a pleasing, round bokeh when shooting wide open, enhancing the cinematic quality of your footage.
Designed with minimal focus breathing, the Zhongyi T/1.0 series lenses allow for seamless focus pulls without altering composition, even in low-light environments. The extraordinary mechanical build of these lenses features a unified front diameter and gear position for the 17mm, 25mm, and 35mm lenses, simplifying the use of focus motors and matte boxes. The internal focus design maintains a consistent lens size throughout the focus range, while the seamless lens gear and extended focus throw with precise scale markings enable precise focus control, even at the shallow depths of field offered by the T1.0 aperture.
The 50mm lens, with its larger form factor, is tailored for full-frame coverage and a longer flange design, perfectly complementing professional large-format cinema cameras in PL and EF mounts. This series of lenses delivers premier image quality with enhanced color contrast and sharpness, surpassing other lenses in its class. The T1.0 lenses provide a cinematic look with natural colors and a touch of vintage charm, maintaining color consistency across different focal lengths.
Notably, the 35mm T1.0 in Canon RF mount is the world's first ultra-fast cinema lens available for Red Komodo and Canon C70 users, offering comprehensive sensor coverage and making it an excellent choice for dynamic, run-and-gun shooting scenarios. Embrace the future of filmmaking with the Speedmaster Cine 4-Lens Bundle and elevate your creative projects to new heights.
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