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Review Summary
Accidents happen where life happens. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failure, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for purchase Internationally or in U.S. Territories.
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Aluminum with ABS plastic
Actively controlled fan and heat sink
Capacitive touch
LED on rear
Power + 6 assignable
DC 12V to 16.8V DC
75W
95Wh+ V-Lock / Anton Bauer Gold Mount via XLR terminal (optional mounting plates available)
14.4V nominal
Dual battery input via dedicated 4-pin XLR
1x 4-pin XLR for included DC power supply
Via third-party D-Tap to 4-pin XLR cable
19-inch
3840 x 2160 4K UHD
10-bit (8+2 FRC)
Double Edge Lit
1200
0.672916667
100% Rec.709, 99% DCI-P3, 99% NTSC, 87% BT.2020
Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable (ATOMCAB018, sold separately)
Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, Fujifilm F-Log, PQ (HDR10), HLG, Nikon N-Log
DCI P3, DCI P3+, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema / Panasonic V Gamut /ARRI Alexa Wide Gamut / JVC LS300. RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
.Cube format (17 & 33 points supported)
Loop out
Yes
Native / HLG / PQ / 3D LUT
Log / HDR to HLG / PQ
1x HDMI (2.0) up to 4K60P
No
2x 12G-SDI (6G/3G backwards compatible) + 2x 3G-SDI
Wi-Fi 6E
8/10-bit for video / up to 12-bit for RAW
YCbCr 4:2:0 & 4:2:2
HDMI auto detection
1x HDMI (2.0) up to 4K60P
No
1x 12G-SDI
Wi-Fi 6E
8/10-bit video
4:2:2
File name - ARRI & RED. RAW - white balance, exposure index, shutter speed/angle, iris/F-stop, ISO, gamma, gamut
Scene/shot/take & rolling scene/shot/take
Auto-matched filenames from supported ARRI, Canon, RED & Sony cameras
Wi-Fi 6E
1x RJ45 connector
2x USB-C 2.0/3.0
Yes
Yes
Yes
Yes
24-bit / 48kHz
PCM
8-channel, 24-bit (input dependent)
12-channel, 24-bit (input dependent)
2x 3-pin XLR (female)
2x 3-pin XLR (male)
Mono confidence up to 1.5W
3.5mm headphone jack, 2-channel
HDMI & SDI
Yes
Yes (playback mode only)
LTC via dedicated BNC input (record mode only)
Yes
Yes
Up to 8Kp30
Up to 6Kp30
Up to 4Kp60
Up to 2Kp240
Up to 4Kp60
Up to UHDp60
Up to 2Kp60
Up to 1080p120
Only via pulldown to progressive
1080i50 / 1080i60
Up to 720p60
Atomos certified CF Express Type B media
Atomos certified USB 3.0 media
ExFAT
ProRes RAW, ProRes RAW HQ
LT, 422, 422 HQ
DNxHD 220x, 220, 145, 36
LB, SQ, HQ, HQX
LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0
Not supported
Yes - create customer playlists from full or sub-clips
Yes, with user-customizable in/out markers
Yes - recorded clips
HQ, 422, LT (linear PCM audio only)
DNxHD: 220x, 220, 145, 36 - DNxHR HQX, HQ, SQ, LB (linear PCM audio only)
Yes
8s HD / 2s 4K - ProRes, DNxHD only
Yes
4x ISO up to 1080p60 (3G SDI Level A)
Yes
Via multi ISO input mode
Up to 4x 1080p60 (3G SDI Level A)
Via multi ISO input mode
Yes
3 sizes - adjustable opacity & brightness
3 sizes - adjustable opacity & brightness
2 sizes - adjustable opacity & brightness
Yes
Color selected / threshold setting / color / mono / edges only
Yes, with scale
Yes
Yes
Yes, adjustable
Blue Only
Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Presets for 9:16, 1:1, 191:1, 4:5
Yes
Action and graphic
9 grid
1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x
Vertical only
Loop out - 4K UHD to FHD
Loop out - 17:9 to 16:9 crop
24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
Auto HDMI trigger, supported protocols - Canon, Sony, Atomos
SDI trigger camera selectable
Calibration via optional USB to serial cable
Yes
Yes
Direct progressive upload supported (20GB free storage) over Wi-Fi or Ethernet
Direct progressive upload supported (separate purchase) over Wi-Fi or Ethernet
Direct progressive upload supported (separate purchase) over Wi-Fi or Ethernet
Up to 40 degrees Celsius
Required, Included
Lithium Ion
Non-Universal
1
Top: 4x 1/4"-20, 2x 3/8", Bottom: 6x 1/4"-20, 3x 3/8" Right: 4x 1/4"-20, 2x 3/8", Left: 2x 1/4"-20, 1x 3/8"
100 x 100
18.66 x 12.4 x 2.44" (474 x 315 x 62mm)
15.65 lbs (7.1kg)
814164023375









Atomos Sumo Pro-19 – the 19-inch, 4K HDR DCI-P3 monitor-recorder-switcher for on-set review and video village workflows.

With 4 SDI inputs, ISO recording, live multi-camera switching, NDI HX3 over Wi-Fi or Ethernet, ProRes/DNx/ProRes RAW, XLR audio, and advanced monitoring tools, it delivers a complete Monitor-Record-Switch workflow for modern studio and film production environments.
Confidently manage complex productions with a large, color-accurate 4K HDR display that’s ideal for directors, technical directors, and camera operators.

Easy to navigate and user-friendly interface. Instant access to up to six frequently used features at the touch of a button.

Integrated timecode sync over RF or Bluetooth ensures that all compatible devices on set – cameras, audio recorders, and monitors – are synchronized.
