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Review Summary
2020-06-17T08:32:27
Awesome Great camera
SEAN Q.
2018-02-15T07:36:55
The camera was as advertised. Like the image sensor which gives shallow depth of field. The form factor is such that it allows easy access to controls and yet is not overly big for ease of use in hand held situations. All controls are laid out logically. The touchscreen on the LCD is a nice touch. Overall this is a good camera at a reasonable price.
BUTLER C.
2017-05-23T12:07:30
Pros: - easy operation - tons of remappable user buttons - nice imaging - solid-but-light build quality - takes SD cards Cons: - color is a little wonky under certain lights, especially if you're used to Canon color science - variable aperture lens - outputs limited to SDI or HDMI, not both
PHILIP N.
2017-01-25T10:50:53
I have owned every Panasonic handheld pro camera from the original AG-DVX100 to the HVX250 and the new DVX200 is a definite step up from those cameras. The pros: better zoom rocker- the older cameras would not zoom smoothly. This camera is quite smooth on zooms. Better picture resolution-especially shooting in 4K and compressing down to HD in post. Better flip out monitor and focus assist. Cheaper media. Cons: The camera only records an 8 bit image to the cards- in order to get full resolution you have to record to an external device like an Atomos Shogun using the SDI port. This adds another ($) to the camera's cost. Not everyone will need or want to shoot full 10 bit but I want the best image I can get. Also the 8 bit the camera records is Long Gop (Groups of pictures) instead of independent single frames. All in all though this is a great camera and I'm very happy i upgraded from my HVX250 to the new AG-DVX200
JIM C.
2016-12-18T06:06:54
Great Professional Camera not for amateurs. Great Picture and amazing features.
MEGAN M.
2016-12-18T04:24:49
Great camera for field work and running and gunning. It's simple enough if you just want to get up and shooting but has good advanced capibities for higher quality work. Remember, like and camera, lighting is everything.
Christopher C.
2016-11-30T14:20:01
Still have not done everything the camera can do, but it does what cameras 5 times as much can do with out buying extras. It can connect to them if you need to!
Charles B.
2016-08-30T20:12:13
For my whole life, I purchased Sony video camera. AG-DVX200 is my Panasonic's product. I have used it on two occasions and am happy with its performance. I have lot to experiment with it but so far I have no complaints. Good camera and recommend to purchase it. Adorama- excellent service.
JAYESH P.
2015-12-22T07:36:06
It's a great camera. I am only a few shoots in with it, and I may come back and update in the future (if that is possible here). Read your Barry Green book, and the manual. Setting up scene files (or installing them from download) takes some time. Scene 5 out of the box does okay. I work in education and basically needed some cameras that could do everything, live-event, narrative, etc. I have several DSLRs, and a Blackmagic, and needed something that could do this duty as well. In a word, I am so far, very impressed. Also, needed a camera that recorded in mp4 for our streaming server, and YouTube use (for stuff we were not going to edit). The camera really serves well in all roles, working very well as a traditional video camera for live events (great zoom control, Varizoom input control for focus and iris, and also seems to play the DSLR role well. The stock lens is very impressive for factory kit (very little CA, easily focusable using the screen and fantastic focus peaking function) and the big chip gives you depth of a much more expensive dedicated video camera. All in all I am impressed. There are some annoying bits like the auto EVF/LCD switch (why was this needed?), and no your camera is not broken out of the box when the LCD blinks on and off. And a few other items about the way the menus are set up could be better, but for me, the camera seems to fit my needs very well, and do what it promises. And so far, after getting it set-up with some downloaded scene files, I am VERY impressed with the quality of the image. I know it's apples to oranges, but it destroys the Sony AX100 I have been using to play with 4k.I will update in the future if I can get back here.
Andrew B.
2015-11-01T08:52:50
No information given in manual for importing or saving scene files to card. Has a weird magenta shading on image When using scene file 1, the default setting, with corrected white balance, the camera comes up with a yellowish tinge on the image. No instructions given on how to fix this. Camera has NO exposure meter! Unless you are Experienced professional with access to color charts forget it.. Not recommended!
TIMOTHY P.
2015-10-15T21:00:00
We bought the Panasonic DVX200 to be part of an update for the 5 Sony EX1s,EX1Rs and EX3 we have. Most of our work is for Trade Shows where the requirement is for great low light performance and high quality images. The appearance of the unit is striking with the red accents and the 4K branding adding to the professional looking shape. In a well lit situation the 4K picture is very good. The viewfinder is exceptional. The ability to use SDXC cards was required for us as we have no intention of using proprietary expensive media. The extreme contrast range even in normal settings is very pleasing. The shape and weight is more conducive to hand-held than the Sony EX cameras We did find however that there were a few things we believe can be improved. The menus are tedious and it is difficult to find and change settings. The wide-angle range is not wide enough for a portion of the work we do and the low-light capability is perhaps the biggest drawback. To be useful in run and gun trade show work this needs to be improved. Footage taken with one of our EX1r's at 12db gain and F4 provided a much better image than the DVX200 with ISO set at high sensitivity (1000) and a required gain of 18db wide open. The DVX200 had more grain and less detail resolution. We were recording at the highest (150mb) 4K 60P setting and perhaps because of the 60P this has an impact on low light sensitivity. When we shot at 30P in an unrelated test, just visually it seemed to perform better. We also tested the camera in a duplicate green screen setup with one of our Sony EX cameras and again it required high sensitivity and gain while the Sony shot at 0db with the aperture at F4-f4.8 Because of all the features and settings this camera has, I'm certain we haven't tweaked it to it's best potential. However at this point, because it's new, there isn't a lot of guidance on how to do that and we are open to suggestions on how to maximize quality in low light action situations.
RICHARD D.
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4/3-type MOS solid state image sensor
FHD (1920 x 1080): 15.49 megapixel
UHD (3840 x 2160) 59.94p/50.00p: 8.71 megapixel
UHD (3840 x 2160) 29.97p/25p.00: 12.89 megapixel
4K (4096 x 2160) 24p: 13.35 megapixel
Optical image stabilizer lens, optical 13x motorized zoom F2.8 to F4.5 (f=12.8 mm to 167 mm)
35 mm equivalent:
FHD: 28.0 mm to 365.3 mm
UHD 59.94p/50.00p: 37.2 mm to 485.1 mm
UHD 29.97p/25.00p: 30.6 mm to 398.7 mm
4K 24p: 29.5 mm to 384.9 mm
72mm
1/4
1/16
1/64
Incorporates the ON/OFF control function
Approx. 1.0 m from the front lens
L/M/H selector switch
-6 dB to 24 dB (Adjustable in 1dB steps. Negative gain values are available only when [EXPAND] is enabled, and the automatic setting can be assigned to L/M/H.)
30 dB and 36 dB switched
(when assigning [S.GAIN] to the USER button)
ATW, ATW LOCK, Ach, Bch, preset 3200 K/preset 5600 K/VAR (2000 K to 15000 K)
60i/60p Mode: 1/60 sec to 1/8000 sec
30p Mode: 1/30 sec to 1/8000 sec
24p Mode: 1/24 sec to 1/8000 sec
50i/50p Mode:1/50 sec to 1/8000 sec
25p:Mode 1/25 sec to 1/8000 sec
60i/60p Mode:1/2 sec to 1/30 sec
30p Mode:1/2 sec to 1/15 sec
24p Mode: 1/2 sec to 1/12 sec
50i/50p Mode:1/2 sec to 1/25 sec
25p:Mode 1/2 sec to 1/12 sec
60i/60p mode: 1/60.0 sec. to 1/249.8 sec.
30p mode: 1/30.0 sec. to 1/249.8 sec.
24p mode: 1/24.0 sec. to 1/249.6 sec
50i/50p mode: 1/50.0 sec. to 1/250.0 sec.
25p mode: 1/25.0 sec. to 1/250.0 sec.
Shutter Open Angle: 5.0 deg to 180.0 deg to 360.0 deg
(in 0.5 deg steps, angle display)
60p mode: 2, 15, 30, 40, 55, 58, 60, 62, 65, 75, 90, and 120 fps
30p mode: 2, 15, 26, 28, 30, 32, 34, 45, 60, 75, 90, and 120 fps
24p mode: 2, 12, 18, 20, 22, 24, 26, 28, 30, 36, 48, 60, 72, 84, 96, and 120 fps
60p mode: 2, 15, 30, 40, 55, 58, 60, 62, 65, 75, 90, and 120 fps
30p mode: 2, 15, 26, 28, 30, 32, 34, 45, 60, 75, 90, and 120 fps
24p mode: 2, 12, 18, 20, 22, 24, 26, 28, 30, 36, 48, 60, 72, 84, 96, and 120 fps
When [HIGH SENS.] mode
F11 (2,000 lx, 3,200 K, 89.9% reflect, 1080/59.94i)
F12 (2,000 lx, 3,200 K, 89.9% reflect, 1080/50i)
0.2 lx (F2.8, gain 18 dB, [1/2 sec.], [HIGH SENS.] mode)
2x/5x/10x, i.Zoom (1.0x to 1.54x, variable zoom)
Hood with lens cover
SDHC memory card (4 GB to 32 GB),
SDXC memory card (48 GB to 128 GB), UHS-I supported
Slot x 2
59.94 Hz / 50 Hz
Recording Format: MOV, MP4, AVCHD
Recording Mode: *Please see the Video record mode table.
JPEG (DCF/Exif2.2) supported
8.8M: 4096 x 2160 (17:9), 8.3M: 3840 x 2160 (16:9),
2.1M: 1920 x 1080 (16:9), 0.2M: 640 x 360 (16:9),
0.3M: 640 x 480 (4:3)
8 bit 4:2:2/10 bit 4:2:2 (switchable menu)
*Output of UHD/59.94p/50.00p becomes 8 bit 4:2:0. When 10 bit 4:2:2 is selected, recording is not possible with the main unit.
8 bit 4:2:0
MPEG-4 AVC/H.264 High Profile (MOV/MP4/AVCHD)
MPEG-4 AVC/H.264 High Profile (MOV/MP4/AVCHD)
48 kHz/16 bit, 2 CH
LPCM (MOV/MP4) Dolby Digital (AVCHD)
LPCM (MOV/MP4) Dolby Digital (AVCHD)
12 dB
MOV, MP4
When [Dual Codec] = FHD 50 Mbps
[Main Recorder]
Recording mode = MOV/MP4
*UHD/29.97p/25.00p/23.98p 100 Mbps
[Sub Recorder]
Recording mode = Same as the recording mode and the frame rate of the main recorde
FHD/29.97p/25.00p/23.98p 50Mbps
When [Dual Codec] = FHD 8 Mbps
[Main Recorder]
Recording mode = MOV/MP4
UHD/29.97p/25.00p/23.98p 100 Mbps
FHD/59.94p/50.00p/29.97p/25.00p/23.98p 200 Mbps
FHD/59.94p/50.00p 100 Mbps
[Sub Recorder]
Recording mode = MOV
FHD/59.94p/50.00p/29.97p/25.00p/23.98p 8 Mbps
BNC x1, 0.8 V [p-p], 75 ½, 3 G/1.5 G HD SDI, SD SDI supported
Output format: 1080/59.94p LEVEL-A/50.00p LEVEL-A,
1080/29.97PsF/25.00PsF/24.00PsF/23.98PsF,
1080/59.94i/50.00i, 720/59.94p/50.00p, 480/59.94i, 576/50.00i
BNC x 1, Composite 1.0 V [p-p], 75
HDMI x 1
(HDMI type A terminal, not compatible with VIERA Link)
Output format:
2160/59.94p/50.00p/29.97p/25.00p/24.00p/23.98p,
1080/59.94p/50.00p/29.97p/25.00p/24.00p/23.98p/59.94i/50.00i,
720/59.94p/50.00p, 480/59.94p, 576/50.00p
Supports stereo microphone
XLR x 2, 3-pin
Input high impedance, LINE/MIC/MIC+48 V (switchable SW)
LINE: 4 dBu/0 dBu (switchable menu)
MIC: -40 dBu/-50 dBu/-60 dBu (menu
SDI OUT: 2 CH (LPCM) switchable gain: 0 dB/-6 dB/-12 dB
HDMI OUT: 2 CH (LPCM)
Audio OUT: 3.5 mm diameter stereo mini jack x 1, Output level: 600 ½, 316 mV
Headphone: 3.5 mm diameter stereo mini jack x 1
Speaker: 20 mm diameter, round x 1
2.5 mm diameter super mini jack x1 (ZOOM, S/S)
3.5 mm diameter mini jack x1 (FOCUS, IRIS)
Used as the input and output terminals
Input: 1.0 V to 4.0 V [p-p], 10 k
Output: 2.0 V ½0.5 V [p-p], low impedance
Type A connector, 9-pin, bus power supported
In Recording mode; USB2.0 compatible (5 V, 0.5 A)
In Playback mode; USB 3.0 compatible (5 V, 0.9 A), used for external media device connection
*External media device with a capacity of 32 GB or below or a capacity above 2 TB cannot be used
Micro-B connector, 10-pin, USB 3.0,
Mass storage function (read only)
DC 12 V (11.4 V to 12.6 V), EIAJ type 4
4.3 type HD color monitor, Approx. 2,760,000 dots
0.39 type OLED (organic EL display)
Approx. 2,360,000 dots, video display area: approx. 1,770,000 dots
DC 7.2 V (when the battery is used)
DC 12 V (when the AC adaptor is used)
21.7 W
Approx. 2.7 kg (5.95 lb)
(body only, excluding lens hood, battery, and accessories)
Approx. 3.1 kg (6.84 lb)
(including lens hood, battery, and eye cup)
181 mm (W) x 216 mm (H) x 374 mm (D)
(excluding protrusion and eye cup)
(7-1/8 inches x 8-1/2 inches x 14-23/32 inches)
885170254657
Solid camera
By PHILIP N.
Pros: - easy operation - tons of remappable user buttons - nice imaging - solid-but-light build quality - takes SD cards Cons: - color is a little wonky under certain lights, especially if you're used to Canon color science - variable aperture lens - outputs limited to SDI or HDMI, not both
Amazing Camera
By MEGAN M.
Great Professional Camera not for amateurs. Great Picture and amazing features.
Thirteen years after the groundbreaking AG-DVX100 was introduced and brought cinematic 24p frame rates to the world of video, the Panasonic AG-DVX2000 is said to be the first 4/3 format sensor 4K/60p camcorder to feature a built-in zoom lens. The camera is fronted by a Leica Dicomar 13x zoom lens (with a 35mm equivalent 28-365mm range), which is matched for optimal performance with the 4K imager. The camera boasts a 12-stop dynamic range, and the ability to capture shallow focus and good Bokeh via the f/2.8 minimum aperture. With its attention-grabbing crimson-red body, the camera is designed for both studio and portable production and ENG. Its extensive range of features include a variable frame rate from 24p at full resolution to slow-motion capture at a lower resolution at up to 120fps. The camera is capable of capturing infrared as well as standard images, although an IR illuminator will be a separate purchase.
Key features
The DVx200 will offer many top-end features including 4K/60p recording, a 13x optical zoom and a V-Log L gamma curve (12 stops of latitude, target). It delivers a shallow depth of field and a wide field of view. The DVx200 will be optimized for 4K/HD production and shares the esteemed VariCam family characteristics of filmic tonality and colorimetry, with natural, subtle rendering of skin flesh tones and a V-Log curve emulating the natural Gray-scale rendition of the VariCam 35. The camcorder will incorporate a newly-developed 4/3" large-format MOS sensor and offer variable frame rate recording up to 120fps in FHD mode, enhancing the DVx200's utility in sports and VFX production.
The camcorder records directly onto SD memory cards in 4K, FHD and SD format in MP4, MOV an dAVCHD, and is capable of simultaneous backup, relay, or dual codec recording onto two separate cards. The camera is compatible with SDHC and SDXC memory cards up to 128GB. The camera's outputs include 36-SDI, HMI, Composite and USB, and XLR, Camera Remote and USB inputs are also available. Mini and super mini jacks are available to control zoom, S/S, focus and Iris. Shutter speeds range from 1/25-1/8000 sec, depending on resolution and frame rate, with slow shutter speeds to 1/2 second possible. The built-in lens can accommodate 72mm filters. It supports external stereo microphones via a stereo mini jack. A speaker jack is also available.
The new handheld 4K camcorder will offer an array of professional features including a newly-designed Leica Dicomar 4K F2.8-F4.5 zoom lens (4K/24p: 29.5 mm - 384.9 mm, HD: 28 mm - 365.3mm, 35 mm equivalent), time-code in/out, 3G HD-SDI and HDMI 2.0 (4K) video outs, easy focus and zooming and programmable user buttons. The DVx200 will record 4K (4096 x 2160) / 24p, UHD (3840 x 2160) / HD (1920 x 1080) 60p / 50p / 30p / 25p / 24p in either MP4 / MOV file formats. There are two SD card slots, facilitating backup and relay recording. For professionals working worldwide, the camera's master frame rate is selectable between 59.94Hz (23.98Hz) / 50.00Hz / 24.00Hz.
The DVx200's three manual operation lens rings-13x zoom (Cam driven), focus and iris-will provide a comfortable manual control similar to an interchangeable lens camera, but without the need for actual lens changes. The zoom ring's solid feel and smooth action allow delicate ultra-slow zooming. In addition, the camera's multi-step zoom control provides fast response and smooth zoom action, yielding the creative freedom every camera operator desires. The zoom control on the handle enables variable speed zoom, allowing fine zoom control even for low angle shots. The DVx200 also features an enhanced Image Stabilizer, including a five-axis Hybrid Image Stabilizer and 4x correction-area Image Stabilizer.
The new Leica Dicomar 4K zoom lens with F2.8 aperture is an optimal choice for 4K video, with the ability to produce elegant imagery and subtle bokeh". It has superb center-of-gravity balance and keeps ghosting and flare to a minimum. Since the DVx200 is an integrated-lens camcorder, there is no need to perform the flange back adjustments or shading corrections when changing lenses. Even with a large diameter lens, the DVx200's weight and balance have been optimized to facilitate agile, mobile 4K acquisition. , the camcorder will be ideal for such flexible shooting applications as mounting on today's popular stabilized camera rigs.
The AG-DVx200 utilizes a front element lens / filter diameter of 72mm, a very common size. It is expected that many third party lens accessory manufacturers will announce items such as close-up lenses and other desired options.
The AG-DVx200 will feature next-generation ergonomics, with the battery positioned in the rear so as not to interfere during handheld shooting. The DVx200 comes with a rugged woven carbon, fiber-like finish and the recording section is distinctively styled with crimson shading.
Open New Paths to Video Production with 4K Quality and Mobility with the Panasonic AG-DVX200 4K Handheld Camcorder.
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