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Review Summary
2022-08-17T17:00:37
Is in excellent products
Johanna M.
2022-08-15T12:39:33
For the $3.7K total price, no complaint here. Has incredible features for a 1-piece camcorder. Love the IR, optical stabilization, iZoom, 59.94p, small-form factor, smooth servo zoom..) With that in mind, don't expect this cam to perform like a AJ-CX4000 w/ a $40K UHD 2/3" lens. The extreme wide end and close-up (before iZoom) are just plain soft. I clearly see the focus assist is in red, but it just couldn't resolve the image well. Has to be the economy lens here. This is why a real UHD lens costs about $35-45K. I'd shoot z100-200 and max out at z750. Anything beyond that won't look good due to optical performance limitations. The autofocus is pretty slow (latest July 2022 firmware). Utterly useless in many cases because it can't track the subject fast enough. Manual focus is adequate. Just doesn't have that fine detail or tactile feel as on a 2/3" UHD or HD Fujinon or Canon lenses. Most of the time I'm able to track the moving subject during the parade during a MCU and zoom out. But there is also many focus misses due to the ultra-fine focus ring. It'll take a while to get used to coming from a 2/3" broadcast lenses. Servo zoom in/out is actually pretty decent. It can do a slow creep and accelerate to a fast zoom just like the on the 2/3". 3rd party controller, such as the Varizoom VZ Rock can mimic the CX350's zoom rocker. The parafocal ability on the lens is decent. I can zoom in/out on the subject and it remains in focus. The only thing the CX-350 can't do is a super fast 1s servo zoom in/out that a super wide angle 2/3" can do. That itself is an artistic shooting style. Can't shoot super wide at certain tight locations. 24mm is wide but there are numerous situations where a super wide rectilinear 16-18mm is needed to get the entire building in the frame. Low-light with and without LOW SENS function is adequate. It simply doesn't have super low-light performance found on the GH5s series. VLog mode is decent. Has similar look to GH5, GH6, Varicam 35/LT/HS. The GH5 and GH6 is a little too sharp even sharpness is set to 0. But this looks very close. The Super Slow or HFR from 61-120 fps@1080p is very decent. Doesn't suffer the aliasing artifacts like the GH5s. This cam is a perfect addition to my GH5s but cannot replace it during low-light and super wide angle shots. There are scenarios where I can't do servo tracking shot on the GH5s. This fills that gap but doesn't replace my GH5s w/ Leica 10-25mm, 25-50mm, 8-16... Mobility and transporting cam from location to location are also very good. The camera is very light for me to carry the entire cam and tripod w/ out sweating too much. On a 2/3" setup, it's much heavier but the reward is its no-compromise optical and overall picture performance in all focal ranges and zoom. Handheld stabilization is quite good. Was taking a 2-mile hike with a very steep incline. Taking a tripod is too heavy. The Hybrid OIS and different stabilization modes enabled many useable handheld shots w/ no tripod. The shakiness is smoothened drastically! Impressive here. In-cam CX350 stabilization is far superior to using NLE apps method. Lack of genlock on the cam is not a deal-breaker. I can live with being 1 frame off when syncing with other equipment. Can't give it a 5-star due to lackluster optical performance at 4K. Everything else is great though.
Trung L.
2021-11-19T13:40:32
I'm truly amazed that a camera that records beautiful images in 4K 10 bit, with incredible zoom range, 5 axis image stabilization and live streaming sells for $3,700. I'm very happy with it as well as Adorama to say the least.
John D.
2020-10-12T10:24:53
Amazing camera. Easy to use and a nice upgrade in image quality from my old Panasonic. Commercial video projects need versatile tools and what I used to create with a monster size rig is now handled with this camera. As always, easy order, quick delivery and great customer service.
DARIN L.
2020-06-25T10:35:58
I am enjoying learning and using my new CX350. With Live Streaming our church services, it is working well for me. Thanks, Tom
TOM E.
2019-07-02T08:29:29
It's been a while since I bought a small-sensor camera. Before purchasing the CX350, I tried a JVC HM620 (which was disappointing), and a Canon XF400 (which had a nice picture but I didn't like the ergonomics). I came up with a list of criteria: • 1" sensor • Proper iris, focus, and zoom controls • Good low-light performance (for a camcorder) • Built-in ND filters • XLR jacks • Good zoom range. • Uses easy-to-find SD cards This Panasonic ticked all the boxes . I've used it on two shoots and I'm very happy with it. The 10-bit color is incredible and so much fun to grade! If you need a versatile camera for news or documentary (or possibly even cinema), you should give this a good look. It's a joy to use.
NATHAN R.
2019-06-19T10:56:18
This camera won a battle between considering the purchase of a dslr. A single fixed lens with ability to go wide 24mm and go long at 10bit 4-2-2. 16mb mos chip is fast and wont dissapoint. Connectivity with xlr mics, fans for cooling and the professional look, ups my game in front of clients.
THOMAS S.
2019-06-13T09:40:12
Only one field test but it worked as advertised.
Jeffrey B.
2019-06-12T08:41:25
I am very happy with the new AG CX350. We had a very early 200 model with the big P2 cards and it was a workhorse for years. We have several Canon 5D systems and another 4K cinema camera, but wanted an all-in-one 4K workhorse like the 200 was. I am not disappointed. I especially like the access to HEVC h.265 and the high data rate 4K .mov codec. We have a seven day production coming up that will allow me to really put it though it's paces, but I’m confident it will live up to my expectations.
JOSEPH M.
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1.0-type (effective size) MOS solid state image sensor
15,030,000 pixel
F value: F2.8 to F4.5
Focal length: f=8.8 mm to 176 mm
35 mm equivalent: 24.5 mm to 490 mm
Filter Diameter: 67 mm
ND Filter: Clear, 1/4, 1/16, 1/64
IR Filter: Incorporates the ON/OFF control function
Shortest Shooting Distance (M.O.D.):
Approx. 10 cm (W), 1.0 m (T) from the front lens
L/M/H selector switch
-3 dB to 18 dB (Adjustable in 1 dB steps)
24dB, 30 dB, 36 dB switched
(when assigning [S. GAIN] to the USER button)
ATW, ATW LOCK, A ch, B ch,
preset 3200 K/preset 5600 K/VAR (2000 K to 15000 K)
When [SYSTEM MODE] = 59.94 Hz
59.94i/59.94p mode:
1/60 sec. (shutter off), 1/100 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec., 1/4000 sec., 1/8000 sec., 1/10000 sec.
29.97p mode:
1/30 sec., 1/50 sec. (shutter off), 1/60 sec., 1/100 sec., 1/120 sec., 1/250 sec., 1/500 sec ., 1/1000 sec., 1/2000 sec., 1/4000 sec., 1/8000 sec., 1/10000 sec.
23.98p mode:
1/24 sec, 1/48 sec, 1/50 sec. (shutter off), 1/60 sec, 1/100 sec, 1/120 sec, 1/250 sec, 1/500 sec, 1/1000 sec, 1/2000 sec, 1/4000 sec, 1/8000 sec, 1/10000 sec When [SYSTEM MODE] = 50.00 Hz
50i/50p mode:
1/50 sec (shutter off), 1/60 sec, 1/100 sec, 1/120 sec, 1/250 sec, 1/500 sec, 1/1000 sec, 1/2000 sec, 1/4000 sec, 1/8000 sec, 1/10000 Sec
25p mode:
1/25 sec, 1/50 sec. (shutter off), 1/60 sec, 1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/10000
When [SYSTEM MODE] = 59.94 Hz
59.94i/59.94p mode: 1/1 sec, 1/2 sec, 1/4 sec, 1/6 sec, 1/15 sec, 1/30 sec,
29.97p mode: 1/1 sec, 1/2 sec, 1/4 sec., 1/6 sec., 1/15 sec.
23.98p mode: 1/1 sec, 1/2 sec, 1/4 sec 1/6 sec, 1/12 sec
When [SYSTEM MODE] = 50.00 Hz
50i/50p mode: 1/1 sec., 1/2 sec., 1/4 sec., 1/6 sec., 1/12 sec., 1/25 sec.
25p mode: 1/1 sec., 1/2 sec., 1/4 sec., 1/6 sec., 1/12 sec
When [SYSTEM MODE] = 59.94 Hz
59.94i/59.94p mode: 1/60.0 sec. to 1/7200 sec.
29.97p mode: 1/30.0 sec. to 1/7200 sec.
23.98p mode: 1/24.0 sec. to 1/7200 sec.
When [SYSTEM MODE] = 50.00 Hz
50i/50p mode: 1/50.0 sec. to 1/7200 sec.
25p mode: 1/25.0 sec. to 1/7200 sec.
3.0 deg to 180.0 deg to 360.0 deg (in 0.5 deg s teps)
When [SYSTEM MODE] = 59.94 Hz
1, 2, 4, 6, 9, 12, 15, 18, 20, 21, 22, 24, 25, 26, 27, 28, 30, 32, 34, 36, 40, 44, 48, 54, 60 (fps)
When [SYSTEM MODE] = 50.00 Hz
1, 2, 4, 6, 9, 12, 15, 18, 20, 21, 22, 23, 24, 25, 26, 27, 28, 30, 32, 34, 37, 42, 45, 48, 50 (fps)
When [SYSTEM MODE] = 59.94 Hz
1920 x 1080 (FHD): shooting frame rate 120 fps
When [SYSTEM MODE] = 50.00 Hz
1920 x 1080 (FHD): shooting frame rate 100 fps
When [HIGH SENS.] mode
F12 (2000 lx, 3200 K, 89.9 % reflect, 2160/59.94p, 1080/59.94i)
F13 (2000 lx, 3200 K, 89.9 % reflect, 2160/50p, 1080/50i)
: 2000 TV or higher (UHD: center)
1000 TV or higher (FHD: center)
½32 (FHD), ½24 (UHD)
½2/½5/½10
Hood with lens cover
SDHC memory card (4 GB to 32 GB),d Recorder
SDXC memory card (32 GB to 128 GB)
UHS-I/UHS-II UHS Speed Class3 supported,
Video Speed Class V90 supported
microP2 card (A series, B series)
microP2/SDXC UHS-II card slot x 2
3840 ½ 2160 (UHD), 1920 ½ 1080 (FHD), 1280 ½ 720 (HD), 720 ½ 480(SD), 720 ½ 576 (SD)
59.94 Hz/50.00 Hz
MOV (AVC), MOV (HEVC), AVCHD
Relay Rec, Simultaneous Rec, Background Rec
Pre Rec, Interval Rec, Time Stamp
MOV: 4:2:2 10 bit/4:2:0 8 bit/4:2:0 10 bit (HEVC) AVCHD: 4:2:0 8 bit
H.264/MPEG-4 AVC High Profile
H.265/MPEG-H HEVC Main10 Profile
12 dB/18 dB/20 dB switchable (menu)
MOV: 48 kHz/24 bit, 2 ch, Linear PCM
AVCHD: 48 kHz/16 bit, 2 ch, Dolby Audio
H.264/MPEG-4 AVC Main Profile, High Profile
AAC-LC
RTSP/RTP/RTMP
BNC x 1, SDI REC REMOTE supported
HD: 0.8 V [p-p], 75, SD: 0.8 V [p-p], 75,
Output format (4:2:2 10 bit):
. 1920 x 1080: 59.94p, 50p, 59.94i, 50i,
29.97Psf, 25Psf, 23.98PsF
1280 x 720: 59.94p, 50p
720 ½ 480: 59.94i
720 ½ 576: 50i
HDMI x 1, Type A, HDMI REC REMOTE supported,
VIERA Link not supported
Output format (4:2:2 10 bit):
3840 ½ 2160: 59.94p, 50p, 29.97p, 25p, 23.98p
1920 ½ 1080: 59.94p, 50p, 59.94i, 50i, 29.97p, 25p, 23.98p
1280 ½ 720: 59.94p, 50p
720 ½ 480: 59.94p
720 ½ 576: 50p
3.5 mm diameter mini jack, composite 1.0 V [p-p], 75
Stereo microphone
XLR (3-pin) x 2 (INPUT1, INPUT2)
Input high impedance, LINE/MIC/MIC+48V (switchable SW)
MIC: -40 dBu/-50 dBu/-60 dBu (switchable menu)
LINE: +4 dBu/0 dBu (switchable menu)
Linear PCM 2 ch
Linear PCM 2 ch
3.5 mm diameter stereo mini jack x 1
3.5 mm diameter stereo mini jack x 1, Output level: 600, 316 mV
20 mm diameter, round x 1
BNC x 1,
Used as the input and output terminals (switchable menu)
Input: 1.0 V to 4.0 V [p-p] 10 K½
Output: 2.0 V ½ 0.5 V [p-p] low impedance
2.5 mm diameter super mini jack
RJ-45: 1000BASE-T/100BASE-TX/10BASE-T
Type-A, 4-pin (5 V, 0.5 A) for Wireless Module (option)
USB 3.1 GEN1 Type-C, USB Mass storage function
No USB bus power function
DC 12 V EIAJ Type 4
3.5 type TFTLCD color monitor (3:2), approx. 1,620,000 dots, Touch panel
video display (16: 9) area: Approx. 1,370,000 dots
0.39 type OLED (organic EL display), approx. 2,360,000 dots,
video display (16: 9) area: approx. 1,770,000 dots
DC 7.28 V (when the battery is used)
DC 12 V (when the AC adaptor is used)
17 W (when the LCD monitor is used)
11.5 W (1080i / 422ALL-I 100M recording, when the LCD monitor is used, no external device connection)
Body: approx. 1.9 kg (4.19 lb)
(body only, excluding lens hood, battery, and accessories)
Shooting: approx. 2.3 kg (5.07 lb)
(including lens hood, battery, and microphone holder)
180 mm (W) x 173 mm (H) x 311 mm (D)
(7-1/8 inches x 6-13/16 inches x 12-1/4 inches)
(excluding protrusion and eye cup)
885170371972
If you’re planning to expand your video equipment with more advanced gear, moving up to one of these best 4K cameras is one of the best decisions you can make.
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---|---|---|---|
Special Features | 24P, 25P, Mic Input, Time Code I/O, Touchscreen LCD, XLR Mic Input, Zoom | Conferencing Capabilities, Live Streaming Capability, NDI Technology, Networkable, PoE Technology | Conferencing Capabilities, Live Streaming Capability, NDI Technology, Networkable, PoE Technology |
Resolution | 4K 60p | 4K UHD (3840x2160) | 4K UHD (3840x2160) |
Kit Style | Base | Base | Base |
Configuration | Camcorder Only | - | - |
Sensor Type | CMOS | CMOS | CMOS |
Optical Zoom | - | 24x | 24x |
Sensor Size | 1" | 1/2.5" | 1/2.5" |
Lens Included | 20x Zoom | - | - |
Best camcorder I've owned
By NATHAN R.
It's been a while since I bought a small-sensor camera. Before purchasing the CX350, I tried a JVC HM620 (which was disappointing), and a Canon XF400 (which had a nice picture but I didn't like the ergonomics). I came up with a list of criteria: • 1" sensor • Proper iris, focus, and zoom controls • Good low-light performance (for a camcorder) • Built-in ND filters • XLR jacks • Good zoom range. • Uses easy-to-find SD cards This Panasonic ticked all the boxes . I've used it on two shoots ...
View full Review
Love the AG-CX350
By JOSEPH M.
I am very happy with the new AG CX350. We had a very early 200 model with the big P2 cards and it was a workhorse for years. We have several Canon 5D systems and another 4K cinema camera, but wanted an all-in-one 4K workhorse like the 200 was. I am not disappointed. I especially like the access to HEVC h.265 and the high data rate 4K .mov codec. We have a seven day production coming up that will allow me to really put it though it's paces, but I’m confident it will live up to my expectations.
High-End 1.0-type Handheld Camcorder with 4K/HDR/10-bit Capabilities. Supports IP Control, NDI | HX and RTMP Streaming.
A new CX Series camcorder offering 4K/HDR/10-bit image quality and live recording/IP connection usability to deliver next-generation creativity and connectivity
The Panasonic AG-CX350 from the brand’s CX Series of handheld camcorders packs professional features into its compact body. It boasts a 1-inch MOS sensor, which records cinema-quality UHD 4K videos with a maximum resolution of 3840 x 2160. The camcorder can also produce HD videos in MOV format, HD/SD videos in AVCHD format, and HDR output in the camera by choosing from eight different gamma settings. Frame rates can vary from 1 to 60 frames per second in UHD and 1 to 120 frames per second in HD. Two SD card slots enable simultaneous (identical), relay (backup), and background (selective) recording. The camera comes with a built-in lens that offers 20x optical zoom, 32x intelligent zoom, and 5-axis image stabilization for smoother videos. The lens also has three discrete control rings for the adjustment of focus, aperture, and zoom. Integrated onto the rear of the camera are the OLED electronic viewfinder and a clear 3.2-inch LCD touchscreen monitor. Multiple ports—including USB 3.0, USB 2.0, Ethernet, 3G-SDI, HDMI out, and two XLR connectors—help widen audio-visual display and streaming options, while an optional USB wireless adapter can be used to enable wireless streaming.
Looking to give professional camcorder users a simple-to-use, flexible, and powerful video recording and live broadcasting solution, Panasonic has released a next-generation camcorder in the form of the AG-CX350....
READ MORE
Panasonic developed the new CX Series of handheld camcorders, spearheaded by the AG-CX350, to fuse video, on-air broadcasting, and communication for the next generation. The AG-CX350 features 4K/UHD resolution, 10-bit depth, HDR-compatible image quality, and a host of recording formats for the ultimate creativity in a compact, lightweight body with low power consumption. It is also equipped with an RTMP/RTSP function for live streaming and NDI | HX-ready IP connectivity, to serve as a live camera, and clearly expands the usability of the handheld camcorder beyond conventional news gathering and recording applications to meet a wide range of professional needs.
Panasonic boasts the world’s largest market share in the aspherical lens segment. Its cutting-edge optical technology was maximized in the development of the integrated lens used in the AG-CX350. This lens has the industry’s widest angle of 24.5mm*1 on the wide end and allows recording of wide-angle images with minimal distortion, without the use of a conversion lens. The optical 20x zoom covers up to 490mm telephoto in all modes. Furthermore, the i.Zoom enables seamless zooming of up to 32x in HD or up to 24x in UHD from the telephoto end with no degradation in resolution. The AG-CX350 also comes with digital 2x/ 5x/ 10x zoom.**
*In 35mm equivalent. The AG-CX350’s wide 24.5mm angle is the widest in the industry for UHD/FHD (16:9). In the segment of camcorders with integrated lens, the Panasonic AG-UX180 achieved the industry’s widest angle of 24mm in UHD/24p (17:9). For UHD/FHD (16:9), 25.4mm is the widest angle in the industry. (Both as of January 2019, according to a Panasonic survey)
*When using the digital zoom, picture quality degrades as the magnification rate increases.
The 1.0-type MOS (approximately 15,030,000 pixels) offers an outstanding depth of field and excellent balance between image quality and sensitivity. It supports multi-formats, such as UHD (3840 x 2160), FHD, HD and SD, and provides images without cropping in all modes. This MOS sensor also boasts high sensitivity of F12 (60 Hz) /F13 (50 Hz) (in both UHD and FHD in High Sensitivity mode).
The AG-CX350 has a built-in hybrid image stabilizer that combines optical and electronic camera shake compensation functions.
It corrects camera shake in five axial directions in all modes* including UHD to provide powerful camera shake compensation power in low-angle shooting, high-angle shooting and all other unstable conditions. There are three modes to choose from: NORMAL (standard), STABLE (effective for fixed-frame shooting) and PAN/TILT (effective in panning and tilting).
* Excluding Super Slow and VFR modes.
The AG-CX350 features HLG (Hybrid Log-Gamma)* to support HDR (High Dynamic Range). This achieves a wide dynamic range on HDR-compatible TV monitors. The gamma mode can be selected from eight modes (HD, SD, FILMLIKE 1, FILMLIKE 2, FILMLIKE 3, FILM-REC, VIDEO-REC, HLG).
* The HLG specification was developed jointly by Japanese broadcaster NHK and the BBC in the UK. It is defined in ARIB STD-B67 and ITU Rec. 2100.
The AG-CX350 comes with Manual Three Rings for zoom, focus and iris control. They deliver quick response and provide tactile feel that satisfies professionals.
The zoom lever located at the upper section of the handle has a multi-step variable zoom function, allowing smooth zooming from ultra-low speed when shooting from low angle shooting and when a tripod is used.
The AG-CX350’s auto focus system is Intelligent AF, which is equipped with a micro drive focus unit to achieve high focusing speed, excellent tracking performance and superb stability. The AG-CX350 is also equipped with Expand and Peaking (simultaneous display possible), Manual Focus Assist, LCD Touch Focus (switchable to Auto Iris or brightness display) and One-Push AF Focus Assist.
The AG-CX350 is capable of recording in various formats at different compression rates (see the table below). It can record UHD/60p videos in high-image-quality 10-bit on an SD memory card. It also features a new, high-efficiency HEVC codec (LongGOP, 10-bit, 4:2:0, MOV) . When a PC with 7th Generation Intel Core i7 processor is used, the hardware acceleration enables native decoding and playback. Free software, such as VLC Media Player or QuickTime Player, provides smooth playback on a notebook PC or MacBook with Intel Core i7 processor.*
* Playback may lack smoothness depending on the PC environment, such as storage and memory devices.
In UHD, variable frame rate (VFR) recording at 1 fps to 60 fps is possible. In FHD, super-slow can be realized at a maximum of 120 fps. Both provide high-quality 10-bit, full-frame pictures with no image area cropping even at high frame rates.
The AG-CX350 records MOV files that are highly compatible and easy to use. This file format is the same as that used on Panasonic’s compact cinema camera, the AU-EVA1, and supports file names with up to 20 characters, allowing recorded video clips to be easily managed. The AG-CX350 also supports conventional AVCHD recording, including the AVCHD 8 Mb/s mode, used widely as the format in college and professional football coaching analysis.
And it will support the MXF P2 file format for broadcasting in the future,* enabling AVC-Intra or AVC-LongG recording.
* Future support by a firmware version upgrade for recording onto microP2 cards.
Two SD memory card slots capable of using SDXC/SDHC/microP2 cards enable unlimited* relay recording by simply changing SD memory cards. Recording reliability is further improved with simultaneous recording and background recording, and the AG-CX350 is equipped with Pre Rec, Interval Rec and Time Stamp recording functions.
* If the Relay recording time reaches 10 hours, shooting will temporarily stop, and then automatically restart a few seconds later. If it is recorded in MOV format, the file will be split every 3 hours and recorded.
Unlimited* Relay Recording
Automatically records continuously from Slot 1 to Slot 2. By changing a full card with a new card, images can be recorded continuously for many hours.
Simultaneous Recording
Identical data is recorded onto cards in both slots in this dual recording mode.
Background Recording
Records ordinary Rec Start/Stop-controlled data in Slot 1, and records all data, even when Slot 1 is stopped, in Slot 2.
* VFR is supported only in Progressive mode. Square brackets [ ] indicate a system frequency of 50.00 Hz.
HD streaming is possible while images are being acquired. Both RTSP and RTMP streaming methods are compatible. And Facebook, YouTube, and other streaming services are supported. The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news.
* P2 Network Setting Software is required for the use of the RTMP function. See the section, “Connectivity-verified live video services,” for the live video streaming services that have been confirmed to be compatible.
AG-CX350
System functions designed for live streaming.
Functionality and operability engineered for professional use.
RTMP/RTSP-Compatible HD Streaming
HD streaming is possible while images are being acquired. Both RTSP and RTMP streaming methods are compatible. And Facebook, YouTube, and other streaming services are supported. The AG-CX350 can be used for live coverage of concerts and sports events as well as for live streaming of breaking news.
* P2 Network Setting Software is required for the use of the RTMP function. See the section, “Connectivity-verified live video services,” for the live video streaming services that have been confirmed to be compatible.
Easy IP Connection: Preinstalled NDI | HX Support
The AG-CX350 is the industry’s first camcorder to support NDI | HX.* Equipped with NDI | HX mode, it allows video transmission and camera control via IP connection, without using an external converter. When connected to a system configured with the AV-HLC100 Live Production Center and HN/UN series PTZ integrated cameras, the AG-CX350 realizes end-to-end live video production of live events as well as web distribution.
• NDI | HX, a technology of NewTek, Inc.
* 4K image output not supported in NDI | HX mode.
* Industry’s first camcorder to support NDI | HX. As of January 2019 (according to a Panasonic survey).
The AG-CX350 can be controlled remotely and wirelessly using a tablet/smartphone app*1 (downloadable for free from the App Store or Google Play). In addition to zoom, i.Zoom and focus lens control, the app enables remote control of various other functions, including camera setting, picture quality adjustment, REC start/stop and menu setting. What’s more, the app can be used to select the camera to control from up to eight cameras.*2
*1: iPad: iOS 9 or later are supported. Android devices: Android 5.0 or later are supported. Wireless module (sold separately; AJ-WM50 or recommended third-party Wi-Fi dongle) is required.
•2: The app does not support simultaneous/synchronous control of multiple cameras. Camera switching takes several seconds.
SDI and HDMI can be output in parallel. Output of UHD video via HDMI and output of HD video in high-image-quality 10-bit, 4:2:2 via SDI enable a variety of uses. In HLG shooting, either HDR or SDR can be selected for each of the SDI, HDMI and LCD video outputs.
The use of the built-in stereo microphone or XLR input (switchable 48-V phantom power supply/MIC/LINE) allows 2-channel audio recording. In MOV mode, 24-bit linear PCM recording delivers higher sound quality. Future firmware update will enable 4-channel recording.*1 Other audio features include manual volumes, OSD level meter, 1 kHz test tone output*2 and headphone output (3.5 mm-diameter stereo mini jack).
*1: When MOV is selected as the main recording format, the AG-CX350 enables 4-channel recording using the built-in microphone (2 channels) and XLR (2 channels). In AVCHD mode, only 2-channel recording is possible.
*2: This output is produced when the color bar is displayed. When the 50 Hz system frequency is selected, the output is 997 Hz.
The AG-CX350 features a new 3.2-type high-definition LCD monitor (approximately 1,620,000 dots). This LCD monitor uses the RGBW (red, green, blue, white) pixel structure to provide high visibility even in bright sunlight. The 3:2 aspect ratio enables the display of timecode and camera status without superimposing on the image. The touch panel function allows convenient touch focus and menu setting. The viewfinder is a high-resolution color OLED (approximately 2,360,000 dots, with an image display area of approximately 1,770,000 dots) that offers superb color reproduction. Since the AG-CX350 newly supports simultaneous LCD and EVF outputs, the LCD monitor can display the captured image at all times even when you look away from the EVF.
The AG-CX350 boasts low power consumption of 11.5 W (in factory setting, with no devices connected to the terminals), which is the industry’s lowest in the UHD/HD 10-bit recording camcorder segment. The maximum power consumption is only 17 W (HEVC recording, LCD turned ON, devices connected to the terminals).*1 With the supplied battery pack (5900 mAh), the AG-CX350 operates continuously for about 3 hours and 20 minutes. This large-capacity battery pack supports quick charges.*2
*1: As of January 2019. According to a Panasonic survey.
*2 Quick charge is possible only when the AG-BRD50 battery charger is used.
Barry Green has created six unique Scene Files that capture a specific look in camera for a faster and more efficient post workflow. Scene Files can be created and saved in the CX350, as well as loaded onto an SD card for later use. The CX350 already includes six factory preset Scene Files: [F1:], [F2:FLUO.], [F3:SPARK], [F4:B.STR], [F5:CINE], [F6:HLG].
https://na.panasonic.com/us/standardwarranty
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