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2 Year
$499.99
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$649.99
5 Year
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Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
Protect your product from drops, spills, and more.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
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2x 6.3mm mono jack sockets, auto-select to analogue inputs 1 & 2 when plugged
2x 6.3mm stereo TRS Jacks, each with illuminated volume control
Assignable encoder / push switch with halo indication
with standby indicator (also flashes when unit is in 'identify' mode)
Level Meters: 10x multi-segment bargraphs with overload indication, 8 for analogue, 2 for digital, assignable to inputs or outputs
Input selection: Indicate mode of analogue inputs 1-8 as Mic / line / inst with phantom power indication for mic mode
Overkiller: For every analogue input, lit when Overkiller limiters are acting
Digital Input: Indicators for digital input unlocked and SRC (sample-rate converter) selected
Digital Output: Indicator for SRC (sample-rate converter) selected
Sync: Master indicator, lit when interface is providing system sync
8x combo connectors with XLR sockets for mic input and 6.3mm TRS jack sockets for line input (balanced or unbalanced)
8x 6.3mm TRS jack sockets (balanced or unbalanced)
1x RCA 1x TOSLINK for S/PDIF or ADAT Optical input; (RCA can operate as AES3 input using XLR-RCA adapter supplied)
1x RCA 1x TOSLINK for S/PDIF or ADAT Optical output; (RCA can operate as AES3 output using XLR-RCA adapter supplied)
2x 5 Pin DIN sockets (in and out)
2x BNC sockets, output and input (75R)
1x USB 2 port
For alternative digital multi-channel I/O
3-pin 6A IEC inlet
OS X 10.4 or later, Intel platform
Windows Vista, 7 or 8, 32 or 64 bit
Core Audio device
ASIO device
Graphical user interface for control of single or multiple Atlas units under Mac OS X or Windows
Electronically balanced, with fully-balanced analogue signal path
Switchable '+4dBu' (0dBFS = +18dBu) or '-10dBV' (0dBFS = +6dBu)
14.5k Ohm
Automatic
-117dB (0.00014%, -0.1dBFS)
-111dB (0.00028%, -0.1dBFS)
116dB (-60dBFS)
+/-0.05dB
-0.05dB at 8Hz; -3dB at <1Hz
fs = 44.1kHz: -0.05dB at 21.1kHz; -3dB at 22.0kHz
fs = 48kHz: -0.05dB at 23.0kHz; -3dB at 23.9kHz
fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.9kHz
fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 78kHz
20Hz..20kHz: >70dB
1kHz: <140dB; 20Hz..20kHz: <-120dB
10Hz..5kHz: +/-0.25 Degree
5kHz..20kHz: +/-1.0 Degree
20kHz..50kHz: +/-2.0 Degree
Progessive limiter, auto-aligning, selectable per channel
High-pass filter, -3dB at 80Hz, 40dB/decade (selectable for channels 1-4; whether in line, mic or instrument mode)
Response accuracy:
+/-0.22dB at fs=44.1kHz
+/-0.14dB at fs=48kHz
+/-0.015dB at other sample rates
Allows direct connection of mid-side mics, or non-matrix mic-preamps (selectable for channels 1-4; whether in line or mic mode)
Electronically balanced, with fully balanced analogue signal path
10dB to 65dB in 1dB steps (0dBFS = -56dBu to -1dBu)
+/-0.05dB
5.5k Ohm
+10dB gain: -116dB at -0.1dBFS (0.00016%)
+40dB gain: -110dB at -0.1dBFS (0.00032%)
+10dB gain: -108dB at -0.1dBFS (0.00040%)
+30dB gain: -128.5dBu (0 Ohm source); -126.3dBu (150 Ohm source)
+40dB gain: -130.9dBu (0 Ohm source); -127.6dBu (150 Ohm source)
+50dB gain: -131.2dBu (0 Ohm source); -127.7dBu (150 Ohm source)
+60dB gain: -131.4dBu (0 Ohm source); -127.8dBu (150 Ohm source)
-0.05dB at 20Hz, -3dB at 5Hz
As per analogue line input data (dependent on fs)
50Hz/60Hz: >110dB at all gains
1kHz: >100dB at all gains
20kHz: >90dB at all gains
+48V, switchable per channel
-20dB, switchable per channel
Unbalanced, high impedance buffer
10dB to 65dB in 1dB steps, 18dB pad (0dBFS = -38dBu to 17dBu)
+/-0.05dB
1M Ohm
Electronically balanced, with fully-balanced analogue signal path
Switchable '+4dBu' (0dBFS = +18dBu) or '-10dBV' (0dBFS = +6dBu)
100 Ohm balanced, 50 Ohm unbalanced
Automatic, with bootstrapping level compensation
-107dB (0.00045%, -1dBFS)
-106dB (0.00050%, -0.1dBFS)
115dB (-60dBFS)
+/-0.05dB
-0.05dB at 8Hz, -3dB at <1Hz
fs = 44.1kHz: -0.05dB at 21.4kHz; -3dB at 22.0kHz
fs = 48kHz: -0.05dB at 23.2kHz; -3dB at 23.9kHz
fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.8kHz
fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 76kHz
>50dB
1kHz: <135dB; 20Hz..20kHz: <-120dB
10Hz..5kHz: +/-0.4 Degree
5kHz..20kHz: +/-0.25 Degree
20kHz..50kHz: +/-0.5 Degree
S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK)
S/PDIF (2-channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz
ADAT (8-channel) 44.1 and 48kHz
ADAT S/MUX (4-channel): 88.2 and 96kHz
Ignored
24 bit
via S/PDIF RCA, using RCA-XLR adapter (supplied)
Selectable at S/PDIF input; allowing input at any sample rate
Maintained (allows recording of Dolby or DTS streams)
S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK)
S/PDIF (2-channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz
ADAT (8-channel) 44.1 and 48kHz
ADAT S/MUX (4-channel): 88.2 and 96kHz
Full implementation, Consumer (S/PDIF) or professional (AES3)
24 bit, or reduction to 16 bits using flat TPDF dither or Prism Sound SNS (Super Noise Shaping - four alternative shapes available)
via S/PDIF RCA, using RCA-XLR adapter (supplied)
Selectable at S/PDIF output; output rate can be referenced to Wordclock, DI or local clock at 44.1, 48, 88.2, 96, 176.4 or 192kHz
Maintained in 24 bit mode (allows playback of Dolby or DTS streams to external decoder)
44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz
Master: local, Wordclock, DI (S/PDIF input) or ADAT
Slave: bus master (another interface or Host computer)
Local clock accuracy: +/-50ppm
Jitter rejection: >60dB / decade above 100Hz
Internal mixer delay (total analogue in to out)
fs = 44.1kHz: 0.56ms
fs = 48kHz: 0.52ms
fs = 88.2kHz: 0.2ms
fs = 96kHz: 0.18ms
fs = 176.4kHz: 0.09ms
fs = 192kHz: 0.08ms
2U 19" rack mountable
(rubber feet and rack ears supplied)
90-250VAC, 50/60Hz
Internal power supply
IEC 6A connector
35W
0.5A(T), 20mm, ceramic
32 to 95 Degree F (0 to 35 Degree C), 85% maximum relative humidity
Table top: 17.3 x 11.4 x 3.7" (440 x 290 x 95mm) (inc. feet)
Rack-mount: 19 x 11.4 x 3.5" (483 x 290 x 88mm) (inc. optional ears)
11 lbs (5kg)
669014270863
When seeking a professional-grade audio interface that delivers unparalleled sound quality and flexible expansion options, the Atlas 8-Channel Audio Interface with Digital Expansion Slot stands out as a top contender. Engineered by Prism Sound, a brand synonymous with high-quality audio equipment, this interface is designed to cater to the most demanding audio professionals.
The Atlas interface is a reference-grade, expandable production tool that offers a world-class multi-track experience. It boasts the latest generation of Prism Sound's trusted conversion technology, ensuring that every recording captures the full depth and detail of the original sound. With eight high-quality mic preamps, the Atlas surpasses its sibling, the Titan, in terms of input capacity, making it an ideal choice for more complex recording setups.
Prism Sound's legacy in developing test and measurement equipment for the audio industry has led to an advanced understanding of digital clocking and jitter rejection. This expertise is embedded in the Atlas, guaranteeing precise timing and pristine audio quality.
The built-in digital mixer of the Atlas is a testament to its versatility. It can be configured to provide a range of ultra-low latency feeds, including foldback to performers and outputs for both stereo and surround sound setups. The mixer's flexibility ensures that audio monitoring and routing can be tailored to the specific needs of any session.
Each of the eight microphone preamps is designed to be ultra-clean and low-noise, complementing the transparent A/D conversion. These preamps are equipped with software-controllable phantom power, a -20dB pad, and Overkiller limiter switches, ensuring that the audio signal is pristine and free from unwanted distortion or clipping.
The Atlas is future-proofed with its standard USB connection, allowing seamless integration with a wide range of computers. Additionally, the option for ProTools HDX and Dante modules means that the Atlas can adapt to the most professional and demanding audio environments.
Prism Sound's MDIO expansion cards further enhance the Atlas's connectivity, offering alternative "host" connections beyond the standard USB port. For instance, the Pro Tools interface MDIO-PTHDX module allows for direct connection to AVID Pro Tools HDX or HD native systems, while the DANTE module enables networking with multiple Titan or Atlas units.
The Atlas Controller applet provides comprehensive control over the interface's settings. The applet's intuitive design allows for quick adjustments to global and unit-specific parameters, such as sync source, sample rate selection, and buffering modes. The applet also facilitates detailed configuration of inputs and outputs, including high-resolution metering, sensitivity selection, and the activation of the Overkiller soft limiter.
Verifile, Prism Sound's proprietary technology, offers an additional layer of quality assurance. This innovative feature allows for the rapid detection of clicks, errors, and dropouts within audio streams and recorded files, ensuring that the final product is flawless.
In summary, the Atlas 8-Channel Audio Interface with Digital Expansion Slot is a high-quality, professional, durable, innovative, and versatile solution for audio professionals seeking the best in conversion quality, flexible I/O options, and future-proof connectivity. With its robust feature set and Prism Sound's reputation for excellence, the Atlas is a sound investment for any serious audio recording or production environment.