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Review Summary
2020-10-23T03:49:16
I added this to my system and was blown away by how lifelike and how broad the imaging became. I was using a bluesound streamer with the built in DAC and thought it sounded pretty good, but this little beauty showed me an entirely different listening experience. After trying it out in the living room with my Marantz pm8006 I took it into the office and paired it with my Audioengine HD3's. WOW! It took those things and turned them into near audiophile level speakers. I used to hate listening to them, because my Tektons that were one room away sounded so much better. But believe me, these audioengines now sound pretty darn good, at least while I am seated right in front of the computer. The only drawback...I am now saving up for a second RME so that I can put this one back in the living room! And this nonsense that the "bass attack" is lacking...learn how to program the RME. I suspect it is a user problem.
Conrad S.
2020-01-29T07:16:35
The ADI-2 DAC impresses me with its upmost clarity and extremely well organized representation. In comparison, my integrated amp‘s headphone output (Marantz PM8006) sounds quite scrambled now. I am using the ADI-2 mostly for streaming music from OS/iOS devices. With my Sennheisers HD660s the listening experience is absolutely non fatiguing and enjoyable for hours. The only thing I wished for is that the presentation could have a tad more attack, quickness and tightness in the low frequencies. I guess the 660s‘ are maybe not the perfect pairing for the ADI-2? Surprisingly, while using the ADI-2 as DAC-only in my British audiophile system (Linn), the lack of quickness and tightness absolutely spoils the listening experience. It is unacceptable. Here, I get much more authentic and CD like results with my M.F. V90 DAC. Interestingly, the softening effect is much less noticeable with my Marantz system. I conclude that proper component or system matching is still critical with the ADI-2.
JOACHIM E.
2019-09-04T08:15:40
Extremely potent little amp with plenty of features. Solid build, clean and quiet output. The owner’s manual is pretty easy to follow, though this unit takes a little time to “tweak” and program properly. But, if you use multiple pairs of headphones like me, you can even save presets for different ones with individual loudness, EQ, balance, and other characteristics. I own several headphone amps and this is easily the most complex but also the most rewarding once you’ve dialed it in for your setup. Highly recommended.
JASON H.
2018-12-08T09:18:31
This is a very highly functional and capable dac/amp combo unit. I am using it as a balanced pre-amp for my active speakers. For headphones, I have tried it with the Sennheiser HD800S, AKG 7xx, Hifiman HE-400i and IEMs including the Campfire Andromeda and Beyerdynamic Xelento. Works very well with all of them. The RME-ADI 2 is special as it is able to give a completely black background with no hiss at all for my sensitive IEMs. None of my prior dac/amp was able to do this, so I am very happy with this purchase.
Dennis J.
44 kHz to 200 kHz
Suppression: >50 dB (2.4 kHz)
1x RCA, AES/EBU Compatible
High-Sensitivity Input Stage (<0.3 V p-p)
1x Optical, ADAT Compatible
XLR, Switchable: +19, +13, +7, +1 dBu at 0 dBFS
Unbalanced RCA: -5 dBu to +13 dBu at 0 dBFS
1/4" TRS: +7 dBu (1.73 V, 8 Ohms or Greater), +22 dBu (10 V, 100 Ohms or Greater)
IEM: -3 dBu (0.55 V) at 0 dBFS
XLR @ +7 to +19 dBu: 117 dB RMS Unweighted, 120 dBAXLR @ +1 dBu: 115,4 dB RMS Unweighted, 118.9 dBA
Unbalanced RCA @ +13 dBu: 117 dB RMS Unweighted, 120 dBA
Unbalanced RCA @ +1/+7 dBu: 114/116 dB RMS Unweighted, 117/119 dBA
Unbalanced RCA @ -5 dBu: 109 dB RMS Unweighted, 113 dBA
1/4" TRS @ +22 dBu: 117 dB RMS Unweighted, 120 dBA
1/4" TRS @ +7 dBu: 116 dB RMS Unweighted, 119 dBA
IEM @ -3 dBu: 115 dB RMS Unweighted, 118 dBA
At 44.1 kHz, -0.1 dB: 0 Hz to 20.2 kHz
At 96 kHz, -0.5 dB: 0 Hz to 44.9 kHz
At 192 kHz, -1 dB: 0 Hz to 88 kHz
At 384 kHz, -1 dB: 0 Hz to 115 kHz
At 768 kHz, -3 dB: 0 Hz to 109 kHz
XLR & RCA, At -1 dBFS: -112 dB, 0.00025%
XLR & RCA, At -4 dBFS: -116 dB, 0.00016%
1/4" TRS, At +18 dBu, 32-Ohm Load, 1.2 W: -110 dB, 0.0003%
1/4" TRS, At +14 dBu, 16-Ohm Load, 0.94 W: -110 dB, 0.0003%
XLR and RCA at -1 dBFS: -110 dB, 0.00032%
1/4" TRS at +18 dBu, 32-Ohm Load: -107 dB, 0.00045%
>120 dB
XLR: 200 Ohms Balanced, 100 Ohms Unbalanced
1/4" TRS: 0.1 Ohm Unbalanced
1/4" TRS, 0.001% THD: 1.5 W per channel
IEM, 8 Ohms, 0.001% THD: 40 mW per Channel
Internal, S/PDIF In
Supported Sample Rate (Internal): 44.1 up to 768 kHz
Supported Sample Rate (External): 44.1 up to 200 kHz
Suppression of External Clocks: >50 dB (2.4 kHz)
Effective Clock Jitter Influence on D-A Conversion: Near Zero
Windows 7 or Later
Intel Mac OS X 10.6 or Later
1x USB 2.0 or USB 3 Port
Computer with at least Intel Core i3 CPU
iOS 7 or Later
Dock or Lightning to USB Adapter
External Switching PSU, 100 to 240 V AC, 2 A, 24 W, Included
Standby: 120 mW (10 mA)
Idle: 7 W (18 W, Max)
12 V: 570 mA (6.8 W)
41 to 122 Degree F (5 to 50 Degree C)
<75%, non-condensing
8.5 x 2.0 x 5.9" (21.5 x 5.2 x 15.0cm)
2.2 lbs (1.0kg)
Excellent product
By JASON H.
Extremely potent little amp with plenty of features. Solid build, clean and quiet output. The owner’s manual is pretty easy to follow, though this unit takes a little time to “tweak” and program properly. But, if you use multiple pairs of headphones like me, you can even save presets for different ones with individual loudness, EQ, balance, and other characteristics. I own several headphone amps and this is easily the most complex but also the most rewarding once you’ve dialed it in for your ...
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Great value performer, rich featureset
By Dennis J.
This is a very highly functional and capable dac/amp combo unit. I am using it as a balanced pre-amp for my active speakers. For headphones, I have tried it with the Sennheiser HD800S, AKG 7xx, Hifiman HE-400i and IEMs including the Campfire Andromeda and Beyerdynamic Xelento. Works very well with all of them. The RME-ADI 2 is special as it is able to give a completely black background with no hiss at all for my sensitive IEMs. None of my prior dac/amp was able to do this, so I am very happy ...
View full Review
The ADI-2 DAC includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, new MRC remote control, Extreme Power headphone output and a very special IEM output. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal center piece from home listening up to studio reference playback.
The ADI-2 DAC is the home and hi-fi optimized version of the ADI-2 Pro, a studio AD/DA converter of the highest quality. With many fresh ideas, innovative features and numerous useful functions, the ADI-2 DAC quickly became the reference. Thanks to its combination of high-end DA conversion with two exceptional headphone IEM outputs and a remote control, it has received countless enthusiastic reviews for its sound, flexibility, and technical capabilities.
The current version of the ADI-2 DAC comes with an extended remote control, a further improved DA conversion and an adapted analog output stage for even better noise and distortion values. To address the home and HiFi users, RME exchanged some of the Pro's studio features with typical home and HiFi ones. With an adapted feature set and much simplified operation RME proudly presents the ADI-2 DAC. Built on the technology, concept and features of the ADI-2 Pro, the DAC concentrates on DA conversion in top high-end quality, along with two exceptional headphone and IEM outputs.
The DAC
Packed into the compact half 19" format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS.
As the most versatile DAC available, the ADI-2 DAC offers balanced/unbalanced analog I/Os, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD and Direct DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface.
Improving DA
The updated ADI-2 DAC uses AKM's AK4493 in a special circuit variant developed by RME engineers that allows the chip to perform at its best. With noise levels of 123 dBA, distortion less than -120 dB, or THD+N of -116 dB, the device delivers outstanding measured values. Even the IEM output, with -118 dBu already the world's lowest noise headphone output, improves to a sensational -121 dBu. In addition, there is 4 dB of digital headroom, so that even high intersample peaks do not produce any audible distortion. Finally, the device now also offers a clear reserve in volume setting. +2.5 dB result in a still undistorted analog output signal.
All these improvements are completely transparent in the previous menu navigation. There are no changes in operation, features and behavior compared to the predecessor, which is why neither appearance nor name have changed. The only difference: with 'Low Dispersion' another digital filter is available for selection. Explanations for this filter can be found in the detailed manual of the ADI-2 DAC.
Super Low Noise for IEM lovers
The headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home.
Modern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background ). Even when used with IEMs.
Still RME wanted to make sure that even the most sensitive IEM combined with the most sensitive listener receive the full dynamic range on playback. Also capable outputs like the Extreme Power ones are not fully safe against operating errors and might blow up ears or IEMs.
RME's solution: adding the most advanced IEM output imaginable as second phones connection to the front of the ADI-2 DAC. Its ground noise floor is an astounding 10 dB lower than the one of the Extreme Power output (black hole background ), output impedance is near zero Ohms, THD reaches new record lows, click-free on/off is included as well as volume ramp-up, and the sound quality with any IEM is just amazing. We're sure you will love it!
Lights Out!
A studio converter with all lights off? Defective. But on a DAC it was one of the most often requested features from our ADI-2 Pro HiFi customers. Here we go: display, function keys, volume knob, even the standby button - they all go off after 10 seconds of no user operation when AutoDark is activated in the unit's menu. Touching any button or control will turn on all lights for 10 seconds. Using the remote AutoDark can also be switched off / on, and using any button on the remote turns lights on for 3 seconds. Once again: we're sure you will love it!
The ADI-2 DAC comes with a remote that is not the usual cheap add-on. This nicely designed remote control has clearly labeled buttons, readable even in low light conditions without reading glasses, a nicely laid out button arrangement that is easy to remember, and perfect button ergonomics. Plus: It won't interfere with your ATV or other devices.
New extended Multi-Remote Support (MRC)
The ADI-2 DAC remote control provides buttons for standby on/off, volume, balance, bass and treble, input selection (optical, coaxial, USB), mute, on/off loudness, bass/treble and EQ. In addition, there are four programmable buttons that provide access to 32 different functions and commands for maximum flexibility. There is no other converter or comparable device with such a sophisticated, easy to use and at the same time versatile remote control!
Note for owners of the previous remote: the new MRC is also available separately as an accessory. It can be used with all ADI-2 DACs, even older ones, if they are equipped with the latest firmware (at least version FPGA 27, DSP 33).
SteadyClock FS
The ADI-2 DAC is the first device in RME's range with SteadyClock FS. There is not much to improve with SteadyClock, it has earned its accolades over years of flawless operation in numerous RME devices, guaranteeing that using the internal clock will produce exactly the same sound as when using an external one. SteadyClock highly rejects jitter and handles all digital interface formats in an exemplary way. That's why SteadyClock's design and behavior didn't change in the DAC.
With SteadyClock FS the focus was put on reducing the self jitter of SteadyClock to new lows, by improving its second, analog PLL circuit, and referencing both Direct Digital Synthesis and PLL to a low phase noise quartz crystal. The self-jitter measured through DA conversion now reaches levels that usually are only available in master quartz clock mode, while SteadyClock still always runs in PLL mode - no matter if internal or external clock, sound is exactly the same (again). The low phase noise oscillator driving the updated circuit reaches jitter specs lower than a picosecond (ps), an area called FemtoSecond. Hence SteadyClock FS.