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Review Summary
Black, Nickel
Aluminum and Steel Grille
Electret Condenser
Cardioid
50 to 20,000 Hz
250 Ohm with 5 VDC
-46.5 dBV/Pa (At 1 kHz, open circuit voltage)
151 dB SPL
71.5 dB
128.5 dB
10 dBV
22.5 dB SPL (Typical, equivalent SPL, A-weighted)
Positive pressure on diaphragm produces positive voltage into transmitter with respect to ground
5 Volt Bias from Shure Transmitter
1.92 x 3.0" (48.7 x 76.3mm)
5.23 oz (150g)
42406784887
For any questions about compatibility with this product, call us at 800-223-2500 or you can email us any time.
Models | $989.00 $1,236.00 Save:$247.00 (20%) Ships from Manufacturer 2 Styles Available Usually ships within 2-5 Days. Delivery is subject to availability. | SKU: SHRPM89L MFR: RPM89L $922.00 $1,152.00 Save:$230.00 (20%) Special Order Item This item is typically shipped to you directly from Manufacturer within 3-7 Days. Delivery is subject to availability. This item is not returnable. | SKU: SHRPW188 MFR: RPW188 $846.00 $1,057.00 Save:$211.00 (20%) Special Order Item This item is typically shipped to you directly from Manufacturer within 3-7 Days. Delivery is subject to availability. This item is not returnable. |
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Compatibility | Shure Capsules | Shure Microflex MX & WL Series | KSM9 Microphone |
Accessory Type | Cartridge/Capsule | Cartridge/Capsule | Cartridge/Capsule |
The KSM11 Wireless Vocal Microphone Capsule redefines vocal performance by providing a prized combination of full lows, clear mids and high-end detail, without the need for extensive EQ. A cardioid condenser designed specifically for live performance, event recording and premium streaming, the KSM11 allows digital wireless systems to present live vocals that must be heard to be believed.
As modern live stages have transitioned to digital technology, the KSM11 cardioid condenser microphone was developed to take advantage of increased digital audio linearity - equal output across the frequency range. The KSM11 delivers an elegant balance of full low end, rich mid-range, essential high-end detail, and incredible off-axis rejection. Professional engineers have a near-perfect presentation of vocal performance to build their mixes around, EQing by choice and not default. You've simply never heard wireless vocals sounding this good.