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The FX30 Super 35 Cinema Line Camera features a 26.1 MP Exmor R APS-C image sensor, a Super 35mm format that ensures high sensitivity, low noise, and a wide dynamic latitude.
S-Cinetone is a color science technology in the FX30 Super 35 Cinema Line Camera that produces natural mid-tones, soft colors, and gorgeous highlights, allowing you to achieve a cinematic look straight out of the camera without the need for post-production grading.
The FX30 Super 35 Cinema Line Camera offers three modes for recording with the S-Log3 gamma curve. These include Cine EI mode for wide latitude and high image quality, Cine EI Quick mode that automatically switches the camera's base ISO, and Flexible ISO mode for the greatest flexibility for exposure settings.
Yes, the FX30 Super 35 Cinema Line Camera offers creative slow-motion options with up to 4K 120p with autofocus, opening up a whole new world of creative potential.
The Dual Base ISO in the FX30 Super 35 Cinema Line Camera provides two sensitivity settings - one at ISO 800 and one at ISO 2500. This allows you to select an appropriate noise floor and maximize the camera's dynamic range when shooting in both bright or low-light conditions.
Review Summary
2026-04-28T10:19:30
I run the Sony FX30 as a B-cam to my Sony FX3, and the color consistency between the two is the reason it stays in my kit. S-Cinetone matches extremely well across both bodies, which is huge for fast-turnaround projects where I don't want to spend hours correcting mismatched footage. Skin tones stay natural, and I can intercut angles without it falling apart. When I do shoot S-Log3, the 10-bit 4:2:2 holds up and grades predictably alongside FX3 footage. I've used this setup on paid client shoots and never had issues delivering a consistent final look. For the type of work I do, events, brand content, and run-and-gun shoots, reliability and speed matter more than specs. The FX30 delivers there. Autofocus is dependable, menus are identical to the FX3, and it drops into my workflow with zero friction. On a gimbal with a Sigma 18-50mm, it's lightweight and balanced, which makes it ideal for movement-heavy shooting. Low light is the main tradeoff compared to the FX3, but if you light i
PHILLIP F.
2026-04-18T20:00:00
There is no better 'bang for your buck' on the market. I'm in an APS-C/S35 working environment (all our gear has been built on that sensor size). Truly no better quality acquisition 6K sampled to 4K - glorious - unassailable. V6.01 menus are a breeze to navigate. Customisation totally flexible for your shooting style - indeed any shooting style. Shockingly well specced. Top dog for years to come.
Top C.

2026-03-15T11:20:06
Best camera for the price. Fast delivery. Great price.
RANE K.
2025-12-15T19:00:00
I had some problems with my first purchase of the FX30 but the second one works great and I love it. Wonderful image quality, easy to learn menus and solid build quality with great design. Thank you with respect!
RPeter

2025-03-08T19:00:00
A lovely handy camera, great to use for wedding photography & video as I do for a living. Very disappointing however that after spending such a lot of money on a good camera, there is not even a strap in the box. Sadly I am now using my FX 30 with a canon strap that I used from an older camera which I no longer use.
Laurenti P.

2025-02-27T19:00:00
I have just bought this camera and am totally delighted with it. With it's discreet size, I can take this camera to places where a bigger one would not be permitted. It is brodcast quality. I am a TV & Film Cameraman with 50 years experience in the industry, including 3 years in Hollywood, where I shot one of the first Feature Films to be digitally originated
digidavey

2024-12-31T19:00:00
I bought this camera in June 2024, besides certain "issues" with the noise at lower light, it's a awesome camera, hands down and the image quality is excellent.
cgpro2002

2024-11-27T07:06:33
Coming from Canon to Sony i thought I was going to have a hard time adjusting to the menu but it felt seamlessly and more intuitive!!! I love this camera!!
EMMANUEL C.
2024-11-25T19:00:00
I bought this because I wanted a reliable camera for weddings and events. It has surpassed my expectations, there's some stuff I have to relearn and things I will miss with my old camera by switching to the FX30, but it's worthy trade off. I highly recommend this to other professionals.
jl701

2024-11-05T08:28:19
I ordered this in preparation for a last-minute corporate gig, and Adorama was able to deliver the camera within 2 days reliably. Your shipping department deserves congratulations. Also, I purchased the FX 30 KIT version because the extras are quite useful. I actually used the GREEN battery in my corporate gig; it held up quite well in relation to the original Sony battery.
ALEJANDRO C.
2024-09-12T11:38:40
I got everything I wanted for almost half the price I was going to spend on other stores. The customer service were great a guy Name Jeffrey got me everything I needed and made sure that everything was compatible
MARQUETTE G.
2024-08-30T20:00:00
The camera is great quality in terms of 4k live streaming and the image quality is perfect. really happy with the built in fan as it doesnt overheat
matisse29323

2024-08-26T20:00:00
This is a great camera, moved from Nikon over to Sony and I absolutely love it
Nándor

2024-08-18T20:02:04
This is my first Sony camera, and I expected to start with an inexpensive full frame. So I love the fact it shares the same body as the FX3 (with fan, lots of custom buttons, solid), and shares the menu with all the options to record. But what Sony did with this model is copy the FX9 recording: a 4K image (including DCI 4096!) using the whole 6K sensor and oversampling resolution and color. So instead of a $3800 12MP camera, you have an $1800 26MP camera, with a 1.55x crop. Embrace the long lens, OR enjoy choices like the Sony 16-55 f2.8: a 24-85mm full-frame effective lens at about a pound! Autofocus and stabilization as expected, I feel there's no better choice to step into the Sony world than this. Lastly, 90% video, shooting indie films, coming from the GH5 and Blackmagic Pocket cameras. Bought here at Adorama, with a Ninja V to record the 4.6K raw it exports, so pleased.
MICHAEL L.
2024-08-17T20:00:00
I bought this as the obvious choice?not as a run and gun,as a cinema camera,meaning I control the environment 100% lights shadows etc?first day testing it out as a newbie I was offered a job.(100% true) filming the U.S Open in California.
Danielthecreator

2024-07-25T20:00:00
I bought this camera 12 months ago ago coming a super nice a6500 where I learn all my video basic skills to this pro level camera when I really get to put all my skills together. I love this camera.
Arony1

2024-06-27T14:03:30
Perfect video camera for a cinematic look.
Paul D.
2024-04-28T02:05:55
Incredible how much they have packed into this camera ! I'm extremely pleased with the value in this body and the handle I purchased with it as a kit had been extremely worth it. For context I am an audio professional ( mix engineer ). I have a home studio and I wated to bring high quality visuals and content to my brand and this has been the perfect tool.
CHRIS M.
2024-04-24T20:00:00
To be honest it performs way better than I expected for this price point! Yea it has some draw backs. But what do you really expect under $2k?
Clebluemusic

2024-04-24T08:06:07
Awesome purchase. Adorama is the best
SEAN M.
2024-04-11T08:23:57
Great camera
JESUS C.
2024-03-25T20:00:00
I have been using the FX30 for more than a year, and It is an excellent camera, mostly used for documentaries and interviews, easy workflow (If your computer handles log files), easy to color grade, no regrets at all!
JulioPC

2024-02-15T16:09:57
Such an incredible, powerful little camera. It's light, practical, decently priced and easy to just grab and go. I highly recommend this camera to anyone / everyone.
NICHOLAS S.
2023-12-06T12:22:12
this camera was one of the best investment a serious profesional could make. I really loe working with this camera I have it for about a year now and I do not regret on buy it.
Argenis I.
2023-12-03T12:38:23
Super good camera for the price
Bob V.
2023-11-17T07:10:52
Great quality at an affordable price.
BENJAMIN L.
2023-10-23T15:10:18
i had fx3 before, i use it on gimbal,perfect
Sunny B.
2023-09-28T20:00:00
A massive problem with the firmware update, no battery info. It shows up on the app so clearly a bug. Also why no shutter angle? This is a Bcam for my FX6 these things are 101.
Max B.

2023-08-17T08:22:45
I am very satisfied with this camera that delivers excellent image results, 10 bits, and 4k 60fps - exactly what I was looking for. The value of this camera is much higher than the price. And the FX30 has great features that help with professional video production.
Raphael S.
2023-07-18T12:27:39
As a long time BMPCC 4K user, I love the continuous automatic focus feature of this camera with image quality quite similar to BMPCC 4K.
IBRAHIM E.
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Browse our FAQ
[XAVC S-I 4K]: XAVC S-I 4K 59.94p, 600 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I 4K 50p, 500 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I 4K 29.97p, 300 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I 4K 25p, 250 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I 4K 23.98p, 240 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
[XAVC S-I HD]: XAVC S-I HD 59.94p, 222 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I HD 50p, 185 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I HD 29.97p, 111 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I HD 25p, 93 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I HD 23.98p, 89 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
[XAVC S 4K]: XAVC S 4K 59.94p/50p, 200 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S 4K 59.94p/50p, 150 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
XAVC S 4K 29.97p/25p, 140 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S 4K 23.98p, 100 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S 4K 29.97p/25p/23.98p, 100 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
XAVC S 4K 29.97p/25p/23.98p, 60 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
XAVC S 4K 119.88p/100p, 280 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S 4K 119.88p/100p, 200 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
[XAVC S HD]: XAVC S HD 59.94p/50p/29.97p/25p/23.98p, 50 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S HD 59.94p/50p/29.97p/25p/23.98p, 50 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
XAVC S HD 59.94p/50p, 25 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
XAVC HD 29.97p/25p, 16 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
XAVC S HD 119.88p/100p, 100 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
XAVC S HD 119.88p/100p, 60 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
[XAVC HS 4K]: XAVC HS 4K 59.94p/50p, 200 Mbps 4:2:2 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 59.94p/50p, 150 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 59.94p/50p/23.98p, 100 Mbps 4:2:2 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 59.94p/50p, 75 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 59.94p/50p, 45 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 23.98p, 100 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 23.98p, 50Mbps 4:2:2 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 23.98p, 50 Mbps 4:2:0 10bit, MPEG-H HEVC / H.265
XAVC HS 4K 23.98p, 30 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 119.88p/100p, 280 Mbps 4:2:2 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 119.88p/100p, 200 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265
LPCM 2 ch(48 kHz 16 bit), LPCM 2 ch(48 kHz 24 bit), LPCM 4 ch(48 kHz 24 bit)
[XAVC S-I 4K]: 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p
[XAVC S-I HD]: 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p
[XAVC S 4K]: 3840x2160/119.88p,100p,59.94p, 50p, 29.97p, 25p, 23.98p
[XAVC S HD]: 1920x1080/119.88p,100p,59.94p, 50p, 29.97p, 25p, 23.98p
[XAVC HS 4K]: 3840x2160/119.88p,100p,59.94p, 50p, 23.98p
[XAVC S-I 4K]:
XAVC S-I 4K 59.94p:
When using CEA-G160T (160 GB): Approx. 25 minutes
When using CEA-G80T (80 GB): Approx. 10 minutes
XAVC S-I 4K 50p:
When using CEA-G160T (160 GB): Approx. 35 minutes
When using CEA-G80T (80 GB): Approx. 15 minutes
[XAVC S-I HD]:
XAVC S-I HD 59.94p:
When using CEA-G160T (160 GB): Approx. 75 minutes
When using CEA-G80T (80 GB): Approx. 35 minutes
XAVC S-I HD 50p:
When using CEA-G160T (160 GB): Approx. 90 minutes
When using CEA-G80T (80 GB): Approx. 40 minutes
[XAVC S 4K]:
XAVC S 4K 59.94p/50p 200M:
When using CEA-G160T (160 GB): Approx. 80 minutes
When using CEA-G80T (80 GB): Approx. 40 minutes
XAVC S 4K 59.94p/50p 150M:
When using CEA-G160T (160 GB): Approx. 100 minutes
When using CEA-G80T (80 GB): Approx. 50 minutes
[XAVC S HD]:
XAVC S HD 59.94p/50p 50M:
When using CEA-G160T (160 GB): Approx. 270 minutes
When using CEA-G80T (80 GB): Approx. 130 minutes
XAVC S HD 59.94p/50p 25M:
When using CEA-G160T (160 GB): Approx. 430 minutes
When using CEA-G80T (80 GB): Approx. 210 minutes
[XAVC HS 4K]:
XAVC HS 4K 59.94p/50p 200M:
When using CEA-G160T (160 GB): Approx. 80 minutes
When using CEA-G80T (80 GB): Approx. 40 minutes
XAVC HS 4K 59.94p/50p 150M:
When using CEA-G160T (160 GB): Approx. 100 minutes
When using CEA-G80T (80 GB): Approx. 50 minutes
XAVC HS 4K 59.94p/50p 100M:
When using CEA-G160T (160 GB): Approx. 150 minutes
When using CEA-G80T (80 GB): Approx. 75 minutes
XAVC HS 4K 59.94p/50p 75M:
When using CEA-G160T (160 GB): Approx. 190 minutes
When using CEA-G80T (80 GB): Approx. 95 minutes
XAVC HS 4K 59.94p/50p 45M:
When using CEA-G160T (160 GB): Approx. 290 minutes
When using CEA-G80T (80 GB): Approx. 140 minutes
XAVC Proxy: AAC-LC, 128 kbps, 2 ch
[XAVC HS HD]:
MPEG-H HEVC/H.265: 1920x1080 4:2:0 10 bit 16 Mbps, 1920x1080 4:2:0 10 bit 9 Mbps
[XAVC S HD]:
MPEG-4 AVC/H.264: 1280x720 4:2:0 8 bit 6 Mbps
HDMI:4672 x 2628 (59.94p, 50p, 29.97p, 25p, 23.98p), 16bit
Audio Level Display
Audio Rec Level
TC/UB
Creative Look
Gamma Display Assist
PAL/NTSC Selector
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M)
L: 5504 x 4128 (23M), M: 3888 x 2920 (11M), S: 2752 x 2064 (5.7M)
L: 6192 x 3480 (22M), M: 4384 x 2464 (11M), S: 3104 x 1744 (5.4M)
L: 4128 x 4128 (17M), M: 2912 x 2912 (8.5M), S: 2064 x 2064 (4.3M)
APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor
Movie: Approx. 20.1 megapixels, Still image: Approx. 26.0 megapixels
Approx. 27.0 megapixels
[Movie] ISO 100-32000 equivalent , AUTO (ISO 100-6400, selectable lower limit and upper limit) , [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)
[Movie] 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode), [Still image] 1/8000 to 30 sec
[XAVC S-I 4K / XAVC S 4K / XAVC HS 4K]NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps , PAL mode:1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps
[XAVC S-I HD / XAVC S HD]NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps,240fps , PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps,200fps
Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
14+ stop (S-Log3)
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
[Movie] 495 points (phase-detection AF), [Still image] 759 points (phase-detection AF)
EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
[Movie] AF-C (Continuous AF), Manual Focus [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
[Movie] Wide / Zone / Center Fix / Spot / Expand Spot [Still image] Wide / Zone / Center Fix / Spot / Expand Spot / Tracking
Eye AF ([Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), ([Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird)
[Movie] AF Transition Speed
[Movie] AF Subj. Shift Sensitivity
[Still] AF Tracking Sensitivity
Face detection (Face/Eye Prior. in AF)
Face Priority in Multi Metering
Regist. Faces Priority
Focus Magnifier (APS-C: 6.1x / 12.1x)
EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
[Movie] Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode
[Sill images] Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M)
Index view
Folder selection (Date / Still / Movie)
Photo capture
4ch audio monitoring
Auto Review (stills)
Image orientation (stills)
Protect (stills)
Rating (stills)
Display as Group (stills)
USB Type-C (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1)
3.5 mm Stereo minijack
Built-in, monaural
HDMI connector (Type-A)
YCbCr 4:2:2 10 bit / RGB 8 bit
Multi/Micro USB, TC IN
With Digital Audio Interface
7.5 cm (3.0-type), Approx. 2.36M dots, touch panel
Opening Angle:Approx. 176 Degree , Rotation Angle:Approx. 270 Degree
Built-in, stereo
CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy
FAT12, 16, 32, exFAT
Zoom ring rotate
Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x )
Digital zoom ([Movie] Approx. 4x [Still image] L: Approx. 4x, M: Approx.. 5.7x, S: Approx. 8x), Smart zoom ([Still image] M: Approx. 1.4x, S: Approx. 2x)
Electronic shutter
Single Shooting, Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
High ISO NR: Normal / Low / Off
Electronic Front Shutter Curtain
Silent Shooting
Anti-flicker Set
Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
[Movie] Active / Standard / Off, [Still image] On / Off
5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted.)
Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set
Peripheral Shading, Chromatic Aberration, Distortion
IEEE 802.11a/b/g/n/ac
2.4 GHz band/5 GHz band
WEP/WPA-PSK/WPA2-PSK
Bluetooth Standard Ver. 5.0 (2.4 GHz band))
Wired LAN (USB-LAN), USB Tethering, Wi-Fi
Interchangeable lens digital camera
E-mount
32 to 104 degrees F (0 to 40 degrees C)
-4 to +131 degrees F (-20 to +55 degrees C)
[Movie] Approx. 5.6 W (with E PZ 18-105mm F4 OSS lens attached)
[Still image] Approx. 3.5 W (with E PZ 18-105mm F4 OSS lens attached)
Approx. 115 min (Actual recording, CIPA standard)
Approx. 175 min(Continuous recording, CIPA standard)
Approx. 570 shots (Still image, CIPA standard)
Required, included
Lithium ion
Non-universal
1
5.1 x 3.06 x 3.32" (129.7 x 77.8 x 84.5mm) (body without protrusions)
22.7 oz (646g) (with battery and memory card included)
19.8 oz (562g) (body only)
Black
Sony G
Wide Angle to Telephoto Zoom
Sony E (APS-C)
APS-C
Auto Focus
1.48' (45cm)
18-105mm
77 - 15
27-157.5mm
f/4
f/22
0.11x
72mm
OSS
16 Elements / 12 Groups
7, Rounded
3.07 x 4.33" (78 x 110mm)
15.06 oz (427g)






From capturing cinematic masterpieces to shooting high-quality stills, the FX30 Super 35 Cinema Line Camera with E PZ 18-105mm f/4.0 G OSS Lens is a versatile tool for any creative professional. This camera boasts a 26.1 MP Exmor R APS-C image sensor, a Super 35mm format that ensures high sensitivity, low noise, and a wide dynamic latitude. With Sony's acclaimed image sensor technology, this camera delivers 4K movies with overwhelming resolution, thanks to its 6K oversampling that compresses a vast amount of information into 4K output.
The FX30 Super 35 Cinema Line Camera is equipped with S-Cinetone, a color science technology that produces the highly regarded FX9 and FX6 color and skin tones. This feature delivers natural mid-tones, soft colors, and gorgeous highlights, allowing you to achieve a cinematic look straight out of the camera without the need for post-production grading.
This camera offers three modes for recording with the S-Log3 gamma curve, providing optimized image quality. The Cine EI mode offers wide latitude and the highest possible image quality, while the Cine EI Quick mode automatically switches the camera's base ISO according to the selected Exposure Index. The Flexible ISO mode provides the greatest flexibility for exposure settings.
The FX30 Super 35 Cinema Line Camera also features Dual Base ISO and a 14+ stop range, ensuring wide latitude and low-noise images. This allows you to select an appropriate noise floor and maximize the camera's dynamic range when shooting in both bright or low-light conditions.
With Real-time Eye and Real-time Tracking AF, this camera offers dependable, accurate autofocus. Its sophisticated tracking features keep your subject in steady focus, allowing you to concentrate on composition. The camera's Active Mode supports handheld movie shooting, utilizing an in-body 5-axis sensor shift image stabilizer for increased stabilization.
The FX30 Super 35 Cinema Line Camera offers extensive recording formats for high image quality and advanced post-production. It can record 10-bit 4:2:2 video internally when using Long GOP or All Intra compression. The camera also offers creative slow-motion options with up to 4K 120p with autofocus, opening up a whole new world of creative potential.
This camera also features a selection of Creative Looks to create interesting moods right in the camera. The presets can be used as is, or further customized using individual parameter settings such as hue, color depth, brightness, contrast, and sharpness.
The FX30 Super 35 Cinema Line Camera is designed with a cooling fan ventilation for uninterrupted 4K 60p recording. It also offers proxy recording for an efficient editing workflow and time code input synchronization capability. With its still image shooting function and new list-style main menu for quick access to frequently used items, this camera is a reliable tool for any creative project.
https://www.sony.com/electronics
800-942-7669