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Review Summary
9.9 Megapixels
Effective Pixels: 4608 x 2160
CMOS
0.91 x 0.43" (23.11 x 10.92mm)
16.5 stops
Full Format (1.9:1):
4608 x 2160: 120 fps (15:1 REDCODE)
4096 x 2160: 120 fps (13:1 REDCODE)
2048 x 1080: 240 fps (8:1 REDCODE)
4.5K Full Format, 11:1 REDCODE at 24 fps: 52 minutes
2K Full Format, 11:1 REDCODE at 24 fps: 254 minutes
2K Full Format, Apple ProRes 422 at 24 fps: 110 Minutes
Apple ProRes: 2048 x 1080: ProRes 422 LT/422/422 HQ up to 60 fps
AVID DNx: 1920 x 1080: DNxHD LB 8-bit up to 60 fps
2:1 to 22:1
Up to 140 MB/s using RED MINI-MAG
Final Cut Pro X, Adobe Premiere Pro, Avid Media Composer, Davinci Resolve, Edius Pro, Vegas Pro, And Red's Free Redcine-x Pro
Canon EF
Integrated Red Command Protocol (R.C.P.) Wi-Fi Antenna
Aluminum Alloy
3.5 lbs (1.58kg) (Brain with Integrated Media Bay and Canon Lens Mount)
High Resolution
Capable of capturing high resolution motion and stills in 4.5K Full Format at up to 120 frames per second (fps)-or 2K Full Format at up to 240 fps.
Dynamic Range
Incredible dynamic range making it capable of shooting HDR content out-of-the-box.
Light Weight
Weighing in at just 3.5 lbs., RAVEN produces cinema-quality imagery yet is small enough for use with drones, gimbals and handheld configurations.
Modularity
Like other RED cameras, RAVEN features a modular design that empowers shooters to dial-in their ideal configuration with accessories from RED and other third-party manufacturers.
Your Workflow. Simplified
Shooting RAW has never been this easy. RED's proprietary REDCODE RAW file format, also referred to simply as R3D, gives you maximum flexibility during post. RAVEN offers greater creative freedom via its ability to simultaneously record in both R3D and Apple ProRes or Avid DNxHD.