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Review Summary
2013-11-11T19:00:00
First of all, I'm happy this product exists. I bought an MX02 LE when I was using a PC laptop so I used the Expresscard on it. Then the laptop was stolen by some cowards who, I suppose, needed the laptop more than I (kinda like the guy from Bicycle Thief) and I picked up a new MacbookPro. I was delighted to learn that I just needed this box and didn't have to upgrade my whole dang MX02 LE (with MAX!). I've never had connection issues, and since I picked up the longer Thunderbolt cable, my field setup is much more flexible than the Expresscard and (short) Matrox cable. I haven't read the documentation enough to know the proper way to disconnect the thing so I've always powered down completely but I think there may be a safe way to disconnect it from the computer without powering down. Seems fairly well built and it's great it doesn't need external power. It's a simple box with 2 holes, just make sure you put the B side of the Matrox cable facing up.
AK
2013-01-21T19:00:00
Works well to feed the HDMI camera feed into the Mac/PC for broadcasting, if you choose drivers well. Contact Matrox support before installing the driver.
MM
2011-12-04T19:00:00
This is a good mid-price option to connect HDTVs and pro monitors to your editing setup. The use of an internal card makes it a desktop-only solution (you won't be taking this on set with your laptop). Unline using some sort of adapter from your video card, this sends an unadulterated signal for viewing. You can also use it to record video via HDMI or analog. The main feature that attracted me was the calibration utility -normally you would use hardware like this to drive a professional monitor, which you would calibrate using color bars. But large flatscreen pro monitors are frightfully expensive - the ability to calibrate a 30" HDTV and use it for editing sounds dynamite. But apparently, it only works properly with the (rather rare) 1:1 pixel TVs. I hooked it up to a large Samsung. The calibration utility "believed" the monitor was fine, but I compared it to my small Marshall (calibrated via color bars) and it was way off. So for now, I use an HDMI splitter to use the little marshall AND the big TV, and I use the TV controls to get the TV as close to the Marshall as possible. This gives me accurate color (via the small marshall) and a large screen that doesn't get all quicktimed-up (for a total of four screens at my workstation - hmm, chicks dig it!) Yep, the much cheaper blackmagic card would do the same thing, but hopefully firmware upgrades will come as the calibration utility evolves. Other issues you may have are that it can take a LOT of fooling with settings to make this work (After Effects is pretty seamless, FCP can be an oddball mess of FCP prefs and Matrox panels). Sometimes it just *stops* sending a signal, and you have to play with settings to wake it back up.
MICHAEL C.
2011-01-11T19:00:00
This is for the professional and requires a professional playback monitor. Some of the fps rates can play in RGB and some in HDMI. As of 1/2011 the driver does not work with After Effects. You get a pretty good range of options with Premier Pro CS5. Some of the playback options are in the pSF format, not likely that a consumer monitor will be compatible. For my purposes right now it is fine but may not be for everyone with this version of the Mac driver.
STEVE N.
2011-01-11T19:00:00
Good... More...option software support ,example Show video output from Windows Mediaplayer .
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HDMI - HD - 10-bit
Component - HD/SD - 10-bit
Y/C (S-Video) - 10-bit
Composite - 10-bit
2 RCA - stereo pair (unbalanced)
HDMI embedded - up to 8 channels
24-bit 48 kHz
HDMI - HD/SD - 10-bit
Component - HD/SD - 12-bit
Y/C (S-Video) -12-bit
Composite - 12-bit
2 RCA - stereo pair (unbalanced)
HDMI embedded - up to 8 channels
On systems with a 2.4 GHz or faster Core2 Duo CPU you can capture to DVCPRO HD and to SD codecs including uncompressed, DV, DVCPRO, DVCPRO50, ProRes 422 and ProRes 422 HQ. On systems with at least two Dual-Core or a Quad-Core 2.4 GHz or faster CPU you can also capture to more HD codecs including ProRes 422 and ProRes 422 HQ. On systems equipped with storage that has sufficient transfer bandwidth, you can capture uncompressed 8- and 10-bit HD.
Matrox MPEG-2 I-frame HD adjustable from 50 to 300 Mbps
Matrox MPEG-2 I-frame SD adjustable from 10 to 50 Mbps
Uncompressed 8- and 10-bit
Up/down/cross conversion on capture and output
First release supports down conversion on output. Additional features will be made available in subsequent software releases at no charge.
FCC Class A, CE Mark Class A, C-Tick Mark, VCCI
RoHS Directive 2002/95/EC
Mac Pro and Intel-based MacBook Pro running Mac OS X Leopard 10.5.6 or higher
PC laptops running Windows XP (32-bit) and Windows Vista (32- and 64-bit)
6-1/2" x 4-5/16 x 1-1/2" (166mm x 110mm x 40mm)
9.9 ounces (280 grams)
Matrox 3 years hardware warranty
The Matrox MXO2 Mini is sleek little device for Mac and PC which gives you the added advantage of portability. You can take it with you wherever you go. Use it with a desktop system and your favorite applications including Final Cut Pro, Adobe Premiere Pro and Photoshop and many more.
Capture and playback high definition video via HDMI and analog component; or NTSC and PAL via analog component, S-Video and composite. Convert your standard definition videos to high definition, or vice versa, while capturing or playing out, using Matrox MXO2 Mini's high-quality dedicated hardware.
Turn your HDMI screen into a professional-grade video monitor with Matrox's unique color calibration tool. Easily edit AVCHD footage by capturing into an edit-friendly compressed or uncompressed format.