
Picture does not represent the actual item
See what's in the box
This item is no longer available.
Review Summary
2022-07-20T21:44:18
I previously had the SL2, and, while the 47mp was great if shooting at low ISO, I sort of felt like the extra pixels are garbage pixels once I got over ISO 800. Plus, I have to do composites for work, so I'd end up downsampling to 18mp or so anyway to make the layers manageable in photoshop. The SL2-S has much better ISO performance and the colors just look better. For my personal stuff, I have a wide format printer and print fairly large prints often. Even when considering cropping photos and printing large, I'd still choose the SL2-S over the SL2. When comparing to other brands, both the SL2 and SL2-S are great overall. They just adapt to anything. The Canon TS-E 17mm f/4L Tilt-Shift Lens works great on this camera with Sigma MC-21 adapter. That's my workhorse lens for my paid work. It feels like it's a native lens it's so seamless. I also use several M mount lenses on this body via the M to SL adapter. Using the user profiles, it's easy to have an M Lens profile that makes using them a breeze. For example, I have the back dial adjust ISO, the front dial adjust shutter speed, the aperture ring is on the lens . . .all key stuff at your fingertips. I have the joystick set to punch in magnification if you press it, so choosing focus point and then punching in to focus is one easy motion. . . and you can turn the front dial once punched in for an even stronger magnification boost. I still prefer my rangefinder for M glass since that focus accuracy doesn't matter if you're wide open or stopped down, but this is the next best thing. And you can definitely get better critical focus . . . it's just a little slower than a rangefinder for manual lenses. .. .but still better than any other camera I've tried with adapted M lenses. Leica seemed to really design this to work easily with M glass. I have some native SL lenses, the 50m APO Summicron and the 24-90 zoom. Both are great on this body and produce outstanding images. I mainly use them in my tiny studio I have set up because the native Leica glass are BIG lenses and not necessarily fun to lug around. For me, I tend to carry the body and a 35mm Summilux-M on it whenever I'm using it to document my family out and about because the SL lenses are so large. I've heard the 45mm Sigma is the best of both worlds.. .functions like a native Leica SL lens with a size that's smaller than an M lens and much much lighter when you figure in the weight of the M adapter also. . .so maybe consider that as a great first all around lens if you buy this camera.
KEVIN F.
2021-05-28T09:10:49
I came back into the Leica fold post Hasselblad X1D. Decision was to upgrade the really sluggish X1D or move back to Leica. Similar to the X1D the SL2S is built like a tank, and I feel similarly nice in the hand. Despite being heavier it?s easy to carry around all day. The files coming out of the camera are outstanding. Obviously smaller, but the camera makes up in speed (way way a faster). Plus I can use my manual Leica and Zeiss M glass so overall despite the downgrading in pixels I am super happy. Great camera,
CARSTEN S.
2021-01-28T12:13:13
This camera is durable and dependable. I love how fast it responds, its phone app is a game changer for me. After covid hit my needs changed. I needed a camera that can shoot amazing video and photo that is easy to travel with. I did what I had to do and traded in my BM mini ursa. I was heart broken to get rid of my old reliable for this new camera. This camera didnt disappoint as its 10 bit video is gorgeous, and the almost 100 MP muiltshot is stunning.
ANDREW M.
Extend coverage on pre-owned products after the retailer warranty ends and protect photo & video gear from accidental damage with Adorama Protect.
If we can’t fix it, we’ll replace it at no additional cost.
Coverage for pre-owned gear begins after the retailer warranty ends, plus accidental damage protection for photo/video gear that starts on day one.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for International and U.S. territories purchases. Plans on pre-owned items do not cover pre-existing damages.
Browse our FAQ
CMOS sensor, pixel pitch: 5.94 microm / Fullframe (24.6 MP): 6072 x 4056 pixels / APS-C (10.6 MP): 3984 x 2656 pixels
5 axis Body Image Stabilization. Camera stabilizes up to 5.5 stops.
RGB color fi lter, UV/IR fi lter, no low-pass fi lter
Leica Maestro series (Maestro III)
Photo: DNG (raw data), DNG + JPG, JPG (DCF, Exif 2.31)
Video: MP4: H.264/MPEG-4 AVC (Audio Format: 2ch 48 kHz/16 bit, AAC), MOV: H.264/MPEG-4 AVC (Audio Format: 2ch 48 kHz/16 bit, LPCM)
DNG: 6000 x 4000 pixels (24 MP), JPG: 6000 x 4000 pixels (24 MP), 4272 x 2848 pixels (12.2 MP), 2976 x 1984 pixels (5.9 MP) APS-C: DNG: 3963 x 2624 pixels (10.3 MP), JPG: 3963 x 2624 pixels (10.3MP), 2736 x 1824 pixels (5 MP), 1920 x 1280 pixels (2.5MP)
DNG: 14 bit, 12 Bit (super high continous shooting), JPG: 8 bit
Picture: sRGB
Video: Rec. 709/Rec. 2020 (HLG/L-Log)
DNG: approx. 44 MB, JPG: depending on resolution and image content.
Video: unlimited, max. fi le size: 96 GB
Video mode: P - A - S - M / Cine mode: M
35 mm - C4K (17:9) 4096x2160 pixels (Sensor range: 6000 x 3168 pixels)
35 mm - 4K (16:9) 3840x2160 pixels (Sensor range: 6000 x 3368 pixels)
35 mm - Full HD (16:9) 1920x1080 pixels (Sensor range: 6000 x 3368 pixels)
APS-C - C4K (17:9) 4096x2160 pixels (Sensor range: 4128 x 2176 pixels)
APS-C - 4K (16:9) 3840x2160 pixels (Sensor range: 3984 x 2240 pixels)
APS-C - Full HD 1920x1080 pixels (Sensor range: 3984 x 2240 pixels)
MOV C4K: 59,94 B/s, 4:2:0 / 8 Bit (SD), 4:2:2 / 10 Bit (HDMI), APS-C, H.264, Long GOP, 150Mbps
MOV C4K: 50 B/s, 4:2:0 / 8 Bit (SD), 4:2:2 / 10 Bit (HDMI), APS-C, H.264, Long GOP, 150Mbps
MOV C4K: 29,97 B/s, 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 400Mbps
MOV C4K: 25 B/s, 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 400Mbps
MOV C4K: 24 B/s, 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 400 Mbps
MOV 4K: 59,94 B/s, 4:2:0 / 8 Bit (SD), 4:2:2 / 10 Bit (HDMI), APS-C, H.264, Long GOP, 150 Mbps
MOV 4K:50 B/s 4:2:0 / 8 Bit (SD), 4:2:2 / 10 Bit (HDMI), APS-C, H.264, Long GOP, 150 Mbps
MOV 4K:29,97 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 400 Mbps
MOV 4K:25 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 400 Mbps
MOV 4K:23,98 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 400 Mbps
MOV FHD: 180 B/s 4:2:0 / 8 Bit (SD & HDMI), APS-C, H.264, Long GOP, 20 Mbps
MOV FHD:150 B/s 4:2:0 / 8 Bit (SD & HDMI), APS-C, H.264, Long GOP, 20 Mbps
MOV FHD:120 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MOV FHD:100 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MOV FHD:59,94 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 200 Mbps
MOV FHD:50 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 200 Mbps
MOV FHD:29,97 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 200 Mbps
MOV FHD:25 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 200 Mbps
MOV FHD:23,98 B/s 4:2:2 / 10 Bit (SD & HDMI), 35mm & APS-C, H.264, ALL-I, 200 Mbps
MP4 4K: 59,94 B/s 4:2:0 / 8 Bit (SD & HDMI), APS-C, H.264, Long GOP, 150Mbps
MP4 4K: 50 B/s 4:2:0 / 8 Bit (SD & HDMI), APS-C, H.264, Long GOP, 150Mbps
MP4 4K: 29,97 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 100 Mbps
MP4 4K: 25 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 100 Mbps
MP4 4K: 23,98 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 100 Mbps
MP4 FHD: 180 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MP4 FHD:150 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MP4 FHD:120 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MP4 FHD:100 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MP4 FHD:59,94 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 28 Mbps
MP4 FHD:50 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 28 Mbps
MP4 FHD:29,97 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MP4 FHD:25 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 20 Mbps
MP4 FHD:23,98 B/s 4:2:0 / 8 Bit (SD & HDMI), 35mm & APS-C, H.264, Long GOP, 24 Mbps
8/10 bit for recordings on SD card, 10 bit via HDMI output
Rec. 709, L-Log Rec. 2020, HLG Rec. 2020
Resolution: 5,760,000 dots, 120 fps, magnification: 0.78x, aspect ratio: 4:3, frame coverage: 100%, exit pupil position: 21 mm, setting range +2/-4 diopters, with eye sensor for automatic switchover between viewfinder and LCD panel, time delay 0.005 s
3.2" (backlight LED) with anti-fingerprint and anti-scratch coating, 2,100,000 pixels (dots), format 3:2, touch control available
1.28" highly reflective trans-reflective monochrome LCD, 128 x 128 pixels, viewing angle 120 Degree ; anti-fingerprint coating
Electronically controlled focal plane shutter/electronic shutter
Mech. shutter: bulb, 30 min to 1f8000 s / Electr. shutter function: 60 s to 1f16000 s / Flash Synch: up to 1/250 s
Two-stage (1st stage: Activation of the camera electronics including autofocus and exposure metering, 2nd stage: Taking the picture)
Delay time: 2 s or 12 s
Single
Single Continuous Low Speed (2 fps)
Continuous Medium Speed (5 fps)
Continuous High Speed (9 fps without AFc/AE/WB)
Continuous Super Speed (25 fps with electr. shutter function without AFc/AE/WB)
Interval Shooting
Exposure Bracketing
Multishot Generates 2 DNGs: 1x 24 MP, 1x 96 MP (8 pictures are combined into one high-res image)
Automatic (Autofocus in modes iAF/AFs/AFc/Touch AF) or manual. With manual setting: Auto Magnification and Focus Peaking optionally available as focus aids
Based on contrast metering and depth mapping
Smart AF (autonomously selects AFs and AFc), AFs (picture taken only after successful focusing), AFc (picture can be taken at any time), AF setting can be saved
Spot (can be shifted), Field (can be shifted), Multi-Field, Zone (can be shifted), Face detection, object Tracking, optional Touch AF
225
TTL (feThrough The Lens' exposure metering)
Spot, Center-Weighted, Multi-Field
Automatic program (P), Aperture priority (A): manual aperture setting, Shutter priority mode (S): manual shutter speed setting Manual (M): manual setting for shutter speed and aperture
+/-3 EV in 1f3 EV increments or 1/2 EV increments
3 or 5 exposures, up to +/-3 EV, in 1f3 EV increments Shift function: up to +/-3 EV
Auto ISO: ISO 100 to ISO 100000
Manual: ISO 50 to ISO 100000
Automatic (Auto), Daylight 5200 K, Cloudy 6000 K, Shadow 7000 K, Tungsten 3200 K, HMI 5600 K, Fluorescent Warm 4000 K, Fluorescent Cold 4500 K, Flash 5400 K, Gray Card Live View, Gray Card, Color Temperature 2000 K to 11500 K
About the accessory shoe
1f250 s, slower shutter speeds available, automatic changeover to TTL linear flash mode with HSS-compatible Leica flash units if sync time is undercut
Using center-weighted TTL pre-flash metering with Leica flash units (SF 26, 40, 58, 60, 64) or with system-compatible flash units, flash remote control SF C1
SF 40: +/-2 EV in 1f2 EV increments
SF 60: +/-2 EV in 1f3 EV increments
Stereo internal + microphone input 3.5 mm stereo jack + power supply voltage (approx. 2.5 V)
Mono internal + headphones output 3.5 mm stereo jack
The Leica FOTOS app is required to use the WLAN function. The Leica app is available from the Apple App Store or the Google Play Store. Compliant with Wi-Fi IEEE802.11b/g/n, 2.4 GHz, channel 1-11 (2412-2462 MHz) and Wi-Fi IEEE802.11ac, 2.4 GHz & 5 GHz, channel 39-48 (5180-5240 MHz), channel 52-64 (5260-5320 MHz), channel 100-140 (5500-5700 MHz) (standard WLAN protocol), encryption method: WLAN-compatible WPA/WPA2
Bluetooth v4.2 (Bluetooth Low Energy (BLE)), 2402 to 2480 MHz
Via Leica FOTOS app
English, German, French, Italian, Spanish, Russian, Japanese, Simplified Chinese, Traditional Chinese, Korean
(Leica BP-SCL4) Lithium-ion rechargeable battery, rated voltage: 7.2 V (DC); capacity: 1860 mAh (min.); charging time: approx. 140 min (after deep discharge); manufacturer: Panasonic Energy (Wuxi) Co. Ltd., Made in China Approx. 510 shots (according to CIPA standard, with auto power-off 10s), approx. 1430 shots (according to CIPA standard, adjusted shooting cycle, with auto power-off 5s)
USB charger function in standby mode or when switched off, USB power supply when switched on
(Leica BC-SCL4) Input: AC 100f240 V, 50/60 Hz, 0.25 A, automatic switchover; Output: DC 8.4 V 0.85 A; Manufacturer: Salom Electric (Xiamen) Co., Ltd., Made in China
Mirrorless full-frame system camera
4 GB
DNG: > 999 recordings
JPG: > 999 recordings
UHS-II (recommended), UHS-I, SD/SDHC/SDXC memory card
Full-metal housing made of aluminum and magnesium, leatherette, cover, splash-water protected in compliance with IEC standard 60529 (protection type IP54).
Leica L bayonet with contact strip for communication between lens and camera
14 to 104 Degree F (-10 to +40 Degree C)
ISO accessory shoe with additional control contacts, HDMI jack 2.0b Type A, USB 3.1 Gen1 Type C, Audio-Out 3.5 mm/ Audio-In 3.5 mm, communication interface in the base cover for multifunction hand grip
A 1f4 DIN 4503 (1f4") with stainless steel in the base
Required, included
Lithium-Ion
1
-
5.75 x 4.21 x 3.27" (146 x 107 x 83mm)
Without battery: 30 oz (850g) Approx.
With battery: 32.8 oz (931g) Approx.
13.392 Wh
The ability to do great Photo, Video & Travel.
By ANDREW M.
This camera is durable and dependable. I love how fast it responds, its phone app is a game changer for me. After covid hit my needs changed. I needed a camera that can shoot amazing video and photo that is easy to travel with. I did what I had to do and traded in my BM mini ursa. I was heart broken to get rid of my old reliable for this new camera. This camera didnt disappoint as its 10 bit video is gorgeous, and the almost 100 MP muiltshot is stunning.
Built like a tank and results like a M
By CARSTEN S.
I came back into the Leica fold post Hasselblad X1D. Decision was to upgrade the really sluggish X1D or move back to Leica. Similar to the X1D the SL2S is built like a tank, and I feel similarly nice in the hand. Despite being heavier it?s easy to carry around all day. The files coming out of the camera are outstanding. Obviously smaller, but the camera makes up in speed (way way a faster). Plus I can use my manual Leica and Zeiss M glass so overall despite the downgrading in pixels I am supe...
View full Review
Before you settle for any camera, consider the Leica SL2-S Mirrorless Camera, a perfect blend of style, sophistication, and high-tech innovation. This camera is designed for both photographers and videographers who demand exceptional imaging performance to tell their visual stories. The Leica SL2-S is a durable, dependable, and sleek camera that captures stunning photographs and cinematic videos with ease and precision.
Equipped with a new 24MP CMOS-BSI sensor, the first backside-illuminated sensor from Leica, the SL2-S delivers the legendary Leica look for both photo and video. The camera offers separate modes and menus for photo and video, ensuring an intuitive user experience. This full-frame camera is perfectly suited for action photography and high-end video, offering professional video capabilities with 4K 10bit 4:2:2 and C4k 10bit 4:2:2.
Crafted in Germany, the Leica SL2-S boasts a high-quality milled aluminum top cover and bottom, complete with IP54-rated weather sealing protection. This robust construction ensures the camera's longevity and durability, even in demanding environments.
The Leica SL2-S is a fast all-around camera with Capture One 21 Full Support and Adobe Lightroom Optimization. It supports a wide range of lenses from the L-Mount Alliance, the Leica M-System, and Leitz Cine lenses, providing photographers with unlimited creative possibilities.
With a fast shooting speed of up to 25 fps for DNG and a 4GB buffer, the SL2-S is a powerhouse of performance. Its Multishot Mode with up to 96MP ensures you never miss a moment. The camera's low-light performance is outstanding, with an ISO range up to 100,000, making it a versatile tool for all applications - from field photography to studio shoots to film production sets.
The SL2-S excels in video production tasks, recording 4K at 10bit 4:2:2 and C4k at 10bit 4:2:2 video. Its integrated viewing LUTs (Look Up Tables) make it a compact yet powerful alternative to more cumbersome cinema cameras. The intuitively organized photo and video menu systems save time and ensure the camera is always ready to shoot, even when quickly switching between modes.
In summary, the Leica SL2-S Mirrorless Camera is a premium, German-engineered hybrid stills and video camera that delivers unparalleled imaging performance. It's a perfect choice for photographers and videographers seeking a versatile, high-performing, and durable camera to express their creativity.