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Review Summary
Extend coverage on pre-owned products after the retailer warranty ends and protect photo & video gear from accidental damage with Adorama Protect.
If we can’t fix it, we’ll replace it at no additional cost.
Coverage for pre-owned gear begins after the retailer warranty ends, plus accidental damage protection for photo/video gear that starts on day one.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for International and U.S. territories purchases. Plans on pre-owned items do not cover pre-existing damages.
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Mono (MIC/LINE): 16
Stereo (LINE): 2
MASTER OUT: 1
MONITOR OUT: 6
PHONES : 1
Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT)
Input gain:
PAD OFF: +16 - +60dB
PAD ON: - 10 - +34 dB
Hi-Z ON: +6 - +50 dB
Input impedance:
XLR: 3 k Ohms
TRS: 10 k Ohms /1 M Ohms (when Hi-Z ON)
Maximum input level:
PAD OFF: 0 dBu (at 0 dBFS)
PAD ON: +26 dBu (at 0 dBFS)
Phantom power:
+48 V
Type: TS phone/RCA pin (unbalanced) jacks
Maximum input level : +10 dBu
Type: XLR jacks (balanced)
Maximum output level :+14.5 dBu
Output impedance: 100 Ohms
Connected to monitor speakers:
Type: TRS phone jacks (balanced)
Maximum output level: +14.5 dBu
Output impedance: 100 Ohms
Connected to headphones:
Type: Standard stereo phone jacks
Maximum output level: 42 mW + 42 mW at 60 Ohms
Output impedance: 100 Ohms
Type: Standard stereo phone jacks
Maximum output level: 42 mW + 42 mW at 60 Ohms
Output impedance: 100 Ohms
MASTER: 1
MONITOR: 6
SEND EFX: 2
LOW CUT: 40-600 Hz, 12dB/OCT
EQ: HIGH: 10 kHz, +/- 15 dB, shelving
MID: 100 Hz - 8 kHz, +/- 15 dB, peaking
LOW: 100 Hz, +/- 15 dB, shelving
12
20 types:
EFX 1
Hall 1 (Reverb)
Hall 2 (Reverb)
Room 1 (Reverb)
Plate (Reverb)
Church (Reverb)
DrumAmb (Reverb)
GateRev (Reverb)
Vocal 1 (Delay + Hall Reverb)
Vocal 2 (Delay + Mono Reverb)
Vocal 3 (Delay + Plate Reverb)
EFX 2
Hall 3 (Reverb)
Room 2 (Reverb)
Spring (Reverb)
Delay (Delay)
Analog (Delay)
P-P Dly (Delay)
Vocal 4 (Delay + Room Reverb)
Chorus 1 (Stereo Chorus)
Chorus 2 (Mono Chorus)
Cho+Dly (Chorus + Delay)
22 at 44.1/48/96 kHz
20
WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo
4GB - 32GB SDHC cards (Class 10 or higher)
64GB - 512GB SDXC cards (Class 10 or higher)
Recording: 22 channels
Playback: 4 channels
24-bit
USB 2.0
OS: Windows 7 SP1 or later / 8.1 / 10 (32bit/64bit)
CPU: Intel Core i3 or faster
USB: USB 3.0/USB 2.0
OS: Mac OS X 10.11 / 10.12 / 10.13
CPU: Intel Core i3 or faster
USB: USB 3.0/USB 2.0
OS: iOS 9 / 10 / 11
USB 2.0 High Speed
44.1/48/96 kHz
44.1 kHz: -1.0 dB, 20 Hz - 20 kHz
96 kHz: -3.0 dB, 20 Hz - 40 kHz
Actual measurements: -128dB EIN (IHF-A) at +60dB/150Ohms input
LCD with backlight (128x64 resolution)
AD-19 AC adapter (DC12V 2A)
24 W maximum
External: 445 x 388.4 x 82.6mm (17.52 x 15.29 x 3.25")
3.71kg (8.18 lbs) (main unit only)
LIVETRAK L-20 More Board. More Music
The LiveTrak L-20 is the new digital console offering everything creators need to mix, monitor and record complex productions. With 20 discrete audio channels and six individual custom monitor mixes, it's built for bigger, bolder arrangements.
20 Inputs for Bigger Sound
The LiveTrak L-20 is designed to mix bigger. It features 20 inputs (16 mono mic/line inputs and two stereo inputs), all with independent 3-band mid-parametric EQ. The 16 mono inputs offer stand-alone compressor control.
22 Tracks of Recording
Record 20 discrete channels plus a stereo mix directly to an SD card. The LiveTrak L-20 captures pristine audio in resolutions up to 24-bit/96 kHz. At -128 dBu EIN with +60 dB maximum input gain, the L-20 is equipped with our quietest and most advanced preamps ever. Mix down finished songs on the L-20 or transfer your discrete tracks to a DAW to perfect later.
Create Six Custom Monitor Mixes
With six independent monitor outputs for musicians, each output can have its own custom mix, complete with effects, that can easily be switched from a powerful headphone output, to a balanced line output for stage monitors.
And One for the House
The LiveTrak L-20 features a dedicated 7th output for the FOH engineer. The sound engineer can monitor the main mix and any of the sub mixes, thus adjusting them to the musicians' satisfaction.
Channel Strip
All 20 inputs include a channel fader as well as dedicated mute and solo buttons. The 16 mono inputs include single-knob compression and gain control. Record or playback individual channels with the "Rec/Play" button.
EQ Control
The L-20 provides a smooth 3-band mid-parametric EQ and a variable frequency low-cut for each channel. Use the "Select" button to apply Channel Strip settings to the selected channel.
2 EFX Sends
The L-20 offers 20 built-in effects with adjustable parameters. Choose from delay and reverb effects, then apply them to any channel using two dedicated EFX busses.
Broad Connectivity
The L-20's combo inputs support XLR or 1/4-inch connections. Channels 1-2 offer Hi-Z inputs for electric guitar or bass. Channels 17/18 and 19/20 have TS line connectivity for keyboards and other audio devices, as well as RCA inputs.
Navigation and Display
The LiveTrak L-20's bright, backlit LCD screen and encoder knob let you access an intuitive menu to create new projects, recall previous projects and customize your recorder settings.
Slate Mic and Metronome
Use the built-in slate mic to record comments or talk-back. Push the tempo button to program the metronome to your desired tempo.
Transport Controls and Overdub Button
Transport controls include Record, Play/Pause, Stop, Fast Forward and Rewind. The overdub button allows you to record additional tracks to your current project.
Six Custom Monitor Mixes
The "Fader Mode" buttons allow you to design custom mixes for both the master and monitor outs. For each output, easily switch between a powerful headphone output and a balanced line output for stage monitors.
Headphone Output for FOH
The L-20 includes a dedicated headphone output for front-of-house, enabling them to monitor any of the custom sub mixes as well as the master mix.
Custom Scene Settings
Create and save up to nine different scenes to recall fader position, EQ settings, pan, mute and more.
Big Beautiful Interface
Although the LiveTrak L-20 is designed to work as a stand-alone recording and mixing console, it can also be used as a 22-in/4-out USB audio interface. Audio Interface mode lets you route inputs to any DAW or streaming software, even while recording to an SD card. Additionally, audio can be routed from your computer into the L-20 to be mixed with your live performance. Class compliant mode, which enables connection with iOS devices, is supported as well.
Wireless Mixing
The LiveTrak L-20 offers wireless control via a free iOS mobile app "L-20 Control" featuring most onboard functions, including Fader Levels and Modes, Scenes, EQ, EFX sends, returns, parameters and more. You can even manage your Effects Library and Scene Library right from your device. Control it all on either large Monitor Out view with a mini transport or a mini Monitor Out view with expanded Transport controls.