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Review Summary
2020-11-04T07:38:54
This was everything I thought it would be and then some. I especially like how you can copy files directly from your computer to the L-20 via the USB connection, and assign them to individual channels, and vice versa (the L-20 mode switch just need to be set to "Card Reader"). That overrides one of the two downsides, which are: in interface mode, 22 in, but only 4 out. The other being no way to group channels. Originally I thought the Monitor Out buttons, when set to Master, would rout that mix to the mains. I'm not a big fan of the compressor either - I have two other small mixers with single knob compressors, and they are a lot better. I am still very happy with it, and knowing what I know now, would still buy this over the other alternatives. Just know that it is not a x32 substitute.
Carlton W.
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Mono (MIC/LINE): 16
Stereo (LINE): 2
Master Out: 1
Monitor Out: 6
Phones: 1
Type: XLR/TRS combo jacks (XLR: 2 HOT, TRS: TIP HOT)
Input gain
Pad Off: +16 - +60dB
Pad On: - 10 - +34 dB
Hi-Z On: +6 - +50 dB
Input impedance
XLR: 3 k Ohm
TRS: 10 k Ohm /1 M Ohm (when Hi-Z ON)
Maximum input level
Pad Off: 0 dBu (at 0 dBFS)
Pad On: +26 dBu (at 0 dBFS)
Phantom power: +48 V
Type: TS phone/RCA pin (unbalanced) jacks
Maximum input level : +10 dBu
Type: XLR jacks (balanced)
Maximum output level :+14.5 dBu
Output impedance: 100 Ohm
Connected to monitor speakers with balanced output:
Type: TRS phone jacks (balanced)
Maximum output level: +14.5 dBu
Output impedance: 100 Ohm
Connected to connected to headphones with unbalanced output:
Type: Standard stereo phone jacks
Maximum output level: 42 mW + 42 mW at 60 Ohm
Output impedance: 100 Ohm
Type: Standard stereo phone jacks
Maximum output level: 42 mW + 42 mW at 60 Ohm
Output impedance: 100 Ohm
1
6
2
40-600 Hz, 12dB/OCT
High: 10 kHz, +/- 15 dB, shelving
Mid: 100 Hz - 8 kHz, +/- 15 dB, peaking
Low: 100 Hz, +/- 15 dB, shelving
12
20 Types
22 at 44.1/48/96 kHz
20
WAV 44.1/48/96 kHz, 16/24-bit, mono/stereo
4GB - 32GB SDHC cards (Class 10 or higher)
64GB - 512GB SDXC cards (Class 10 or higher)
Recording: 22 channels
Playback: 4 channels
24-bit
USB 2.0
Mass Storage: USB 2.0 High Speed
USB 2.0 High Speed
44.1/48/96 kHz
44.1 kHz: -1.0 dB, 20 Hz - 20 kHz
96 kHz: -3.0 dB, 20 Hz - 40 kHz
Actual measurements: -128dB EIN (IHF-A) at +60dB/150Ohm input
LCD with backlight (128 x64 resolution)
AD-19 AC adapter (DC12V 2A)
24 W maximum
External: 17.5 x 15.2 x 3.25" (445 x 388.4 x 82.6mm)
Main unit only: 8.17 lbs (3.71kg)
192223274396, 192223105935, 698813005574, 192223227576, 884354019846
Did not disappoint!
By Carlton W.
This was everything I thought it would be and then some. I especially like how you can copy files directly from your computer to the L-20 via the USB connection, and assign them to individual channels, and vice versa (the L-20 mode switch just need to be set to "Card Reader"). That overrides one of the two downsides, which are: in interface mode, 22 in, but only 4 out. The other being no way to group channels. Originally I thought the Monitor Out buttons, when set to Master, would rout that m...
View full Review
The LiveTrak L-20 - More Board. More Music
The LiveTrak L-20 is the new digital console offering everything creators need to mix, monitor, and record complex productions. With 20 discrete audio channels and six individual custom monitor mixes, it's built for bigger, bolder arrangements.
20 Inputs for Bigger Sound
The LiveTrak L-20 is designed to mix bigger. It features 20 inputs (16 mono mic/line inputs and two stereo inputs), all with independent 3-band mid-parametric EQ. The 16 mono inputs offer stand-alone compressor control.
22 Tracks of Recording
Record 20 discrete channels plus a stereo mix directly to an SD card. The LiveTrak L-20 captures pristine audio in resolutions up to 24-bit/96 kHz. At -128 dBu EIN with +60 dB maximum input gain, the L-20 is equipped with our quietest and most advanced preamps ever. Mix down finished songs on the L-20 or transfer your discrete tracks to a DAW to perfect later.
Create Six Custom Monitor Mixes
With six independent monitor outputs for musicians, each output can have its own custom mix, complete with effects, that can easily be switched from a powerful headphone output, to a balanced line output for stage monitors.
And One for the House
The LiveTrak L-20 features a dedicated 7th output for the FOH engineer. The sound engineer can monitor the main mix and any of the sub mixes, thus adjusting them to the musicians' satisfaction.
Big Beautiful Interface
Although the LiveTrak L-20 is designed to work as a stand-alone recording and mixing console, it can also be used as a 22-in/4-out USB audio interface. Audio Interface mode lets you route inputs to any DAW or streaming software, even while recording to an SD card. Additionally, audio can be routed from your computer into the L-20 to be mixed with your live performance. Class compliant mode, which enables connection with iOS devices, is supported as well.
Wireless Mixing
The LiveTrak L-20 offers wireless control via a free iOS mobile app featuring most onboard functions, including Fader Levels and Modes, Scenes, EQ, EFX sends, returns, parameters, and more. You can even manage your Effects Library and Scene Library right from your device. Control it all on either large Monitor Out view with a mini transport, or a mini Monitor Out view with expanded Transport controls.
https://zoomcorp.com/en/us/customer-warranty
631-542-5270
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