
Picture does not represent the actual item
See what's in the box
This item is no longer available.
Review Summary
Extend coverage on pre-owned products after the retailer warranty ends and protect photo & video gear from accidental damage with Adorama Protect.
If we can’t fix it, we’ll replace it at no additional cost.
Coverage for pre-owned gear begins after the retailer warranty ends, plus accidental damage protection for photo/video gear that starts on day one.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for International and U.S. territories purchases. Plans on pre-owned items do not cover pre-existing damages.
Browse our FAQ
The RED ONE redefined digital cinema upon its arrival, democratizing 4K capture and challenging the status quo. Utilizing an S35mm image plane, the RED ONE displays a natural depth of field from 2K to 4.5K resolutions. Seize every moment with the ability to capture anywhere from 1-120 fps onto high-speed RED CF or SSD media. Interchangeable lens mounts and free firmware updates keep the RED ONE versatile, letting you and your equipment thrive on the cutting edge. A revolution always starts with ONE.
4K Revolution
Since its arrival, the RED ONE has established a pedigree of Oscar winning films, 3D features and even magazine covers that have solidified its reputation as a reliable workhorse. Introduced as the purest digital alternative to 35mm film, the RED ONE has shot some of the most influential films of the time - from "Che" to "The Social Network". Its ability to sustain brilliant 4K images in even the toughest environments has contributed to its enduring success as one of the greatest digital cinema cameras of all time.
Solid Firmware
With over 5 years of experience, the RED ONE has matured to become as stable as it is powerful. Continually evolving firmware keeps your RED ONE up-to-date, ensuring that your camera is always satisfying the highest standards of performance. The addition of the Mysterium-x sensor and improved audio capabilities has contributed to the success and longevity of the RED ONE. Now with the ability to reach up to 4.5K, RED firmware continues to bring out the best of the best.
Covers Covered
Photography icons from Bruce Weber to Greg Williams have used RED cameras to shoot for the most influential fashion magazines in the world. Vogue, Harpers Bazaar and W magazine have all counted on RED DSMC for covers, photo spreads and video content-getting the most out of every shoot.
Grading On A Curve
REDCINE-x PRO software provides you with a wealth of integrated tools to import, finish and export your images within minutes. Offload your media using one of the RED STATIONS and process your images with familiar grading modules and filters. Whether you're working with a stills or motion workflow, REDCINE-x PRO hosts an array of advanced features to support your workflow from end to end.
3D Friendly
A combination of 4K resolution, fluid compatibility and RAW flexibility has made the RED ONE a favorite for 3D features and events. High-resolution RAW files let you correct zoom disparities and adjust convergence without corroding the quality of your image. With the ability to preview, export and adjust HIT/VIT for 3D images within REDCINE-x PRO, your 3D workflow just got easier.
5x HD
A robust 4K sensor with over 13 stops of dynamic range has distinguished the RED ONE as an ideal counterpart to 35mm film. With over 5x the detail of HD, the RED ONE has antiquated what was once cutting-edge, setting technical benchmarks and establishing new standards in digital cinema. High-resolution RAW files provide editors, colorists and VFx artists with a large, flexible palette - making it easier to composite, grade and finish for theatrical distribution. Seamless scaleability allows the RED ONE to transition into HD, 2K, or 4K workflows without ever losing its initial quality.
Choose Your Weapon
Take advantage of a vast inventory of optics with the ability to switch promptly between PL and Nikon mounts. The RED ONE allows for the use of 35mm and 16mm PL mount lenses alongside a renowned catalog of Nikon stills glass, encouraging an array of options when it comes to making your artistic decisions. No two perspectives are ever the same, which is why the RED ONE lets you choose your own.
Preset Your Look. Before You Shoot
The RED ONE features the capability to import and export looks, letting you and your client preview a color grade on set before ever pressing record. Define your perfect looks using REDCINE-x PRO software and transfer them between your RED ONE and computer using an SD card. If you want to change the look you've created, simply adjust the metadata in-camera or on REDCINE-x PRO.
RAW Evolution
Unlike common HD RGB files, REDCODE RAW grants you the freedom to define and color grade your image - without compromising quality. REDCODE metadata preserves a non-destructive environment, letting you manipulate and grade your image without tarnishing your original footage. If you want to adjust your color temperature or gamma settings, simply bring your RAW files into REDCINE-x PRO to fine-tune and polish your look for export. With the flexibility to correct and adjust metadata in post, REDCODE RAW offers you the assurance that you'll always end up with the look you want.