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Review Summary
Extend coverage on pre-owned products after the retailer warranty ends and protect photo & video gear from accidental damage with Adorama Protect.
If we can’t fix it, we’ll replace it at no additional cost.
Coverage for pre-owned gear begins after the retailer warranty ends, plus accidental damage protection for photo/video gear that starts on day one.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for International and U.S. territories purchases. Plans on pre-owned items do not cover pre-existing damages.
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Block 470: 470.10-495.60MHz
256 (Channels per block)
100 kHz (0.1 MHz)
250 mW
37 dBc above 1 GHz
+/-.001% (10 ppm) at 25 deg. C
+/-.001% (10 ppm) from -30 deg. C to +50 deg. C
Momentary pushbutton switches, TUNE Up and Down
IFB, Digital Hybrid Wireless(tm) (400 Series), 100 Series, 200 Series, Mode 3, Mode 6 and IFB
29.997 kHz IFB & 100 Mode, 32.765kHz
200 MODE, 400 Mode step selected
FM, +/-20 kHz deviation IFB & 100 Mode, +/-75kHz 200 & 400 Mode
100 Hz to 8 kHz, +-/1 dB, IFB Mode system response
30 Hz - 20 kHz, +/-1 dB 200 & 400 Mode system response
Low frequency audio rolloff is Menu selectable for 3dB down at 35Hz or 50Hz
90 dB typical ("A" weighted)
2 to 1 IFB, 100 and 200 Mode
50Ohms
0 dBu for Line, RTS1 & RTS2
-10 dBu for Clear Com
-42 dBu for mic dry inputs (no phantom power)
+/-50Vdc max
Balanced and Unbalanced, rear panel selectable for Line, Mic. RTS 1, RTS 2 and Clear Comm
Greater than 2K balanced, greater than 1 K unbalanced at any gain setting
-18dB to +24dB (0 dB nominal center), Menu selectable
Standard XLR female connector
12 to 14 VDC typical, 200 ma. max.
Max. Input Range 6 to 18 VDC
Coax type, locking LZR RL26AE
Backlit Liquid Crystal Display. Displays modulation meter, frequencies, modes, rolloff, audio level and tuning groups
MENU momentary pushbutton switch
Power OFF-TUNE-XMIT, 3 position slide switch
Select Up momentary pushbutton switch
Select down momentary pushbutton switch
Input Mode Select, 4 section DIP switch
5.25 x 3.25 x 1.25" / 13.34 x 8.26 x 3.18cm (Including connectors)
9oz / 255.15g
The Lectrosonics IFBT4 transmitter was designed for use in broadcast, motion picture, theater and stage applications where extended operating range and high quality audio are essential. The transmitter can be used as a stand-alone device or patched directly into popular intercom systems. Lectrosonics Digital Hybrid Wireless U.S. Patent 7,225,135 systems overcome channel noise in a dramatically new way, digitally encoding the audio in the transmitter and decoding it in the receiver, yet still sending the encoded information via an analog FM wireless link.
This proprietary algorithm is not a digital implementation of an analog compandor but a technique that can be accomplished only in the digital domain, even though the inputs and outputs are analog. Because it uses an analog FM link, Digital Hybrid Wireless enjoys all the benefits of conventional FM wireless systems, such as excellent range, efficient use of RF spectrum and resistance to interference. However, unlike conventional FM systems, it does away with the analog compandor and its artifacts. 256 UHF frequencies in 100kHz steps provide exceptional flexibility in coordinating frequencies in multi-channel wireless systems and avoiding interference from external RF signal sources and noise.
Microprocessor control provides user-friendly operation and eliminates transients at turn-on and turn-off. The transmitter output is muted in the TUNE mode to avoid generating interference in other wireless systems while scrolling up and down to change frequencies. In the XMIT mod e, the output is turned on and the frequency cannot be changed. The transmitter delivers 250 mW of output power which, when used with an efficient antenna, provides exceptional operating range with the R1A belt-pack receiver. Indoors, the signal will penetrate various surfaces and reflect from others efficiently to extend operating range and reduce the need for critical antenna positioning.
A supersonic pilot tone signal controls the audio squelch on the R1A receiver to eliminate noise when the transmitter is turned off and it prevents the receiver from locking onto false signals. The pilot tone also eliminates noise in the receiver at turn-on and turn-off. The LCD display is backlit for use in dimly lit conditions and is also highly visible in direct sunlight. DIP switch settings on the rear panel provide direct compatibility with RTS and Clear Com intercom systems. A preamp stage is also included in the input stage to allow direct connection to dynamic microphones in "standalone" applications.
Direct output at studio line level can also be fed directly into the transmitter. The transmitter housing is rugged, machined aluminum with an electrostatic powder coating and an anodized finish. The unit is powered by 6 to 18 Volts DC via a locking connector. The supplied whip antenna is a detachable, locking 1/4 wavelength flexible, galvanized steel cable that connects to a 50 Ohm BNC connector on the rear panel.