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2010-06-22T21:00:00

Rated 5 out of 5

solid lens!!

Compared the Tokina head-to-head with Canon's 17-40 f/4L. I was so impressed with the Tokina 11-16mm that I decided to give them another shot at wooing me from the coveted 'L' equivalent. And WOW! I compared both at a local camera shop, keeping everything the same (focal length, exposure, aperture, etc), shot inside and outside and they were indecipherable inside and the Tokina actually had truer color reproduction outside than the Canon. Add onto that better speed and super solid construction. And best yet, the guy at the Camera shop was stunned and convinced me to spend $200 less on the Tokina! However, there are two drawbacks: it is heavy, esp for a 'walkaround' lens. I have a 20D and would not want to put this lens on a plastic body Rebel. Also, this lens does not work on full-frame bodies. That said, I highly recommend this lens to anyone looking to upgrade from the kit lens.

Dave

2010-01-24T19:00:00

Rated 4 out of 5

Excellent value

Last year I started shooting all my video with a Canon 7D, while my standard video cameras now sit on the shelf. Since the 7D is a cropped sensor camera, I needed a good wide angle zoom for day-to-day corporate work. I prefer prime lenses and use them a lot, but a decent zoom is a useful tool for many things. The 16-50 mm range of the Tokina is perfect for my needs. I shoot more wide angle than long lens video. I got the Tokina because it is heavy, has an extra millimeter or two on the wide end over most of the other zooms in this category, and is solid and well built. I also like the 77mm threads, since I have 77mm filters. I've shot a few stills with the lens and it's sharp and has good color rendition. I don't see any problems with it at all. I use it mostly for HD video, and for the money I don't think it can be beat. It would be even better if the focus throw was closer to 180 degrees than 90 degrees, but most still camera lenses have a pretty short throw compared to cine lenses. Which is why I'll probably get a geared follow focus system eventually. There are always better, more expensive lenses out there. I think this Tokina is more than good enough for all of the video I shoot when I need a wide angle zoom.

William P.

2010-01-09T19:00:00

Rated 4 out of 5

Pretty darn sharp!

Overall this is a very very good lens. Its not as great as the canon EF-S 17-55mm 2.8 (though the Tokina's build quality is ALOT better) - as the auto-focus tends to search a bit in low light (I mean really low light) - in conjunction with a fast shooter like the 7D and a Speedlight Flash, the combination is hard to beat. If the Canon 17-55 2.8 is the standard - lets just pretend it was a perfect 10, then the Tokina would be a solid 9.25 - 9.50. The only area it falls down in is really low light situations. There are some grumblings about this lens and CA's in high contrast situations, I haven't used the lens much in those situations, though I have the Tokina 11-16mm and it definitely suffers from CAs - seems to be an issue across the Tokina line. Though again, I haven't experienced it with this copy. If you can't afford the 17-55mm (like me) this is a great alternative, I hear great things about the Tamron 17-50mm 2.8 also - the big negative on that lens (for me anyway) is the autofocus sounds like a buzzsaw - not good during wedding vows. The Tokina is nearly silent and unobtrusive.

Darren

2009-06-10T21:00:00

Rated 4 out of 5

I would buy this product again and again

Lens is very heavy, But does a good job for me. the only draw back that I have is you can not used the lens cap with the UV filter on, keep falling off

Havsu K.

2009-04-10T21:00:00

Rated 4 out of 5

Excellent event lens

I use this lens at events on Canon 40D in close quarters. It goes wide enough that I can photograph individuals, couples and small groups in a crowd. I also like having 50mm available when people start speaking at the podium and I am in the crowd. I don't use my 24-105 as much since I got this lens. The AF is excellent most of the time and has nice color, contrast and sharpness. I don't have any complaints with it. The only reason I don't give a 5 star is that I rented a Canon 17-55 IS before I got this lens and it was a little sharper and had a little better color and contrast. I also liked having the IS. The 17-55 is also 50% more expensive.

Kent R.

2009-01-15T19:00:00

Rated 4 out of 5

Excellent lens. Buy it.

I use it for wedding photography. It's great for those crowded rooms.

GARY K.

2009-01-01T19:00:00

Rated 5 out of 5

Excellent lens that I would buy again

I purchased this lens for use on a vacation to Egypt. I have only had it for a couple of hours and already have fallen in love with it. The sharp and quick focus are excellent. The added 2.8 aperature rating really pays off. Switching from auto frocus to manual focus is easy by sliding the focus ring back towards the lens. No need to fumble with AF/MF switches. I hope to get some realy stunning photos with this lens in Egypt.

Tom

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Tokina 16-50 2.8 Atx Pro Dx F/Eos Digital Specifications

  • Recommended Sensor size

    APS-C Sized (23.7 X15.6mm) CCD or CMOS sensor (with 1.5-1.6x magnification factor)
    Not designed for cameras with Full Frame sensors.

  • Maximum Aperture

    f/2.8

  • Minimum Aperture

    f/22

  • Optical Construction

    15 Elements / 12 Groups

  • Coatings

    WP or "Water Proof" optical coating on the glass

  • Zooming System

    Rotary-type

  • Minimum Focus Distance

    11.8 in. (30cm)

  • Macro Ratio

    1:4.88

  • Number of Diaphragm Blades

    9

  • Filter Size

    77mm

  • Dimensions

    3.3 in. (84mm) X L 3.8 in. (97.4mm)

  • Weight

    21.5 oz. (610g)

About Tokina 16-50 2.8 Atx Pro Dx F/Eos Digital

FEATURED REVIEWS

Excellent lens that I would buy again

By Tom

I purchased this lens for use on a vacation to Egypt. I have only had it for a couple of hours and already have fallen in love with it. The sharp and quick focus are excellent. The added 2.8 aperature rating really pays off. Switching from auto frocus to manual focus is easy by sliding the focus ring back towards the lens. No need to fumble with AF/MF switches. I hope to get some realy stunning photos with this lens in Egypt.

solid lens!!

By Dave

Compared the Tokina head-to-head with Canon's 17-40 f/4L. I was so impressed with the Tokina 11-16mm that I decided to give them another shot at wooing me from the coveted 'L' equivalent. And WOW! I compared both at a local camera shop, keeping everything the same (focal length, exposure, aperture, etc), shot inside and outside and they were indecipherable inside and the Tokina actually had truer color reproduction outside than the Canon. Add onto that better speed and super solid constru...

View full Review

Tokina AT-x 165 PRO DX 16-50mm f/2.8 zoom lens exclusively for Digital SLR cameras with APS-C sensors.*

The new Tokina AT-x 165 PRO DX makes an excellent standard lens giving the digital photographer the equivalent of a 24-75mm lens in terms of film. From the nature enthusiast to the portrait artist to photojournalist, everyone will be able to appreciate the AT-x 165's bright F/2.8 constant aperture. This wide aperture allows for faster shutter speeds in low-light conditions or a more shallow depth of field for more pleasing portraits. The out of focus background from a wide aperture setting concentrates attention on the subject giving the photo more strength and intimacy.

Tokina's exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the camera to focus manually. There is no second AF/MF switch on the lens for Canon, everything is accomplished by the focus ring.

The front element of the AT-x 165 PRO DX has a newly formulated WP or "Water Proof" optical coating on the glass. This new coating makes marks such as spots left by water or finger-prints much easier to clean than standard multi-coating.**

The rear optical group of the lens contains 1 SD (Super-Low Dispersion) glass element to reduce the number of elements (pieces of glass) in the optical design in order to make the lens more compact, light-weight and faster focusing.
* The lens is designed for Digital cameras with APS-C sized CMOS and CCD sensors, not designed for cameras with Full Frame sensors.
** Please note, the Tokina AT-x 165 PRO DX lens itself is not waterproof or water resistant.