








See Options
2 Year
$137.99
3 Year
$215.99
4 Year
$292.99
Need help? Ask our experts.
Review Summary
Extend coverage on pre-owned products after the retailer warranty ends and protect photo & video gear from accidental damage with Adorama Protect.
If we can’t fix it, we’ll replace it at no additional cost.
Coverage for pre-owned gear begins after the retailer warranty ends, plus accidental damage protection for photo/video gear that starts on day one.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for International and U.S. territories purchases. Plans on pre-owned items do not cover pre-existing damages.
Browse our FAQ
HELIUM 35.4 Megapixel CMOS
8192 x 4320
29.90 mm x 15.77 mm (Diagonal: 33.80 mm)
16.5+ stops
80 dB
Up to 275 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
30 fps at 8K Full Format (8192 x 4320), 30 fps at 8K 2.4:1 (8192 x 3456)
30 fps at 7K Full Format (7168 x 3780), 40 fps at 7K 2.4:1 (7168 x 3024)
75 fps at 6K Full Format (6144 x 3240), 100 fps at 6K 2.4:1 (6144 x 2592)
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
6:1 REDCODE for 8K Full Format (8192 x 4320) at 24 fps
7:1 REDCODE for 8K Full Format (8192 x 4320) at 30 fps
2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps
4:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
8K Full Format (8192 x 4320), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
7K Full Format (7168 x 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
6K Full Format (6144 x 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 x 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 x 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 x 1080) up to 120 fps
DNxHR HQX at 4K (4096 x 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 x 2160) 8-bit up to 29.97 fps
DNxHR 444 at 2K (2048 x 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 x 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 x 1080) 8-bit up to 120 fps
Magnesium and Aluminum Alloy
0 Degree C to 40 Degree C (32 Degree F to 104 Degree F)
-20 Degree C to 50 Degree C (-4 Degree F to 122 Degree F)
0% to 85% non-condensing
Supports 33x33x33, 32x32x32, 26x26x26, and 17x17x17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTsTetrahedral interpolation, 16-bit processing
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
Integrated R.C.P. WiFi antenna
Ethernet, RS232, and GPI Trigger with DSMC2 expander module
3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, REDTouch 5.0" LCD, RED PRO 7" LCD, BOMB EVF(OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro
3.35 lbs (56 oz) Brain with Integrated Media Bay)
With superior image quality and best-in-class resolution, RED EPIC-W with HELIUM 8K S35 sensor allows content creators everywhere to deliver ultra-detailed still and motion images. EPIC-W’s 35 million pixels capture subtle features and tiny nuances that can’t be seen at lower resolutions. At 35.4 megapixels, that's 4x more resolution than 4K—and over 17x more resolution than HD.
Like the WEAPON 8K S35, EPIC-W combines advanced color science with incredible dynamic range. The result is cinema quality imagery with vivid colors plus detailed shadows and highlights to produce the most realistic images imaginable.
The HELIUM 8K S35 sensor received the highest DxOMark sensor score ever. You can test-drive footage from this sensor on the R3D Sample Page.
For cinematographers, 8K resolution offers more than just incredible detail. It delivers countless possibilities for reframing, VFX (visual effects), motion stabilization, supersampling footage, and more. More resolution boils down to the ability to do more with your footage in production—all without ever having to reshoot.
The EPIC-W is capable of recording REDCODE RAW and proxy 4K Apple ProRes or Avid DNxHR/HD formats—simultaneously. More recording options and the raw power of REDCODE provide the freedom to choose the workflow that's right for you. Take advantage of RED's powerful non-linear editing application, REDCINE-X PRO, to cut dailies, make color corrections, and augment your workflow.
The DSMC2 form factor is our smallest and lightest BRAIN ever. It is also compatible with a growing arsenal of modules and accessories—from RED and other third party manufacturers. Tack on interchangeable OLPFs and lens mounts and EPIC-W gives you the ultimate control over your footage.