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Item Note: Excessive Wear On Body; Dust Underneath Sensor Glass Cover; Missing Viewfinder; Eyepiece; Grip Remote Control; WA Adaptor Bracket; 1x Power Cord; USB Cable; Back Top Cover Plate
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2 Year
$88.99
3 Year
$138.99
4 Year
$188.99
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Review Summary
2016-11-16T10:40:53
This beauty changed my business. We went from small non-profit videos to commercials for great clients such as The Home Depot, Ford, Coke and AutoZone.
Phillip S.
2016-08-08T20:05:48
From the handle grip and the ergonomics, to the video image quality of this camera is just great. so far so good...I Love it!
Carl S.
2015-04-04T21:00:00
I use this product for short indie films and freelance work, including weddings. First off, this cameras images are amazing! The dynamic range is more than impressive to the point where I'm getting perfect images after post when shooting 8 stops overexposed. However it has flaws many of which might easily be fixed with future firmware. Others are just bad design, like how you can't fit the camera on a tripod with its wonky Arm/handgrip attached. Also I'm not a big fan of the viewfinder and how it's attached. There are other things, but no camera is perfect. Overall, I am happy with it. Hopefully it holds its value and uses!
Omar A.
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Super 35mm Single-Chip Exmor CMOS
17:9 4096 (H) x 2160 (V)
16:9 3840 (H) x 2160 (V)
57 dB (Y)
2000 lx, 89.9% reflectance
T14 (3840 x 2160/23.98p mode 3200K)
ISO Sensitivity
ISO 2000 (S-Log3 Gamma D55 Light source)
0.7 lux: +18dB,23.98P,Shutter OFF,ND Clear, F1.4
NTSC / PAL
Clear, 1/4, 1/16, 1/64
3.5" / 8.8cm
Approx: 1.56M dots
Monaural
1/3 to 1/9000 of a sec
Preset
Memory A
Memory B (1500K-50000K)/ATW
-3, 0, 3, 6, 9, 12, 18 dB, AGC
STD
HG
User
S-log3
4K 4096 x 2160
12-bit RAW
UHD 3840 x 2160
10-bit 4:2:2 XAVC-I
8-bit 4:2:0 XAVC-L
2K 2048 x 1080
12-bit Raw
HD 1920 x 1080
10-bit 4:2:2 XAVC-I
10-bit 4:2:2 XAVC-L
MPEG2 4:2:2
HD 1280 x 720
MPEG2 4:2:2
LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback 2 channels)
XAVC-I QFHD MPEG-4 H.264/AVC
59.94P CBG, bit rate 600 Mb/s
50P CBG, bit rate 500 Mb/s
29.97P CBG, bit rate 300 Mb/s
23.98P CBG, bit rate 240 Mb/s
25P CBG, bit rate 250 Mb/s
XAVC-I HD MPEG-4 H.264/AVC
59.94P VBR, max. bit rate 222 Mb/s
50P VBR, max. bit rate 185 Mb/s
59.94i VBR, max. bit rate 111 Mb/s
50i VBR, max. bit rate 112 Mb/s
29.97p VBR, max. bit rate 111 Mb/s
23.98p VBR, max. bit rate 89 Mb/s
25p VBR, max. bit rate 112 Mb/s
XAVC-L QFHD MPEG-4 H.264/AVC
59.94p/50p mode: VBR, maximum bit rate 150 Mb/s
29.97p/23.98p/25p mode: VBR, maximum bit rate 100 Mb/s
XAVC-L HD 50 MPEG-4 H.264/AVC
VBR, maximum bit rate 50 Mb/s
XAVC-L HD 35 MPEG-4 H.264/AVC
VBR, maximum bit rate 35 Mb/s
XAVC-L HD 25 MPEG-4 H.264/AVC
VBR, maximum bit rate 25 Mb/s
MPEG-2 Long GOP
CBR, maximum bit rate 50 Mbps, MPEG-2 422P at HL
XAVC-I QFHD 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-I HD
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L QFHD 50
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-L 35
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
MPEG-2 Long GOP
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p 1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-I QFHD - 4K
3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-I HD
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L QFHD
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-L HD 50
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L 35
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L 25
1920 x 1080/59.94i, 50i
MPEG-2 Long GOP MPEG HD422
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p
1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-I mode QFHD 59.94p
When using QD-G128A (128 GB): Approx. 22 minutes
When using QD-G64A (64 GB) Approx. 11 minutes
XAVC-I mode QFHD 50p
When using QD-G128A (128 GB): Approx. 26 minutes
When using QD-G64A (64 GB) Approx. 13 minutes
XAVC-I mode QFHD 29.97p
When using QD-G128A (128 GB): Approx. 44 minutes
When using QD-G64A (64 GB) Approx. 22 minutes
XAVC-I mode QFHD 23.98p
When using QD-G128A (128 GB): Approx. 55 minutes
When using QD-G64A (64 GB) Approx. 27 minutes
XAVC-I mode QFHD 25p
When using QD-G128A (128 GB): Approx. 52 minutes
When using QD-G64A (64 GB) Approx. 26 minutes
XAVC-I mode HD 59.94p
When using QD-G128A (128 GB): Approx. 59 minutes
When using QD-G64A (64 GB) Approx. 30 minutes
XAVC-I mode HD 50p
When using QD-G128A (128 GB): Approx. 71 minutes
When using QD-G64A (64 GB) Approx. 35 minutes
XAVC-I mode HD 59.94i
When using QD-G128A (128 GB): Approx. 118 minutes
When using QD-G64A (64 GB) Approx. 59 minutes
XAVC-I mode HD 50i
When using QD-G128A (128 GB): Approx. 141 minutes
When using QD-G64A (64 GB) Approx. 70 minutes
XAVC-I mode HD 29.97p
When using QD-G128A (128 GB): Approx. 118 minutes
When using QD-G64A (64 GB) Approx. 59 minutes
XAVC-I mode HD 23.98pM
When using QD-G128A (128 GB): Approx. 147 minutes
When using QD-G64A (64 GB) Approx. 74 minutes
XAVC-I mode HD 25p
When using QD-G128A (128 GB): Approx. 141 minutes
When using QD-G64A (64 GB) Approx. 70 minutes
XAVC-L mode QFHD 59.94p/50p
When using QD-G128A (128 GB): Approx. 87 minutes
When using QD-G64A (64 GB) Approx. 44 minutes
XAVC-L mode QFHD 29.97p/23.98p/25p
When using QD-G128A (128 GB): Approx. 131 minutes
When using QD-G64A (64 GB) Approx. 66 minutes
XAVC-L 50 mode
When using QD-G128A (128 GB): Approx. 262 minutes
When using QD-G64A (64 GB) Approx. 131 minutes
XAVC-L 35 mode
When using QD-G128A (128 GB): Approx. 374 minutes
When using QD-G64A (64 GB) Approx. 187 minutes
XAVC-L 25 mode
When using QD-G128A (128 GB): Approx. 524 minutes
When using QD-G64A (64 GB) Approx. 262 minutes
MPEG HD422 mode
When using QD-G128A (128 GB): Approx. 262 minutes
When using QD-G64A (64 GB) Approx. 131 minutes
2 x XQD
1 x SD (for configuration data only)
Audio Input
2 x 3-pin XLR
Line/mic/mic +48
Mic Reference: -40. -50. -60 dBu
SDI Output
2 x BNC HD/3G-SDI
SMTPE292M/424M/425M
HDMI 2.0
1 x Type A
USB
USB device, miniB
Headphone
1 x Stereo mini jack
-16 dBu 16 Ohms
Remote
Stereo mini jack (dia. 2.5 mm)
12 VDC
Approx. 19 W (while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device)
BP-U30: Approx. 1 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
BP-U60: Approx. 2 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
BP-U90: Approx. 3 hr while recording XAVC-I QFHD 59.94p, SELP28135G Lens, Viewfinder ON, not using external device
Operating: 32 to 104 deg. F / 0 to 40 deg. C
Storage: -4 to 140 deg. F / -4 to 140 deg. C
6.14 x 9.41 x 9.72" / 155.95 x 239.01 x 246.88mm
Body Only: 4.4lbs / 1.99kg
Body, Viewfinder, Eyepiece, Grip Remote Control, BP-U30 Battery, SELP28135G Lens, an XQD Memory card: 9.9lbs / 4.49kg
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Changed my Business
By Phillip S.
This beauty changed my business. We went from small non-profit videos to commercials for great clients such as The Home Depot, Ford, Coke and AutoZone.
All around great Camera
By Carl S.
From the handle grip and the ergonomics, to the video image quality of this camera is just great. so far so good...I Love it!
PXW-FS7. Hand held. Long form. Just right.
What if you built a camera from the ground up for hand-held and long-form shooting? What if you were free to optimize everything from the lens mount to the recording codec to the media? What if you reconfigured and refined the body for an entirely new level of comfort? Now imagine giving it 4K resolution and a Super 35 sensor. The result would be Sony's PXW-FS7. It's the ideal camcorder for documentaries, unscripted TV, newsmagazines, indie features, corporate video and more.
Sony's Native E-Mount System: the smarter choice for moving pictures.
Unlike still photography, motion pictures benefit from lenses with ultra-quiet and continuously variable power zoom and iris. That's what Sony's new generation of E-Mount lenses delivers, superb optical quality along with auto focus and the perfect balance of build quality, affordability and light weight. With an extremely shallow, 18 mm flange-back distance, the camera's E-Mount also accepts an extensive range of PL, Canon EF and other SLR glass via third-party adaptors.
Exceptional 10-bit 4:2:2 imagery at just 50 Mbps.
Long-form projects shine with Sony's XAVC-L recording system. Here's the superior grayscale rendition of 10-bit recording, plus the uncompromised detail of 4:2:2 color all at a budget-friendly 50 Mbps (HD mode). Other options include on-board 4K (3840 x 2160) recording, the same 113 Mbps XAVC-I recording as Sony's high-end F55, well-accepted MPEG HD 422, the Apple ProRes codec (with future upgrade and extension unit, sold separately), and even outboard RAW recording (with extension unit and outboard recorder, sold separately).
Next-generation memory.
Long-form programs need media that's both reliable and affordable. As specified by the CompactFlashAssociation, XQD memory cards score big on both accounts. Reliability comes from in-camera recovery. You get very low cost per minute compared to CFast cards. And robust communication between the camera and the card's controller enables read/write speeds up to a sizzling 600 Mbps
Shoulder-mount comfort without rigs or rigmarole.
It's ironic that so-called affordable cameras need to be outfitted with expensive rigs, cages, hand grips and accessory viewfinders before you can put them on your shoulder. The PXW-FS7 is different. It was designed from a clean sheet of paper to balance beautifully on your shoulder. Zoom, Start/Stop and Assign controls are comfortably located on the sculpted, telescoping hand grip. Sony supplies a proper viewfinder that's perfectly offset to the left with a huge range of fore-aft adjustment. Want more? A viewfinder extension box and a 15 mm rod mount provide even greater flexibility.