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Review Summary
Extend coverage on pre-owned products after the retailer warranty ends and protect photo & video gear from accidental damage with Adorama Protect.
If we can’t fix it, we’ll replace it at no additional cost.
Coverage for pre-owned gear begins after the retailer warranty ends, plus accidental damage protection for photo/video gear that starts on day one.
Enjoy your gear without fear. We have you covered!
When regular use of your product over time results in mechanical or electrical failure.
We will never charge you a deductible after the purchase of a plan.
Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for International and U.S. territories purchases. Plans on pre-owned items do not cover pre-existing damages.
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1/3" 2.2M pixels progressive scan 3CMOS
Internal/external synchronization
Optical image stabilizer
1/4 to 1/10000
72mm
-6dB, -3dB, 0dB, 3dB, 6dB, 9dB, 12dB, 15dB, 18dB, 21dB, 24dB, Lolux (30dB, 36dB), ALC
Clear, 1/4, 1/16, 1/64
4.3" 1.15M pixels
0.45" 1.22M pixels
2x SDHC/SDXC memory card Class 4/6/10 (Class4 for AVCHD and H.264 SD/Web only)
Video codec: MPEG-2 Long GOP (HD), AVCHD progressive, H.264
MOV (HD/SD/WEB), MP4 (XDCAM EX)
MTS (AVCHD progressive), MXF
MPEG-2 Long GOP
NTSC setting: HQ mode: 1920 x 1080/59.94i, 29.97p, 23.98p, 1440 x 1080/59.94i, 1280 x 720/59.94p, 29.97p, 23.98p
SP mode: 1440 x 1080/59.94i, 1280 x 720/59.94p
HQ mode: 1920 x 1080/50i, 25p, 1440 x 1080/50i
SP mode: 1440 x 1080/50i, 1280 x 720/50p
Progressive mode (Max 28Mbps): 1920 x 1080/59.94p
HQ mode (24Mbps): 1920 x 1080/59.94i
SP mode (17Mbps): 1920 x 1080/59.94i
LP mode (9Mbps): 1440 x 1080/59.94i
EP mode (5Mbps): 1440 x 1080/59.94i
Progressive mode (Max 28Mbps): 1920 x 1080/50p
HQ mode (24Mbps): 1920 x 1080/50i
SP mode (17Mbps): 1920 x 1080/50i
LP mode (9Mbps): 1440 x 1080/50i
EP mode (5Mbps): 1440 x 1080/50i
NTSC setting: XHQ mode: 1920 x 1080/59.94p, 59.94i, 29.97p, 23.98p (50Mbps)
UHQ mode: 1920 x 1080/59.94i, 29.97p, 23.98p (35Mbps)
PAL setting: UHQ mode: 1920 x 1080/50p, 50i, 25p (50Mbps), 1920 x 1080/50i, 25p (35Mbps)
NTSC setting: 720 x 480/59.94i (GY-HM850U/HM890U only)
PAL setting: 720 x 576/50i (GY-HM850E/HM890E only)
NTSC setting: HQ mode (3Mbps): 960 x 540/29.97p, 23.98p
LP mode (1.2Mbps): 480 x 270/29.97p, 23.98p
PAL setting: HQ mode (3Mbps): 960 x 540/25p
LP mode (1.2Mbps): 480 x 270/25p
LPCM 2ch/4ch, 48kHz/16-bit (MPEG-2 Long GOP/H.264), AC3 2ch (AVCHD), ½-law 2ch (Web)
SDI input (BNC x1) (GY-HM890 only)
Composite output (BNC x 1), 3G SDI output (BNC x 1), HDMI output x 1
XLR 3-pin x 2, (MIC,+48V, LINE)/f3.5mm stereo mini jack x 1
RCA x 2
3.5mm mini jack x 2
BNC x 1
BNC x each 1
DIN 6-pin x 1/f2.5mm mini jack x 1
HOST x 1 (Network connection)/DEVICE x 1 (Mass storage)
XLR 4-pin x1
DC 12V (10.5V-17V)
Approx. 28W (Camera body with provided lens and LCD/VF ON, single recording mode, default settings)
-20½C to 50½C (14½F to 122½F)
35% to 80%
-20½C to 50½C (14½F to 122½F)
Under 85%
20.5 x 9.1 x 9.5" (521.0 x 231.0 x 242.3mm)
Without battery: Approx. 8.9 lbs (4.0kg)
With battery: Approx. 10.6 lbs (4.8kg)

The NAB Show New York, which until Wednesday was known as CCW 2015, has just wrapped up its trade show at the Javits Center in New York City. Covering TV, satellite, film, online video, live events, corporate A/V, production and post, this NAB-sponsored show gave content providers a chance to see...
Be first On-air and first On-line with JVC's new GY-HM890U. This advanced 3-CMOS camera delivers pristine HD images to solid state memory while streaming via Wi-Fi or a plug-in LTE modem. It features 4 channels of audio, dual memory card recording at up to 50 Mbps, an external HD-SDI pool feed input, and a full complement of fiber and multicore studio options. It's the most feature-rich HD camera JVC has ever offered.
Fujinon 20x Optical Zoom Lens with OIS
The GY-HM890U is equipped with a wide-angle Fujinon lens with an impressive 20x zoom range covering a 35mm equivalent focal range of 29 to 580mm. The lens mounts onto the 1/3" bayonet lens mount, and features built-in optical image stabilization and chromatic aberration correction. To aid in low light recording, the lens offers a fast f/1.6-3.0 aperture. It also features a servo zoom and manual focus and iris rings.
The JVC GY-HM890 utilizes a very nicely-weighted shoulder-mount form factor for use as an HD studio camera or multi-camera field production camera. It has a multi-pin connection that accommodates JVC fibre or multi-core camera modules and is compatible with a full range of studio components, including customised studio sled, zoom and focus controls, CCUs and 8.4-inch LCD viewfinder, as well as box-style lenses from Canon and Fujinon.
The GY-HM890 also includes an HD/SD-SDI pool feed input that can record and stream video and audio from another camera or SDI source during press conferences or other pool feed environments. The cameras also support LANC remote controllers as well as JVC's proprietary wired remote control system.
The camcorder features three, 1/3-inch 2.07 effective megapixel CMOS sensors, capturing full 1920x1080 images. The imagers provide 12-bit processing, F12 sensitivity (50Hz) and excellent signal-to-noise ratio to produce superior colour reproduction.
Continuing JVC's commitment to native file workflows, the GY-HM890 records HD or SD footage as Final Cut Pro (.MOV), XDCAM Ex (.MP4), AS-10 (.MXF), AVCHD (.MTS), or H.264 (.MOV) files for compatibility with most major NLE systems. Footage can be recorded using MPEG-2 or H.264 compression at a variety of bit rates, frame rates, and resolutions. Dual codecs offer simultaneous recording of a full HD file on one memory card and smaller, web friendly H.264 files on the other. Plus, a new H.264 Extreme High Quality (XHQ) recording mode, commonly used in HD SLRs, offers virtually lossless H.264 50 Mbps recording.
Dual SDHC/SDXC card slots allow simultaneous recording (for instant client copy/backup) or relay recording (for continuous shooting) to low cost, non-proprietary media. During simultaneous recording, one card can act as a continuous backup that overrides the pause function triggered by the operator. Relay recording allows virtually unlimited recording capability in the field.
The 800 Series cameras significantly expand on the live HD streaming and file transfer capabilities introduced in the popular GY-HM650 mobile news camera. JVC's exclusive dual codec design allows the new cameras to transmit live HD footage or transfer files in the background while users continue to record footage in their normal workflow. When paired with a GSM modem or Wi-Fi adapter, which is connected directly to the camera via USB, the camera transmits footage to a facility in real time. JVC provides different stream protocols to maximize the streaming results: UDP, TCP, RTP/RTSP, ZIXI. The Advanced Streaming Technology (AST) feature provides content-aware error correction, bandwidth shaping, and real-time feedback of streaming status.
The camera features a built-in processor with proprietary algorithms that maximize bandwidth to ensure reliable transmission even under difficult conditions. Plus, advanced content aware error correction compensates for up to 30 percent packet loss, supported by Zixi streaming solution and streaming protocol. Stream and signal status is provided in the high-resolution 4.3-inch LCD monitor and LCOS colour viewfinder.
The camera provides secure FTP file transfer on location, as well as live monitoring and extensive camera and lens control via Wi-Fi from a smartphone (iPhone, Android), tablet (iPad, Android), PC or Mac. For broadcasters who use metadata, a built-in GPS allows location information to be recorded. Plus, metadata can be edited on a smartphone or tablet and transferred to the camera via Wi-Fi. The camera is also compatible with Advanced Streaming Services, powered by Zixi, for reliable live content delivery.
JVC GY-HM890 includes genlock and time code terminals for multi-camera setups, HD/SD-SDI out, HDMI out, 3.5mm stereo headphone jack, and a four-channel audio system with stereo AUX inputs and two XLR mic/line inputs with phantom power. Other features include 12 assignable user buttons, 10-second Pre Rec (retro cache), focus assist, interval recording for time lapse footage and variable frame rate recording for over/under crank effects.