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Review Summary
2017-12-19T08:52:11
Overall the camera is amazing and for a entryline into the professional market it is fantastic for the price. The camera is very sturdy and the design and user interface is practical yet effective. Video quality is amazing and lots of shooting options. Only complaint, it is a super 35mm sensor and camera shoots on a crop, not a huge deal but for the price tag I kind of expected a full frame. Beautiful camera and easily customizable and has decent low light functions.
JEOFFREY H.
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RED DRAGON 13.8 MP Super 35mm CMOS
5120 (h) x 2700 (v)
25.6 mm x 13.5 mm (Diagonal: 28.9 mm)
16.5+ stops
80 dB
Up to 140 MB/s using RED MINI-MAG
50 fps at 5K Full Format (5120 x 2700), 60 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
23.98, 24, 25, 29.97, 47.96, 48, 50, 59.94, 60 fps, all resolutions
5:1 REDCODE for 5K Full Format (5120 x 2700) at 24 fps
9:1 REDCODE for 5K Full Format (5120 x 2700) at 50 fps
3:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps
7:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps
5K Full Frame (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
4.5K Full Frame (4608 x 2412), 2:1, 2.4:1, 16:9, 3:2, 4:1, 8:1, and Ana 2x, 1.3x
4K Full Frame (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
3K Full Frame (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
2K Full Frame (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
422 HQ, 422 and 422 LT at 2K (2048 x 1080) up to 60 fps
DNxHD HQ, SQ and LB (1920 x 1080) 8-bit up to 60 fps
5K (5120 x 2700) at 24 fps and 11:1 REDCODE: 41 minutes
5K (5120 x 2700) at 48 fps and 14:1 REDCODE: 26 minutes
4.5K 2.4:1 (4608 x 1944) at 120 fps and 15:1 REDCODE: 17 minutes
Aluminum Alloy
0 Degree C to 40 Degree C (32 Degree F to 104 Degree F)
-20 Degree C to 50 Degree C (-4 Degree F to 122 Degree F)
0% to 85% non-condensing
Supports 17 x 17 x 17 3D LUTs
Variable number of 3D LUT outputs with Expander Modules
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with Expander Module, uncompressed, 24-bit 48 kHz
Integrated RED COMMAND PROTOCOL (R.C.P.) WiFi antenna
Ethernet, RS232, and GPI Trigger with Expander Modules
3G-SDI (HD-SDI) and HDMI with Expander Modules
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI Only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
DSMC RED Touch 4.7" LCD, DSMC RED Touch 7.0" LCD and DSMC RED EVF (OLED) with cable-free connection.
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS)
compatible with DSMC LEMO Adaptor and LCD/EVF cable.
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, Avid AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
Adobe Premier Pro, Avid Media Composer
DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro
3.5 lbs (56 oz) (Brain with Integrated Media Bay)
Carrying on the legacy of the revolutionary RED ONE, SCARLET-W brings an unparalleled level of accessibility to content creators everywhere. SCARLET-W combines RED’s intuitive camera design—including integrated mounting points, interchangeable lens mounts, simultaneous REDCODE RAW and Apple ProRes or Avid DNxHR/HD recording formats, intelligent OLPF system, and in-camera 3D LUT outputs—with a RED DRAGON sensor to provide a solution that blends flexibility and accessibility with high-end performance.
The RED DRAGON sensor allows shooters to get the best shot every time. SCARLET-W harnesses the massive dynamic range of the RED DRAGON sensor to produce cinema-quality images rich with natural color. SCARLET-W’s Monochrome camera option gives shooters the ability to capture black and white images that contain enhanced resolution and heightened light sensitivity. SCARLET-W gives you the ability to capture your vision exactly as you see it: 5K 2.4:1 at 60 frames per second (fps), 4K 2.4:1 at 150 fps, or 2K 2.4:1 at 300 fps with REDCODE RAW.
RED's innovative modular design brings maximum flexibility to every professional, providing adaptability in every situation you encounter. Interchangeable lens mount options give you the capability to change your perspective at a moment’s notice, while the full range of DSMC2 module adaptors lets you dial in your camera rig to exact specifications.
RED’s commitment to providing a seamless workflow persists with SCARLET-W. RED’s innovative REDCODE RAW recording format, also known as R3D, enables shooters to maintain visual integrity throughout post production with non-destructive editing capabilities. Compatible with most professional-grade editing programs, REDCODE RAW easily adapts to your preferred system. Additionally, shooters have the freedom to simultaneously capture options in both R3D and Avid DNxHR/HD or Apple ProRes file formats.
The rugged, durable design of SCARLET-W makes it an ideal option for wherever your journey takes you. Whether you configure your camera to be as lightweight as possible or work with a complex studio configuration, SCARLET-W allows you to feel secure in its abilities to capture cinema-quality images in any circumstance. A Base I/O V-Lock package option comes with the key components necessary for you to get out and start shooting, allowing you to immediately set your production in motion.
SCARLET-W’s introduction reinforces RED’s commitment to placing adaptable, high-end creative tools in the hands of professionals everywhere. SCARLET-W uses the DSMC2 line of accessories—compatible with both WEAPON and RED RAVEN cameras—giving shooters the option to move between camera systems without having to purchase all new gear.
RED makes OBSOLESCENCE OBSOLETE.