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Review Summary
2022-05-17T09:44:32
I have it for about 3 years, from pre-order, and it is worth every penny. Absolutely great images, extremely sharp, decent good autofocus, state of the art menu system. I'm shocked by the low rating here in reviews, people might not know how to use it or complain about very specific issues. Camera body is very solid, well built, and perfectly fit for an adult hand. I'm very happy with S1 and S1R. Video quality is amazing as well. If I want to buy a new camera in 2022, I would buy the S1R again (but just waiting for the S1R mkII). At 2022 firmware added some new features and fixes, and lens selection is great.
DMITRY S.
2020-12-12T06:40:21
I bought this camera when it was first released and hardly ever used it until now. The original software was so bad I firmly believe that it was responsible for almost all the negative reviews here and elsewhere. The first three firmware updates each offered minimal improvements but did nothing to change the horrible bottom line. Then on 2020/11/24 Panasonic finally came out with version 1.6, and that was a total game changer. I have a whole new camera, and I haven't used any other since. I have been a photographer since 1964, using everything from view cameras to GoPro, and I've never been this comfortable with a camera since the Leica M2 in the sixties. Is it perfect? No. It still has some issues with auto-focus in low light, but it's much better than before this firmware version. In every other way the AF now meets my needs. My wife's A7rIV is better, but... I'm told there were issues with flash, but I don't use flash, so I don't know if that's been improved. Some say it's too big and heavy. It is big and heavy, and that's one of the things I like best about it. The ergonomics are well thought out, so big is not a problem. it's what makes the camera so comfortable in my big hands. The weight is only an issue while packing for travel. When shooting the weight is an oft overlooked asset. OIS does help stabilize the image but does nothing to help steady the camera when one has to frame a shot while holding it at arm's length and/or at uncomfortable angles to get a shot. A heavier camera is a steadier camera IMHO (simple physics, more mass = less tendency to shake). I don't see anything in the release notes to indicate that the latest update changed the image quality, but I feel that it has been greatly improved disclaimer: it could just be that the other improvements have me using the camera so much more. If Panasonic had delayed release of the S1x line until they had finished designing their firmware I suspect they could have had a hit on their hands instead of all the negative reviews they suffered in its first year.
DAVIS D.
2020-06-22T01:43:53
I've had this camera for about 8 months now, and it is hands down the most insane piece of technology I've ever owned. the amount of detail and resolution you get in your photos is mind blowing. the videos come out super clean and the image stabilization is great. The low light for something fast paced like concerts or events can be challenging, but if you use a tripod for astro photography and landscapes it can pretty much see in the dark. One thing that has been a little irritating is that adobe lightroom still has yet to support the RAW format this camera writes too, so I have to convert all my photos to DNG in order to edit them. Because of this I shoot in RAW + JPEG so i can transfer photos i want right away to my phone, then upload the JPEGs to lightroom mobile. This gives me a little less storage than you would typically get out of whatever memory card you use, so I've gonna a couple spares. You're gonna want extra batteries as well, especially during video. This a seriously pro level camera with mind numbing results and a ton of customization for your personal touch. If weight isn't a real issue or you don't travel with alot of lenses, then i HIGHLY recommend this camera.
Joshua H.
2019-12-22T01:10:12
Lots of m o i r e in pictures!!! It is a no brainer! Chunky batteries, very heavy design. I got dust on the sensor almost every day that have to be removed, otherwise you will see faded areas in your pictures. (This is going automatically by default with Canon or Nikon.) I have lots of moire both in photo and in video mode. This camera obviously doesn't have any anti aliasing filter. I can't film or capture any images with this camera off from books because of the raster dots, or any brick walls. I use to have this problem with my Canon EOS 5D Mark II camera ten years ago!!! On the top of this, we bought this as our main video camera for documentary films, but it doesn't offer any 4K DCI option, which is really annoying. Also, with the MC21 adapter continuous autofocus is disabled, which makes this camera a real deal-breaker. (Also, with native Panasonic lens the autofocus is more sluggish than with Canon or with Sony ecosystem.) Just beware of these when you would purchase this camera. The battery is below average. I got only 120 shots with the original one. Why has S1/S1R/S1H the worst autofocus in the market? How I could make a lawsuit against Panasonic?
Orosz M.
2019-08-25T13:13:15
The S1r wasn't designed to shoot continuous bursts with Flash. Flash is limited to one shot at a time,at least on strobes mounted on lightstands.This makes it less than appealing on Fashion shoots,in particular....all my equipment is on the latest firmware, including the S1R, Its a pity,because its actually a very good body otherwise...
Bill C.
2019-08-25T13:04:25
Why? The S1R wasn't designed to shoot continuous bursts with Flash. When you power up a Flashpoint trigger on it ,the shooting mode in camera automatically disables the mode into single shot only with flash.All equipment used to test this are latest firmware, both the S1R as well as trigger and strobes (AD600 pro and Pro R2 mk2 triggers. Furthermore,after research,it seems that this is by design from Panasonic,previous users of G9 bodies mentioning the same issue. It's very significant that a video featuring a Panasonic "Ambassador "showed him working with a model,his lighting being constant video lights-during these scenes he mentioned how he loved the S1R high ISO capability and IBIS system.....now we see why he loved it,because you would have to shoot at 3200 ISO and 1/30 sec shutter speed wide open all day to use video lighting.... This sad fact will definitely continue in the upcoming S1H,as it is aimed at more video use than the S1 and S1R...
Bill C.
2019-04-23T09:57:46
I've been a Leica SL and Sony a7rIII user, but the arrival of the S1R has changed everything. It is the camera that the Leica SL should have been. The immediately available, via button or dial, functions are a pleasure to use, the sensor produces spectacular images and the EVF and IBIS are superb ... much more effective than my a7rIII. It's not a small camera, but its ergonomics are more pleasing than the diminutive Sony. Overall, together with Leica lenses or their own S Pro lenses, this camera ticks all of my desired boxes.
RONALD M.
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Digital Single Lens Mirrorless camera
XQD Memory Card, SD Memory Card / SDHC Memory Card / SDXC Memory Card
L-Mount
35mm full-frame (36.0 x 24.0mm) CMOS sensor
47.30 megapixels / 50.44 megapixels
3:2 / Primary color filter
Supersonic wave filter
4:3 / 3:2 / 16:9 / 1:1 / 65:24 / 2:1
RAW / RAW+Fine / RAW+Standard / Fine / Standard
sRGB, AdobeRGB
JPEG (DCF, Exif 2.31), RAW, HLG Photo (CTA-2072)
6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch))
4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch))
Extracted still images: JPEG (DCF, Exif 2.31)
3:2
8368x5584(L) / 5952x3968(M) / 4272x2848(S) / 16736x11168(XL) (High Resolution Mode. RAW file.
5184x3456(6K PHOTO) / 3504x2336(4K PHOTO) / 6464x4320(HLG PHOTO, 8K-Res.) / 3232x2160(HLG PHOTO, 4K-Res.)
4:3
7440x5584(L) / 5296x3968(M) / 3792x2848(S) / 14880x11168(XL) (High Resolution Mode. RAW file.)
4992x3744(6K PHOTO) / 3328x2496(4K PHOTO) / 5760x4320(HLG PHOTO, 8K-Res.) / 2880x2160(HLG PHOTO, 4K-Res.)
16:9
8368x4712(L) / 5952x3352(M) / 4272x2400(S) / 16736x9424(XL) (High Resolution Mode. RAW file.)
3840x2160(4K PHOTO) / 7680x4320(HLG PHOTO, 8K-Res.) / 3840x2160(HLG PHOTO, 4K-Res.)
1:1
5584x5584(L) / 3968x3968(M) / 2848x2848(S) / 11168x11168(XL) (High Resolution Mode. RAW file.
16:9
8368x4712(L) / 5952x3352(M) / 4272x2400(S) / 16736x9424(XL) (High Resolution Mode. RAW file.)
3840x2160(4K PHOTO) / 7680x4320(HLG PHOTO, 8K-Res.) / 3840x2160(HLG PHOTO, 4K-Res.)
1:1
5584x5584(L) / 3968x3968(M) / 2848x2848(S) / 11168x11168(XL) (High Resolution Mode. RAW file.
3:2
5504x3664(L) / 3920x2608(M) / 2784x1856(S)
4:3
4880x3664(L) / 3472x2608(M) / 2480x1856(S)
16:9
5504x3096(L) / 3840x2160(M) / 1920x1080(S)
1:1
3664x3664(L) / 2608x2608(M) / 1856x1856(S)
MP4: H.264/MPEG-4 AVC (Audio format: LPCM (2ch 48kHz/16-bit), AAC (2ch))
AVCHD Progressive (Audio format: Dolby Audio (2ch)), AVCHD (Audio format: Dolby Audio (2ch))
[4K] 3840x2160
59.94p, 150Mbps (4:2:0 8-bit LongGOP) (LPCM)
29.97p, 100Mbps (4:2:0 8-bit LongGOP) (AAC)
23.98p, 100Mbps (4:2:0 8-bit LongGOP) (AAC)
[FHD] 1920x1080
59.94p, 28Mbps (4:2:0 8-bit LongGOP) (AAC)
29.97p, 20Mbps (4:2:0 8-bit LongGOP) (AAC)
[FHD] 1920x1080
59.94p, 28Mbps (4:2:0 8-bit LongGOP) (Dolby Audio)
59.94i, 24Mbps (4:2:0 8-bit LongGOP) (Dolby Audio) (Sensor output is 29.97fps)
59.94i, 17Mbps (4:2:0 8-bit LongGOP) (Dolby Audio) (Sensor output is 59.94fps)
23.98p, 24Mbps (4:2:0 8-bit LongGOP) (Dolby Audio)
When Creative Video Mode is selected.: [4K] 3840x2160
29.97p (Sensor output is 60fps)
23.98p (Sensor output is 48fps)
[FHD] 1920x1080
29.97p (Sensor output is 180fps / 120fps)
Motion picture: Approx. 150 min (rear monitor), 140 min (LVF) in [AVCHD/FHD/60p]
Motion picture: Approx. 75 min (rear monitor), 70 min (LVF) in [AVCHD/FHD/60p]
OLED Live View Finder
Approx. 5,760k dots
Approx. 100% / Approx. 0.78x with 50 mm lens at infinity; -1.0 m-1, when the aspect ratio is set to 3:2
Approx. 21 mm at infinity; -1.0 m-1 / -4.0 - +2.0 (dpt)
Yes
120fps / 60fps
Approx. 0.005sec
TFT LCD monitor with static touch control
Triaxial tilt, 3.2-inch (8.0cm), 3:2 aspect
Approx. 2,100k dots
Approx. 100%
Yes
Contrast AF system
Yes
AFS (Single) / AFC (Continuous) / MF
Auto Detection (Face, Eye, Body, Animal) / Tracking / 225-Area / Zone (Vertical/Horizontal) / Zone (Square) / Zone (Oval) / 1-Area+ / 1-Area / Pinpoint / Custom 1, 2, 3
(Full area touch is available) (Scalable AF frame size and flexible AF position)
EV -6 - 18 (F1.4, ISO100 equivalent, AFS)
AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction
Yes
Set the Fn button in custom menu to AF lock
Yes / Yes
AF-ON, Shutter AF, Half Press Release, Focus/Shutter Priority, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF-Point Scope Setting, AF+MF, MF Guide, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter, Focus Switching for Vert/Hor, Focus Ring Lock, Show/Hide AF Mode
1,728-zone multi-pattern sensing system
Multiple / Center Weighted / Spot / Highlight Weighted
EV0-18 (F2.0 lens, ISO100 equivalent)
(Standard output sensitivity): Auto / 50 / 100 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 / 51200 (Changeable to 1/3 EV step)
Program AE / Aperture Priority AE / Shutter Priority AE / Manual Exposure
1/3 EV step +/-5EV ( +/-3EV for motion picture)
Set the Fn button in custom menu to AE lock
Image sensor shift type (5-axis / 5.5-stop (Based on the CIPA standard
Dual I.S. (6.0-stop Dual I.S. 2 compatible) (Based on the CIPA standard
AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4
Blue/Amber bias, Magenta/Green bias
2500-10000K in 100K
Focal-plane shutter
Still image: Bulb (Max. 30 minutes), 1/8,000 - 60
Electronic front curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60
Electronic shutter: Bulb (Max. 60 sec), 1/16,000 - 60
Motion picture: 1/16,000 - 1/25
Approx. 400,000 images
10sec, 3 images / 2sec / 10sec
Remote control by DMW-RS2 (sold separately)
Yes / Yes (Auto / Mechanical / Electronic front curtain / Electronic / Electronic+NR)
3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. +/-3 EV, single/burst
3, 5 or all positions in 1 EV step
1 to 999 images, focus steps can be set in 10 levels
3 images in blue/amber axis or in magenta/green axis, color temperature setting
Mechanical shutter / Electronic front curtain shutter
AFS/MF: H: 9 frames/sec, M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
AFC: H: 6 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
Electronic shutter
AFS/MF: H: 9 frames/sec, M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
AFC: H: 5 frames/sec (with Live View), M: 5 frames/sec (with Live View), L: 2 frames/sec (with Live View)
RAW: More than 40 images
RAW+JPEG: More than 35 images
JPEG: More than 50 images
6K PHOTO: 30 frames/sec
4K PHOTO: 60 frames/sec, 30 frames/sec
Yes (Each JPEG image cropped out of the 6K/4K burst file complies with EXIF.)
TTL External Flash (sold separately)
No
Auto / Auto/Red-eye Reduction / Forced On / Forced On/Red-eye Reduction / Slow Sync. / Slow Sync./Red-eye Reduction / Forced Off
1st Curtain Sync, 2nd Curtain Sync.
1/3EV step +/-3EV
Less than 1/320 second
Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1ch/2ch/3ch/4ch
Yes
2.0x (EX S), 1.4x (EX M)
Standard / Vivid / Natural / Flat / Landscape / Portrait / Monochrome / L. Monochrome / L. Monochrome D / Cinelike D / Cinelike V / Like709 / Standard (HLG) / Monochrome (HLG) / My Photo Style 1-10
Contrast / Highlight / Shadow / Saturation / Color Tone / Hue / Filter Effect / Grain Effect / Sharpness / Noise Reduction / ISO / WB
Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome / Silky Monochrome/ Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect / Soft Focus / Fantasy / Star Filter / One Point Color / Sunshine
Exposure Comp. / Sensitivity / White Balance / Photo Style / Metering Mode / Aspect Ratio / Picture Quality / Picture Size / HLG Photo / High Resolution Mode / 1 Shot Spot Metering / Long Exposure NR / Min. Shutter Speed / 1 Shot RAW+JPG / i.Dynamic Range / Filter Effect / One Push AE / Touch AE / Exposure Mode / AF Mode/MF / AF Custom Setting(Photo) / AF Custom Setting(Video) / Focus Peaking / Focus Peaking Sensitivity /
1-Area AF Moving Speed / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-Point Scope / Focus Area Set / Flash Mode / Flash Adjust. / Wireless Flash Setup / Drive Mode / 1 Shot "6K/4K PHOTO" / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / Ex. Tele Conv. / Flicker Decrease (Photo) / Post-Focus / Motion Pic. Rec Format / Motion Pic. Rec Quality / Sound Rec Level Disp. / Sound Rec Level Adj. /
Mic. Directivity Adjust / Image Stabilizer / E-Stabilization (Video) / Boost I.S. (Video) / Q.MENU / Rec / Playback Switch / Video Record / LVF/Monitor Switch / LVF Magnification / Dial Operation Switch / Preview / Constant Preview / Level Gauge / Histogram / Photo Grid Line / Live View Boost / Monochrome Live View / Night Mode / LVF/Monitor Disp. Style / Photo/Video Preview /
Zebra Pattern / HLG View Assist(Monitor) / HLG View Assist (HDMI) / Sheer Overlay / I.S. Status Scope / Focus Ring Control/ Zoom Control / Destination Card Slot / Wi-Fi / No Setting / Restore to Default
Magnify from AF Point / HLG View Assist(Monitor) / RAW Processing / 6K/4K PHOTO Bulk Saving / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Copy / Rec/Playback Switch / LVF/Monitor Switch / Video Record / Night Mode / Card Slot Change / Wi-Fi / Send Image (Smartphone) / HLG View Assist (HDMI) / 6K/4K Photo Play / No Setting / Restore to Default
AF Mode / Photo Style / Picture Quality / Long Exposure NR / Focus Peaking / Bracketing / Silent Mode / Image Stabilizer / Shutter Type / 6K/4K PHOTO (Pre-Burst) / Focus Ring Lock / Touch Screen / Touch Pad AF / Auto Review (Photo) / Live View Boost / Night Mode / Sheer Overlay / Front/Rear/Control Dial Lock / No Setting / Restore to Default
Yes
Please refer to "OSD" Sheet
PictBridge compatible
SuperSpeed USB 3.1 Gen1 Type-C
Monitor-through
4:2:2 8bit (Except for [4K/60p]) / 4:2:0 8bit
Playback
HDMI TypeA / VIERA Link
Video: Auto / 4K/60p / 4K/30p / 1080p / 1080i / 720p / 480p
Audio: Stereo
No
Diameter: 2.5mm
External audio device input: 3.5mm for external microphone / external audio device
MIC (Plug-in Power) / MIC / LINE is selectable.
Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately).
Diameter: 3.5mm
Stereo, Wind Noise Canceller: OFF / Low / Standard / High
Monaural
Slot 1: XQD Memory Card
Slot 2: SD Memory Card, SDHC Memory Card, SDXC Memory Card
2.4GHz (STA/AP) (IEEE802.11b/g/n)
5GHz (STA) (IEEE 802.11a/n/ac)
Bluetooth v4.2 (Bluetooth Low Energy (BLE))
Yes
Li-ion Battery Pack (7.4V, 3050mAh, 23Wh) (bundled)
USB power supply, USB power charging
When using XQD memory card: Approx. 360 images (rear monitor), 340 images (LVF), 1,100 images (Power Save LVF mode) with S-R24105
When using SD memory card
Approx. 380 images (rear monitor), 360 images (LVF), 1,150 images (Power Save LVF mode) with S-R24105
DMW-BGS1 (sold separately)
-10 Degree C to 40 Degree C (14 Degree F to 104 Degree F)
10%RH to 80%RH
Approx. 5.86 x 4.33 x 3.81" (148.9 x 110.0 x 96.7mm) / h (excluding protrusions)
Approx. 2.25 lb (1,020g) / (XQD Memory Card x 1, Battery, Body)
Approx. / 2.24 lb (1,016g) (SD Memory Card x 1, Battery, Body)
Approx. 1.98 lb (898g) (Body only)
Wow, everything that I'd hope for and more
By RONALD M.
I've been a Leica SL and Sony a7rIII user, but the arrival of the S1R has changed everything. It is the camera that the Leica SL should have been. The immediately available, via button or dial, functions are a pleasure to use, the sensor produces spectacular images and the EVF and IBIS are superb ... much more effective than my a7rIII. It's not a small camera, but its ergonomics are more pleasing than the diminutive Sony. Overall, together with Leica lenses or their own S Pro lenses, this ...
View full Review
this camera is INSANE
By Joshua H.
I've had this camera for about 8 months now, and it is hands down the most insane piece of technology I've ever owned. the amount of detail and resolution you get in your photos is mind blowing. the videos come out super clean and the image stabilization is great. The low light for something fast paced like concerts or events can be challenging, but if you use a tripod for astro photography and landscapes it can pretty much see in the dark. One thing that has been a little irritating is that ...
View full Review
Panasonic unveils the Lumix S series, its first full-frame mirrorless camera line. Combining durability with uncompromising quality, the Lumix S1 utilizes a 24.2MP full-frame MOS sensor, while the S1R uses a new 47.3-megapixel MOS sensor, allowing for a maximum ISO sensitivity of 51,200 and 25,600, respectively. The Lumix S series features an updated Venus engine for 9 fps burst shooting or 6 fps continuous focus shooting, as well as DFD technology for autofocus speeds of approximately 0.08 seconds. Both the S1 and S1R can shoot in HLG Photo Mode, the new High Resolution Mode which captures eight images in quick succession before stitching the results into a single image, and 6K photo mode. Both utilize an L-Mount system, making them compatible with various Sigma and Leica lenses, and with the new Panasonic lenses, namely the70-200mm f/4 LUMIX S Pro O.I.S. L-Mount Len, the 24-105mm f/4 LUMIX S O.I.S. L-Mount Lens, & 50mm f/1.4 LUMIX S PRO L-Mount Lens. The body is made up of a fully die-cast Magnesium alloy frame ergonomically designed to be dust and splash-resistant for outdoor photography. The new line of mirrorless cameras from Panasonic opens up new horizons for amateurs and professional photographers alike.
The wait is over: Panasonic has officially launched the Lumix S1 and Lumix S1R full-frame mirrorless cameras, along with three new L-mount lenses. With uncompromising quality and powerful sensors, the cameras are capable of 4K video recording, have precise auto focus, and are compatible with Panasonic, Leica, and Sigma lenses thanks to the L-mount.
READ MORE
The Panasonic LUMIX S1R Digital Single Lens Mirrorless (DSLM) camera incorporates a 47.3 megapixel high resolution 35mm full-frame MOS sensor. The LUMIX S1R utilizes the new L-Mount standard, which boasts a well-balanced, large inner diameter and compact dimensions for a flange focus to realize optimum size and performance as a digital mirrorless camera system.
The LUMIX S1R yields unprecedented image quality with high resolution, rich gradation and superior color reproduction. A high-speed, high-precision AF system based on advanced control technology over the lens, the sensor, and the new Venus Engine enable the user to capture the precise moment in the finest detail. The LUMIX S1R also boasts industry-leading video recording performance (4K 60p/50p), intuitive control, a rugged design for heavy field use, durability, and expandability. The LUMIX S1R is splash resistant* and dust resistant but also operates down to -10 degrees Centigrade. The mirrorless cameras' shutter unit is also durable for approximately 400,000 cycles. Camera performance, lightweight construction, and Dust/Splash/Freeze-Resistant Design are some of the features you'll enjoy while shooting with the Panasonic LUMIX S Series Digital Mirrorless Cameras.
S1R FULL FRAME SENSOR
The LUMIX S1R incorporates a new 47.3-megapixel MOS sensor without LPF (Low Pass Filter) to realize high resolution and descriptive performance. This sensor adopts an aspherical lens for the on-chip micro lenses to enhance light condensation. Together with the optimum design to concentrate more incoming light onto the photodiode, it achieves both high resolution and highly efficient light condensation performance. (S/N ratio and maximum ISO 25600). An AR coating applied on the sensor minimizes ghosts and flaring even in backlighting.
DFD FOCUSING TECHNOLOGY
Panasonic's advanced Contrast AF system with DFD technology has evolved through the development of numerous mirrorless cameras to make the AF system within the LUMIX S Series of cameras nearly flawless. It achieves a fast level of focusing speed and also a tracking performance that is made possible by the adoption of Advanced AI Technology that accurately recognizes moving target subjects.
S1R FULL FRAME SENSOR
The LUMIX S1R incorporates a new 47.3-megapixel MOS sensor without LPF (Low Pass Filter) to realize high resolution and descriptive performance. This sensor adopts an aspherical lens for the on-chip micro lenses to enhance light condensation. Together with the optimum design to concentrate more incoming light onto the photodiode, it achieves both high resolution and highly efficient light condensation performance. (S/N ratio and maximum ISO 25600). An AR coating applied on the sensor minimizes ghosts and flaring even in backlighting.
DFD FOCUSING TECHNOLOGY
Panasonic's advanced Contrast AF system with DFD technology has evolved through the development of numerous mirrorless cameras to make the AF system within the LUMIX S Series of cameras nearly flawless. It achieves a fast level of focusing speed and also a tracking performance that is made possible by the adoption of Advanced AI Technology that accurately recognizes moving target subjects.
S1R HIGH RES MODE
Taking full advantage of its high-resolution sensor, the LUMIX S1R provides a High-Resolution mode that faithfully reproduces precise details to be saved as beautiful, highly realistic JPEG/RAW still images. Eight consecutive images are automatically shot while shifting the sensor using the Body I.S. (Image Stabilizer) mechanism and synthesized into a 187-megapixel equivalent (16,736 x 11,168-pixel) image via the new Venus Engine, which boasts high-speed signal processing. This mode is suitable for taking natural landscapes or fine arts with delicate details. This magnificently high-resolution photo is ideal for landscape photography of stationary subjects using a tripod. However, it can also be used in situations where moving subjects are included in the scene, by switching the sub mode.
SHUTTER MECHANISIM
The high-precision shutter unit offers the highest shutter speed at a maximum 1/8000 second to capture spur-of-the-moment, fast moving subjects and to use a high-speed lens with a fully open aperture even outdoors for impressive defocusing. The external flash can be synchronized to a shutter speed of a maximum 1/320 second
DFD FOCUSING TECHNOLOGY
Panasonic has achieved a high-speed AF with its advanced control technology over the major devices - lens, sensor and imaging engine. The lens and sensor communicate at a maximum 480 fps. Combining the Contrast AF with DFD technology, the LUMIX S1R realizes an ultra-high-speed, high-precision AF of approximately 0.08 sec.*1 The LUMIX S1R also boasts high speed burst shooting at 9 fps (AFS) or 6 fps (AFC). With its high subject tracking performance, the LUMIX S1R never loses the target subject. As a camera that excels in low-light shooting, the LUMIX S1R boasts -6EV*2 luminance detection performance with Low Light AF thanks to the higher sensitivity and optimized tuning of the sensor.
FACE / EYE DETECTION TECHNOLOGY
The face/eye detection technology makes it possible to capture people in crisp focus, the Eye AF even detects the pupil of the eye and precisely focuses on it for impressive portrait shooting. The LUMIX S1R also incorporates Advanced AI Technology that detects specific subjects - humans and fast-moving animals and birds. The camera keeps tracking these subjects even when they turn their back to the camera.
6K PHOTO MODE
For more continuous burst shooting, 6K PHOTO* makes it possible to capture unmissable moments at 30 fps by extracting the frame with the best timing out of a 6K burst file (in 4:3 or 3:2 aspect ratio) to save as an approximate 18-megapixel equivalent high-resolution photo. The 4K PHOTO enables 60-fps high-speed captures in approximate 8-megapixel equivalent resolution. In 6K PHOTO /4K PHOTO, three exclusive modes can be chosen from depending on the situation; 6K Burst/4K Burst, 6K Burst (Start/Stop)/4K Burst (Start/Stop) and 6K Pre-burst/4K Pre-burst. Users can choose the most suitable burst shooting mode in addition to the regular consecutive shooting mode in full resolution depending on the situation.
LVF
The LVF (Live View Finder) is the key factor for completing the ultra-high-speed response of the camera. The LUMIX S1R has the largest-in-class Real View Finder which boasts a high 5,760k-dot resolution. The 0.78x magnification ratio can be switched to 0.7x or 0.74x according to the shooting situation. Adoption of a high-speed, high-precision OLED (Organic Light-Emitting Diode) for the LVF achieves smooth display at 60 fps/120 fps (switchable) and high-speed response with minimum time lag of less than 0.005 sec as well as 10,000:1 high contrast for exceptional visibility. With minimum distortion and high optical performance, this Real View Finder provides a natural view as seen with the naked eye. It is always sharp and clear from the center all the way to the corners.
TILTING MONITOR
The 2,100K-dot high resolution monitor in 3:2 aspect ratio has adopted a triaxial tilt moving element to secure both durability and operational ease. It also has a touch control system. Live View Boost is another practical feature that makes it possible to check the composition even in total darkness by boosting the sensitivity just for live view. It also incorporates a Night mode that provides mild backlighting. It lets the user watch the subject comfortably even right after viewing the monitor while in a dark situation for a long time. LUMIX S Series cameras include a large Status LCD on the top, allowing users to check the settings at a glance.
GRIP AND ILLUMINATED CONTROLS
To make the camera so it can be used like a part of the photographer's body, the LUMIX S Series cameras provide a firm grip, making it easy to hold for long periods. The control buttons and dials are located based on an ergonomic study to enable the user to concentrate on shooting. The adoption of an 8-directional joystick and refined UI (User Interface) also supports quick operation during shooting. In addition, illuminated buttons can be of help in low-light situations. An operation lock lever prevents unintentional operation, and the user can choose which operation to lock.
DUAL MEMORY CARD SLOTS
The LUMIX S1R is equipped with a double Memory Card slot compatible with SD (UHS-II) and XQD Memory Cards for high-speed, high-capacity continuous data recording. Users can flexibly choose the recording method from Relay Recording, Backup Recording or Allocation Recording using the double slots. It will also be compatible with CFexpress in the near future. The 7.2-V 3,100 mAh high-capacity battery can be quickly charged via USB PD (USB Power Delivery) using the bundled USB3.1 Type-C cable. And it also realizes high-speed data transfer.