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Review Summary
2020-01-06T03:29:37
Super handy and easy to set up. I was surprised by the quality of the mic: it was heavy and sturdy. My team needed something like this to work faster and more precisely. Connecting the microphone to the camera makes the workflow faster and more organized. The microphone is excellent for interviews in a room where people pass the microphone around. The sound quality of this equipment is excellent and perfect for working on Adobe Audition.
Marcio C.
2019-06-10T08:48:09
Easy to figure out quickly. Feels durable -- more metal parts than plastic. Overall we're happy with these because they eliminate the need for attaching two receivers. We've had trouble getting it to work with Tram mics -- they just don't play well together. But the Sony mic that comes with this sounds great. I just wish that it wasn't so big -- makes it harder to hide and I haven't been able to find a vampire clip that works effectively with it.
KATIE C.
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- Microphone Windscreen
- Microphone Holder Clip
- Belt Clip
- Soft Case
Crystal-controlled PLL Synthesizer
Space diversity
1/4 wave length wire
470.125 MHz to 541.875 MHz
23Hz to 18kHz (typical)
96dB (max deviation, A-weighted)
0.9% or less (-60dBV, 1kHz input)
Approx. 0.375 msec
3-pole mini jack, unbalanced
-50dBV (+/- 12dB Adjustable, 3-dB step)
3-pole mini jack, unbalanced
-60dBV (at +/- 5kHz deviation)
-12dB to +12dB (3dB step)
Dia. 3.5 mm (5/32") stereo mini jack
5 mW (at 16ohms load)
32 kHz / 32.382 kHz / 32.768 kHz
LCD
DC 3.0 V (with two AA-size alkaline (LR6) batteries)
DC 5.0V (via USB micro-B)
Approx. five hours with Sony's AA-size alkaline (LR6) batteries at 25 deg. C (77 deg. F)
0 to 50 deg. C (32 to 122 deg. F)
-20 to 55 deg. C (-4 to 131 deg. F)
Crystal-controlled PLL Synthesizer
1/4 wave length wire
F3E
470.125 MHz to 541.875 MHz (UHF-TV channels 14 to 25) (not available in Brazil)
30mW / 5mW
Electret condenser
Omni-directional
3-pole locking mini jack
MIC: -60 dBV (at 0-dB attenuator level)
LINE: +4 dBu
0 dB to 27 dB (in 3-dB steps): Mic input
Transmission: 23Hz to 18kHz (typical)
96dB (max deviation, A-weighted)
Approx. 0.35 msec
32 kHz/ 32.382 kHz/ 32.768 kHz
LCD
DC 3.0 V (with two AA-size alkaline (LR6) batteries)
DC 5.0V (via USB micro-B)
Approx. eight hours with Sony's AA-size alkaline (LR6) batteries at 25 deg. C (77 deg. F) at 30-mW
0 to 50 deg. C (32 to 122 deg. F)
-20 to 55 deg. C (-4 to 131 deg. F)
Crystal-controlled PLL Synthesizer
Integral type
F3E
470.125 MHz to 541.875 MHz (UHF-TV channels 14 to 25) (not available in Brazil)
40 mW / 5 mW
XLR-3-11C (female)
+48V
MIC: -60 dBV (at 0-dB attenuator level)
LINE: +4 dBu
0 dB to 21 dB (in 3-dB steps): Mic input
Transmission 23 Hz to 18 kHz (typical)
96dB (max deviation, A-weighted)
Approx. 0.35 msec
32 kHz/ 32.382 kHz/ 32.768 kHz
LCD
DC 3.0 V (with two AA-size alkaline (LR6) batteries)
DC 5.0V (via USB micro-B)
Approx. six hours with Sony's AA-size alkaline (LR6) batteries at 25 deg. C (77 deg. F) at 50-mW output
0 to 50 deg. C (32 to 122 deg. F)
-20 to 55 deg. C (-4 to 131 deg. F)
Receiver: 63 x 82 x 28.4mm (2.48 x 3.23 x 1.12") (excluding the antennas)
Belt-Pack Transmitter: 63 x 82 x 20mm (2.48 x 3.23 x 0.79") (excluding the antennas)
Plug-on Transmitter: 42 x 42 x 102mm (1.65 x 1.65 x 4.02")
Receiver: Approx. 210g (7.41 oz) (including batteries)
Belt-Pack Transmitter: Approx. 149g (5.26 oz) (including batteries)
Plug-on Transmitter: Approx. 197g (6.95 oz) (including batteries)
Great quality
By Marcio C.
Super handy and easy to set up. I was surprised by the quality of the mic: it was heavy and sturdy. My team needed something like this to work faster and more precisely. Connecting the microphone to the camera makes the workflow faster and more organized. The microphone is excellent for interviews in a room where people pass the microphone around. The sound quality of this equipment is excellent and perfect for working on Adobe Audition.
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