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$189.99
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$219.99
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$279.99
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Review Summary
2024-10-30T08:52:54
Love these lenses, this makes my second Athena Prime. I'm running them on my C70 with DJI Focus Pro for making it autofocus, the footage is ??
Josh B.
2024-08-20T08:21:54
Amazing lens for the value. Paired it with a C70 and the DJI Lidar system. Love the colors and sharpness of this lens. I was hesitant at first, since the brand is new to the market- but I'm considering another focal length soon.
Josh B.
2024-07-12T09:36:52
Great budget lens, currently using with the DJI lidar/focus pro system. Unsure if this is chromatic aberration - subject outlines with pink color were noticeable when filming low-light with blue (240) 300w key.
NICHOLAS M.
2024-02-07T02:03:00
This lens is cinematic and sharp. I love it. The best budget lens by far. I done shoot short film and music videos for quite a while. And over the years I experienced many lens. The image quality from this lens is amazing. I shout in the red Komodo and the drop in filter turns your red camera into the perfect compact cinematic solution. I recommend this lens
DASHAWN S.
2024-01-03T05:11:51
I've been hunting for some sharp glass for a good while. This small set of primes are just what the production doctor ordered!
SCOTT B.
2023-12-29T10:25:41
As an independent owner-operator, I'm always lusting after some of the top-shelf gear that I may never get to own. I've been looking far and wide for a solid cine lens set. I considered IRIX, Dulens, DZO, Meike, and Canon CN-E, but ultimately settled on these for their combination of low price, tiny weight, and bright aperture. At the end of the day, these are fantastic and I'm delighted with the choice. The entire set is sharp, fast, light, and consistent. The coverage is excellent, easily hitting full-frame and beyond with very little vignetting. The small size makes them convenient in a variety of setups, and ultimately they are just a ton of fun to use. The one drawback is how far they protrude behind the PL mount, which makes them incompatible with most drop-in filter systems. However this is a small price to pay in exchange for getting near-ARRI-level performance at 95% lower price and 50% smaller size and weight. Also, the Breakthrough Cinema DFM adapter *does* supposedly work with these, so I'm interested to try that out. In any event, I expect to keep this set for a very, very long time. At this price, the set is absolutely unbeatable. It provides s a very clean, neutral look which can be easily manipulated in post. I might go chase some vintage looks in the future, but I doubt I'll ever get rid of something this reliable, usable, and overall just FUN to shoot with as these. ONE THING TO BE AWARE OF, however. When I first got these lenses, I was shooting on the Canon R5 C. These lenses delivered very similar performance to what I was previously getting out of my native RF glass, what I called my "Mini Cine" kit. Those lenses are also extraordinary and largely overlooked. In fact, if you turn on the automatic corrections in camera, the RF set delivers an almost identical image to the Athenas, just that the RF glass is a little bit softer. In fact, the Athenas are SO sharp that on the Canon R5 C it was a bit too much, and made things look really harsh in some cases. This can be mitigated in post, or even in-camera if you aren't shooting RAW. But there's something in the nature of Canon's sensor or OLPF stack which was making for some unpleasant over-sharpness in some cases. But I recently added a RED V-Raptor to the arsenal, and the Athenas produce a much less harsh image on the Raptor. It's still sharp, but much more smooth and much more pleasant. The point is, just be aware that your camera's sensor can play a part in how the image comes back. You can manipulate things in post, of course, but for those who like to get a good image quickly without much manipulation, make sure to check your sharpness settings etc. Just do some tests, do your homework, and these lenses will reward you. I absolutely love them.
Nick S.
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Browse our FAQ
14mm
ARRI PL
Full Frame
46mm
T2.4
T22
Full Frame: 113.9 Degree
Full Frame: 103.6 Degree
From Unspecified Point in Lens: 9.84" (0.25m)
10
Focus: 0.8 MOD / 32 Pitch
80mm
None
Metric, Imperial
300 Degree
No
No
3.4" (85.3mm)
28.2 oz (800g)
25mm
ARRI PL
Full Frame
46mm
T1.9
T22
Full Frame: 82.1 Degree
Full Frame: 71.7 Degree
From Unspecified Point in Lens: 11.8" (0.3m)
10
Focus: 0.8 MOD / 32 Pitch
80mm
77mm
Metric, Imperial
300 Degree
No
No
3.2" (81.3mm)
28.2 oz (800g)
35mm
ARRI PL
Full Frame
46mm
T1.9
T22
Full Frame: 64.3 Degree
Full Frame: 55.1 Degree
From Unspecified Point in Lens: 11.8" (0.3m)
10
Focus: 0.8 MOD / 32 Pitch
80mm
77mm
Metric, Imperial
300 Degree
No
No
3.2" (81.3mm)
28.2 oz (800g)
50mm
ARRI PL
Full Frame
46mm
T1.9
T22
Full Frame: 47.5 Degree
Full Frame: 40.1 Degree
From Unspecified Point in Lens: 19.7" (0.5m)
10
Focus: 0.8 MOD / 32 Pitch
80mm
77mm
Metric, Imperial
300 Degree
No
No
3.2" (81.3mm)
28.2 oz (800g)
85mm
ARRI PL
Full Frame
46mm
T1.9
T22
Full Frame: 28.6 Degree
Full Frame: 24 Degree
From Unspecified Point in Lens: 31.5" (0.8m)
10
Focus: 0.8 MOD / 32 Pitch
80mm
77mm
Metric, Imperial
300 Degree
No
No
3.2" (81.3mm)
28.2 oz (800g)
Great lens + great price = happy customer!
By Josh B.
Love these lenses, this makes my second Athena Prime. I'm running them on my C70 with DJI Focus Pro for making it autofocus, the footage is ??
Great quality lens
By Josh B.
Amazing lens for the value. Paired it with a C70 and the DJI Lidar system. Love the colors and sharpness of this lens. I was hesitant at first, since the brand is new to the market- but I'm considering another focal length soon.
How can you elevate your filmmaking and cinematography to new heights The NiSi ATHENA PRIME Full Frame Cinema Lens Kit, featuring five high-quality lenses (14mm T2.4, 25mm T1.9, 35mm T1.9, 50mm T1.9, 85mm T1.9) for PL Mount, is the answer. This professional lens kit is designed to cover a 46mm imaging circle, offering a comprehensive range of focal lengths from an ultra-wide 14mm to a portrait-perfect 85mm.
The ATHENA PRIME lens kit is a versatile tool for filmmakers who demand superior optics. Each lens is meticulously designed to control micro-contrast and minimize chromatic aberration, delivering unparalleled image quality with intricate detail. The large T1.9 aperture (available in the 25mm, 35mm, 50mm, and 85mm lenses) and soft bokeh effect make these lenses ideal for capturing stunning visuals with a beautiful background separation.
Whether you're shooting a feature film, a documentary, or a music video, the ATHENA PRIME lens kit is your partner in achieving your creative vision. The PL mount series also features a rear filter mount, offering greater flexibility and creative control in your filmmaking process.
These lenses are engineered to minimize focus breathing, ensuring a minimal change in field of view when adjusting focus from the minimum focus distance to infinity. All NiSi ATHENA PRIME lenses are matched in weight and size, eliminating the need for rebalancing on a gimbal when switching between lenses.
The 77mm filter thread (excluding the 14mm) and matched aperture and focus rings across the range simplify the use of lens accessories such as filters and focus gears. The focus ring features a 300-degree rotation with fluorescent focal scales for precise focus pulls, making it easier for filmmakers to achieve their desired focus.
The NiSi ATHENA PRIME Full Frame Cinema Lens Kit with 5 Lenses 14mm T2.4, 25mm T1.9, 35mm T1.9, 50mm T1.9, 85mm T1.9 (PL Mount) is a testament to NiSi's commitment to delivering high-quality, flexible, and innovative filmmaking tools. Experience the difference with the ATHENA PRIME lens kit and bring your creative vision to life.