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Review Summary
21mm, 28mm, 35mm, 50mm, 75mm
M Mount
T1.5 - T16
43.2mm (Full Frame)
21mm: 13 Elements in 11 Groups
28mm: 11 Elements in 7 Groups
35mm: 9 Elements in 5 Groups
50mm: 8 Elements in 6 Groups
75mm: 9 Elements in 8 Groups
Horizontal / Vertical / Diagonal
21mm: 80/58/90 Degree
28mm: 66/46/75 Degree
35mm: 55/38/64 Degree
50mm: 38/26/45 Degree
75mm: 28/19/33 Degree
21mm: 0.75' (0.23m)
28mm: 1.33' (0.4m)
35mm: 1.5' (0.45m)
50mm: 1.5' (0.45m)
75mm: 1.83' (0.55m)
Manual (210 Degree)
21/28/35/50mm: 2.64" (67mm)
75mm: 2.83" (72mm)
21mm: 68.8mm
28mm: 59.8mm
35mm: 59.8mm
50mm: 59.8mm
75mm: 76.6mm
16
21/28/35/50mm: M620.75
75mm: M670.75
21mm: 16.7 oz (472g)
28mm: 13.3 oz (377g)
35mm: 13.4 oz (381g)
50mm: 12.5 oz (353g)
75mm: 15.3 oz (435g)
What sets the THYPOCH Simera-C T1.5 Prime Cine Lens for M Mount apart is its ability to open up a world of possibilities for filmmakers and photographers alike. Following the successful release of the Simera-C T1.5 lenses in 21mm, 28mm, 35mm, 50mm, and 75mm focal lengths, THYPOCH has expanded its lineup to include M-mount versions, enhancing compatibility across a wide range of camera systems. These M-mount lenses retain the sleek design and aesthetics of their E-mount counterparts while being 20-30 grams lighter, with the 50mm lens weighing just 353 grams.
Favored by filmmakers for their versatility and distinctive image quality, the M-mount Simera-C T1.5 lenses are highly anticipated due to their broad adaptability. They rival the adaptability of PL-mount lenses, fitting nearly all mirrorless cameras, including those with E, RF, Z, L, and X mounts, through the use of adapters. Additionally, these lenses can be mounted with a positive lock on high-end cinema cameras like the ARRI Alexa and Sony Venice systems using third-party M-mount kits, such as the recommended XPIMAGE's Arri M mount for seamless compatibility.
The Simera-C T1.5 lenses ensure flawless integration from mirrorless video cameras to advanced cinema setups, including the DJI Ronin 4D, Sony Venice, Alexa 35, Alexa Mini LF, Alexa Mini, and Amira. The hallmark of the Simera-C series is its neutral image look with a hint of softness, smooth bokeh, and natural edge fall-off, which contribute to exceptional dimensionality in storytelling. These lenses capture a raw aesthetic with minimal chromatic aberration and a human-eye-like field curvature. Flare is subtly controlled to preserve highlight detail without compromising the authenticity of the image.
The innovative floating element design of the Simera-C series allows for a closer minimum focusing distance than most modified cine-mod rangefinder lenses, ensuring nearly identical image quality at both close focus and infinity. This feature enhances texture and detail in close-ups, providing greater creative flexibility for filmmakers seeking to push the boundaries of visual storytelling.