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Review Summary
GEMINI 15.4 Megapixel Dual Sensitivity CMOS
5120 x 3000
30.72mm x 18.0mm (Full-Frame) (Diagonal: 35.61mm)
16.5+ stops
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
Up to 275 MB/s using RED MINI-MAG (480GB & 960GB)
Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
From 2:1 Up to 22:1: 3:1 REDCODE for 5K Full Format (5120 x 2700) at 24 fps
9:1 REDCODE for 5K Full Format (5120 x 2700) at 96 fps
2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps
7:1 REDCODE for 4K Full Format (4096 x 2160) at 120 fps
5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1 and Ana 2x, 1.3x
4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1 and Ana 2x, 1.3x
3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1 and Ana 2x, 1.3x
2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1 and Ana 2x, 1.3x
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 x 2160) up to 29.97 fps
ProRes 4444 XQ and ProRes 4444 at 2K (2048 x 1080) up to 120 fps
ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 x 1080) up to 120 fps
DNxHR HQX at 4K (4096 x 2160) 12-bit up to 29.97 fps
DNxHR HQ, SQ and LB at 4K (4096 x 2160) 8-bit up to 29.97 fps
DNxHR 444 at 2K (2048 x 1080) 12-bit up to 120 fps
DNxHD 444 and HQX (1920 x 1080) 10-bit up to 120 fps
DNxHD HQ, SQ and LB (1920 x 1080) 8-bit up to 120 fps
Magnesium and Aluminum Alloy
Supports 33x33x33, 32x32x32, 26x26x26 and 17x17x17 3D LUTs
Variable number of 3D LUT outputs with DSMC2 expander module
User programmable shaper 1D LUTs
Tetrahedral interpolation, 16-bit processing
Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
Integrated R.C.P. Wi-Fi antenna
Ethernet, RS232 and GPI Trigger with DSMC2 expander module
3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
1080p RGB or 4:2:2, 720p RGB or 4:2:2
480p RGB or 4:2:2 (HDMI only)
SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF(OLED) with cable-free connection
RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
Adobe Premiere Pro, AVID Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro
Bayer
Rolling Shutter
800 (Native)
3200 (Native)
EF Mount
Yes, Cooke /i
1/4"-20, 3/8"-16
0 to 40 deg. C (32 to 104 deg. F)
-20 to 50 deg. C (-4 to 122 deg. F)
0% to 85% non-condensing
5.66 x 4.94 x 4.13" (14.38 x 12.55 x 10.49cm)
3.35 lbs (1.52kg) (BRAIN with Integrated Media Bay)
RED introduced the new GEMINI 5K S35 sensor for the RED EPIC-W camera. GEMINI 5K S35 leverages dual sensitivity modes to provide creators with greater flexibility for a variety of shooting environments. Creatives are able to capture cinema-quality images with GEMINI's Standard Mode in well-lit conditions or its Low Light Mode when in darker environments. RED EPIC-W 5K S35 delivers incredible dynamic range and produces cinema-quality images.
The GEMINI 5K S35 sensor provides exceptional low-light performance, allowing for cleaner imagery with less noise and better shadow detail. Operators can easily switch between modes through the camera's on-screen menu with no down time and experience an increased field of view at 2K and 4K resolutions compared to the higher resolution HELIUM sensor. In addition, the sensor's 30.72 mm x 18 mm dimensions allow for greater anamorphic lens coverage than with the HELIUM or RED DRAGON sensor.
Built on the compact DSMC2 form factor, the RED EPIC-W 5K camera and sensor combination captures 5K full format motion at up to 96 fps, boasts incredibly fast data speeds of up to 275 MB/s and provides in-camera support of RED's enhanced image processing pipeline, IPP2. Like all cameras in the DSMC2 line up, EPIC-W 5K is able to shoot simultaneous REDCODE RAW and Apple ProRes or Avid DNxHD/HR recording and adheres to RED's dedication to OBSOLESCENCE OBSOLETE-a core operating principle that allows current RED owners to upgrade their technology as innovations are unveiled without having to purchase all new gear.
RED EPIC-W carries on the legacy of the original RED EPIC, which became the industry workhorse upon its release in 2010. The EPIC-W BRAIN enables creative flexibility in any situation.
GEMINI 5K S35
Featuring Dual Sensitivity Modes, GEMINI is RED's highest-sensitivity sensor to date and delivers exceptional low-light performance allowing for cleaner imagery with less noise and better shadow detail.
EPIC-W leverages lightning fast data rates up to 275 MB/s and records REDCODE RAW, as well as proxy 4K Apple ProRes or Avid DNxHR-simultaneously. Joining the DSMC2 lineup, EPIC-W benefits from the advanced modularity of the RED ecosystem and offers cable-free peripherals, an integrated mounting plate, wireless control and compatibility with a growing supply of modules and accessories. Also featuring interchangeable OLPFs and lens mounts, EPIC-W provides an all new perspective with full sensor coverage and support for your arsenal of S35 glass.