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Review Summary
2025-03-14T12:13:56
Nice and good
Aquantuo T.
2019-09-05T13:31:41
I purchased this great camera a month ago, and my experience working with it is above and beyond. I am working on a film documentary and with the atomos inferno kit you can have the true 4k raw. Colors are simple amazing. I'm using it for other videos for political campaigns and the results are stunning! the metijones adapter works very wells with canon lenses. The menu is a professional user friendly. You can have a great range of audio with 5 channels. Definitely if you want to have the best of the best in the market this camera IT. I strongly recommended. I am a happy customer satisfied and beyond.
CLAUDE C.
2018-08-31T12:16:49
I love this camera. Sure I’d love an Alexa but this is the next best thing and what a deal. This camera is a workhorse and will get you gigs. Don’t think twice just get one.
Robert T.
2018-05-01T08:36:22
great service, great delivery / on time / as per order
KEV R.
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Super 35mm Single-Chip Exmor CMOS
17:9 4096 (H) x 2160 (V)
16:9 3840 (H) x 2160 (V)
57 dB (Y)
2000 lx, 89.9% reflectance:
T14 (3840 x 2160/23.98p mode 3200K)
ISO Sensitivity:
ISO 2000 (S-Log3 Gamma D55 Light source)
0.7 lux: +18 dB,23.98p,Shutter OFF,ND Clear, f/1.4
NTSC / PAL
Clear, 1/4, 1/16, 1/64
3.5" (8.8cm)
Approx: 1.56M dots
Monaural
1/3 to 1/9000 of a sec
Preset
Memory A
Memory B (1500K-50000K)/ATW
-3, 0, 3, 6, 9, 12, 18 dB, AGC
STD
HG
User
S-log3
4K 4096 x 2160:
12-bit raw
UHD 3840 x 2160:
10-bit 4:2:2 XAVC-I
8-bit 4:2:0 XAVC-L
2K 2048 x 1080:
12-bit raw
HD 1920 x 1080:
10-bit 4:2:2 XAVC-I
10-bit 4:2:2 XAVC-L
MPEG2 4:2:2
HD 1280 x 720:
MPEG2 4:2:2
LPCM 24 bits, 48 kHz, 4 channels (Recording/Playback 2 channels)
59.94P CBG, bit rate 600 Mb/s
50P CBG, bit rate 500 Mb/s
29.97P CBG, bit rate 300 Mb/s
23.98P CBG, bit rate 240 Mb/s
25P CBG, bit rate 250 Mb/s
59.94P VBR, maximum bit rate 222 Mb/s
50P VBR, maximum bit rate 185 Mb/s
59.94i VBR, maximum bit rate 111 Mb/s
50i VBR, maximum bit rate 112 Mb/s
29.97p VBR, maximum bit rate 111 Mb/s
23.98p VBR, maximum bit rate 89 Mb/s
25p VBR, maximum bit rate 112 Mb/s
59.94p/50p mode: VBR, maximum bit rate 150 Mb/s
29.97p/23.98p/25p mode: VBR, maximum bit rate 100 Mb/s
VBR, maximum bit rate 50 Mb/s
VBR, maximum bit rate 35 Mb/s
VBR, maximum bit rate 25 Mb/s
CBR, maximum bit rate 50 Mbps, MPEG-2 422P@HL
CBR, maximum bit rate 50 Mbps, MPEG-2 422P@HL
3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-I QFHD: 3840 x 2160/ 59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-I HD:
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L QFHD:
3840 x 2160/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-L HD 50:
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L 35:
1920 x 1080/59.94p, 50p, 59.94i, 50i, 29.97p, 23.98p, 25p
XAVC-L 25:
1920 x 1080/59.94i, 50i
MPEG-2 Long GOP MPEG HD422:
1920 x 1080/59.94i, 50i, 29.97p, 23.98p, 25p
1280 x 720/59.94p, 50p, 29.97p, 23.98p, 25p
XAVC-I mode 3840 x 2160: 1 to 60 frames
(59.94p, 50p, 29.97p, 23.98p, 25p)
XAVC-I mode 1920 x 1080: 1 to 180 frames
(59.94p, 29.97p, 23.98p)
XAVC-I mode 1920 x 1080: 1 to 150 frames
(50p, 25p)
XAVC-L mode 3840 x 2160: 1 to 60 frames
(59.94p, 50p, 29.97p, 23.98p, 25p) XAVC-L mode 1920 x 1080: 1 to 120 frames
(59.94p, 50p, 29.97p, 23.98p, 25p)
XAVC-I mode QFHD 59.94p
When using QD-G128A (128 GB): Approx. 22 minutes
When using QD-G64A (64 GB) Approx. 11 minutes
XAVC-I mode QFHD 50p
When using QD-G128A (128 GB): Approx. 26 minutes
When using QD-G64A (64 GB) Approx. 13 minutes
2 x XQD
1 x SD (for configuration data only)
2x 3-pin XLR (Line/mic/mic +48)
Mic Reference: -40. -50. -60 dBu
2x BNC HD/3G-SDI (SMTPE292M/424M/425M)
1x Type A
USB device, miniB
1x Stereo mini jack (-16 dBu 16 Ohms)
Stereo mini jack (2.5mm)
Multi-Interface (MI) shoe
12VDC
Approx. 19W
BP-U30: Approx. 1 hr
BP-U60: Approx. 2 hr
BP-U90: Approx. 3 hr
Operating: 32 to 104 deg F (0 to 40 deg C)
Storage: -4 to 140 deg F (-4 to 140 deg C)
6.14 x 9.41 x 9.72" (156 x 239 x 247mm)
Body: 4.4 lbs (2.0kg)
Body with lens: 9.9 lbs (4.4kg)
The Sony Fs7 mark 2 is the only camera you need.
By Robert T.
I love this camera. Sure I’d love an Alexa but this is the next best thing and what a deal. This camera is a workhorse and will get you gigs. Don’t think twice just get one.
FS7 II The Best Camera for a Versatile Production
By CLAUDE C.
I purchased this great camera a month ago, and my experience working with it is above and beyond. I am working on a film documentary and with the atomos inferno kit you can have the true 4k raw. Colors are simple amazing. I'm using it for other videos for political campaigns and the results are stunning! the metijones adapter works very wells with canon lenses. The menu is a professional user friendly. You can have a great range of audio with 5 channels. Definitely if you want to have the...
View full Review
Now there’s an even more versatile, more capable, more responsive version of Sony’s FS7. Based on feedback from cinematographers, we’ve complemented the FS7 with the FS7 II. Here’s all the performance of the original, and more. Surpass ordinary exposure control with our Variable ND filter. Secure your lenses with our Lever Lock type E-Mount. Work faster, with greater confidence thanks to even more refined ergonomics. And change your point of view with Sony’s highly capable 18-110mm servo zoom. Welcome to the next level in handheld shooting.
(LENS NOT INCLUDED. Sold as Body ONLY)
Here’s a fresh way to control exposure. Aperture adjustments affect your depth of field. Shutter speed adjustments affect the presentation of motion. But Sony’s Variable ND maintains optimum exposure without sacrificing any other parameters. Auto ND mode achieves auto exposure with cine lenses, rangefinder glass and third-party SLR lenses. And Auto ND empowers you to park your iris at the lens “sweet spot,” where distortions are lowest and resolution is highest. (Sold as Body ONLY)
A robust E-Mount with a locking collar makes for more confident lens changes. To mount, simply hold the lens steady and turn the collar instead. When the collar clicks, your lens is securely locked into place. This minimizes image shifting as you work. The Lever Lock type E-Mount also supports heavier cine and ENG lenses without additional rigging. As before, the camera accepts Sony’s E-Mount lenses, along with simple third-party adaptors for PL mount cinema lenses, SLR and DSLR glass, and even classic rangefinder lenses. (Lens is NOT included)
The ergonomics set the FS7 apart. Now they’re even better. Put the viewfinder exactly where you want it with the robust multi-adjustable arm. Extend Sony’s telescoping Smart Grip arm entirely without tools. Park the arm alongside the body for waist-level shooting. Then experience the Smart Grip, body shape and balance that so many cinematographers have praised. (Lens is NOT included)
Sony engineered the new SEL-P18110G for moving pictures. You can switch between motorized zoom or full manual, with snap zooms just a flick away. Across the entire zoom range, there’s minimal shift in focus, minimal shift in image axis and no loss in F-stop. The direct focus ring offers 240° of travel and 0.8 mm gearing, the standard for follow focus. We also took care in selecting the focal lengths. 18mm is nice and wide, while 110mm is perfect for interviews. (Lens is NOT included)
To the 4K Super35 performance of the original PXW-FS7, the FS7 II also adds the following refinements.