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Used Zoom F8 Multi Track Field Recorder for Filmmaking and Sound Design

SKU: US1978583 MFR: ZF8
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What`s in the box:

  • Zoom F8 Multi Track Field Recorder for Filmmaking and Sound Design
  • Camera Mount Adapter
  • Zoom AD-19 12V AC Adapter

INCLUDES FREE WARRANTY

  • This used item comes with a free 90-day warranty. ?
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Reviews about this item

Review Summary

2023-03-15T06:33:50

Rated 5 out of 5

Great for travel

Keeps all my accessories in one place

John R.

2018-10-01T16:23:33

Rated 5 out of 5

Love this little thing

I love the zoom f8. I love the menu system. I love the size. I love the sturdiness. Only thing that would make it better would be backlit buttons for MENU, STOP, PLAY and RECORD. I don't know why they never added them. They didn't do it for the f8n either. It's a practical problem when in dark sets. I could also ask for analog limiters, but then I don't think it would be so cheap =) Headphone is not bad. I believe some exaggerate. The tascams dr60d is trash compared to the f8. Great audio recorder.

Samuel L.

2018-06-06T00:00:01

Rated 1 out of 5

A huge liability.

I purchased this recorder to use in a professional documentary filmmaking and corporate video production environment. I made my purchase from BH in mid June 2017. Unfortunately I did not discover the absolutely massive flaw in this unit until about two months later, when BH would no longer take a return and Zoom customer support (the specific gentlemans name I was working with is John Molfetas, who is labeled Zoom Customer support) would jerk me around for several months after, claiming the problems with the unit are my fault. Flaw 1: The Zoom F8 has two SD card slots, making it's user think you have a back up card, in case the first card errors out. The problem is if Card 1 has a writing error, it will cause Card 2 to also have a writing error, causing you to lose everything. I believe this is because the unit is seeing both cards as one, instead of two individual cards (probably to save on licensing). The Zoom Support staff tried to claim that it was user error because I did not perform a full test of my card (which takes two hours for a 128gb Sandisk Extreme Pro). Almost all of my professional gear has two card slots, which the primary point is to have a full quality back up in case a card has a write error, it is totally insane that if one card in you Zoom F8 fails, it will destroy both cards audio files. TLDR: The Zoom F8 is twice as likely to have a writing error, destroying all of your files as a unit with only one card will have. Flaw 2: On more than one occasion I have booted the unit up and have had multiple channels not function at all, even after reassigning the PFL settings and disabling the channels. When this happens, the unit has to reboot, which takes a while. This is a very concerning flaw, as there seems to be deep seeded issues with this audio recorders firmware. Final Thoughts: I very very much wanted to love this unit, when I initially purchased it, I assumed it would be the last audio recorder I ever had to buy. My company lost a large amount of money due to lost files on a job and when I took my concerns to Zoom, hoping they would be excited to hear about a unknown bug, they simply insulted me by totally ignoring my concerns. Zoom has proven it self to not be a professionals company, producing nothing but prosumer gear for amateurs. The quality control clearly is not high enough to depend on their equipment.

Justin K.

2016-11-22T22:08:11

Rated 5 out of 5

Amazing recorder

Great field recorder for independent film. Is it a Sound Devices? No, but the value is well worth it.

JORDAN H.

2016-11-21T10:03:18

Rated 5 out of 5

Excellent Recorder

This is the prefect recorder for indy filmmakers who want Sound Devices quality without the high ('though justifiable cost). This is a no-brainer, unless of course you only need the 4-channel version. Do yourself a favor and just get it.

INSUNG H.

Zoom F8 Specifications

  • Dual SD card slot supports

    16 MB-2GB SD cards
    4 GB-32GB SDHC cards
    64 GB-512GB SDXC cards

  • Inputs (1-8): Connectors

    XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot)

  • Inputs (XLR Mic): Input gain

    +10 to +75 dB

  • Inputs (XLR Mic): Input impedance

    3.3kOhms

  • Inputs (XLR Mic): Maximum input level

    +14 dBu (at 0 dBFS, limiter ON)

  • Inputs (XLR Mic): Phantom power

    +24/+48V 10 mA maximum for each channel

  • Inputs (TRS Line): Input gain

    -10 to +55 dB

  • Inputs (TRS Line): Input impedance

    28kOhms

  • Inputs (TRS Line): Maximum input level

    +34 dBu (at 0 dBFS, limiter ON)

  • Inputs: Equivalent input noise

    -127 dBu or less
    (A-weighted, +75 dB input gain, 150Ohms input)

  • Inputs: Frequency characteristics

    10Hz-80kHz +0.5 dB/-1 dB
    (192 kHz sampling rate)

  • Inputs: A/D dynamic range

    120 dB typ (-60 dBFS input, A-weighted)

  • Inputs: Crosstalk

    -90 dB or less
    (between adjacent channels, 1 kHz)

  • Inputs: Mic IN

    ZOOM mic capsule input
    (use disables Inputs 1/2)

  • Inputs: Slate Mic

    Built-in mic for voice memos can freely be assigned to tracks

  • Outputs(Main OUT 1/2):Connectors

    TA3 connectors, balanced output (2: hot)

  • Outputs(Main OUT 1/2):Output impedance

    150Ohms or less

  • Output(Main OUT 1/2):Reference O/P level

    -10 dBV (Normal Output Type) -40 dBV (Mic Output Type), 1 kHz, 600Ohms load

  • Outputs (Main OUT 1/2): Max output level

    +10 dBV (Normal Output Type) -20 dBV (Mic Output Type), 1 kHz, 600Ohms load

  • Outputs (SUB OUT 1/2): Connector

    3.5mm stereo mini unbalanced output jack

  • Outputs (SUB OUT 1/2): Output impedance

    100Ohms or less

  • Outputs(SUB OUT 1/2):Reference O/P level

    10 dBV (Normal Output Type) -40 dBV (Mic Output Type), 1 kHz, 10kOhms load

  • Outputs (SUB OUT 1/2): Max output level

    +10 dBV (Normal Output Type) -20 dBV (Mic Output Type), 1 kHz, 10kO load

  • Headphone: Connector

    1/4" unbalanced stereo output jack

  • Headphone: Output impedance

    15Ohms or less

  • Headphone: Maximum output level

    100 mW + 100 mW
    (32Ohms load)

  • D/A dynamic range

    106 dB typical (-60 dBFS input, A-weighted)

  • WAV Recording Format: Supported formats

    44.1/47.952/48/48.048/88.2/96/192 kHz, 16/24-bit, mono/stereo/2-10 ch poly, BWF and iXML

  • WAV Recording Format: Max record tracks

    10 (8 inputs + stereo mix)
    8 (with 192 kHz sampling rate)

  • MP3 Recording Format: Supported formats

    128/192/320 kbps, 44.1/48 kHz, ID3v1 tags

  • MP3 Recording Format: Max record tracks

    2

  • Recording Time

    Using 32GB card
    30:51:00 (48 kHz/24-bit stereo WAV)
    7:42:00 (192 kHz/24-bit stereo WAV)

  • Time Code: Connector

    BNC

  • Time Code: Modes

    Off, Int Free Run, Int Record Run, Int RTC Run, Ext, Ext Auto Rec (audio clock can be synchronized to timecode)

  • Time Code: Frame rates

    23.976ND, 24ND, 25ND, 29.97ND, 29.97D, 30ND, 30D

  • Time Code: Precision

    +/-0.2 ppm

  • Time Code: Supported input levels

    0.2 - 5.0 Vpp

  • Time Code: Input impedance

    4.6kOhms

  • Time Code: Output level

    3.3 Vpp

  • Time Code: Output impedance

    50Ohms or less

  • Batteries

    8 AA

  • AC adapter

    AD-19 DC12V 2A (center plus)

  • External DC power supply

    HIROSE HR10A-7R-4S 4-pin connector
    (1 pin: -, 4 pin: +), 9-16 V

  • Continuous Recording Time 1

    When Recording 2 Channels At 48kHz/16-Bit Without Headphones:
    Alkaline batteries:8.5 hours or more
    NiMH (2450mAh):10 hours or more
    Lithium batteries: 12.5 hours or more

    When Recording 8 Channels At 48kHz/24-Bit With Headphones:
    Alkaline batteries: 4.5 hours or more
    NiMH (2450mAh): 6 hours or more
    Lithium batteries: 8.5 hours or more

  • Continuous Recording Time 2

    When Recording 8 Channels At 192khz/24-Bit With Headphones, Phantom Power and Display Backlighting:
    Alkaline batteries: 1 hour or more
    NiMH (2450mAh): 2 hours or more
    Lithium batteries: 3 hours or more

  • 2.4" full-color LCD

    320x240

  • USB (Mass Storage Operation): Class

    USB 2.0 High Speed

  • USB (Multitrack Audio Interface): Class

    USB 2.0 High Speed

  • USB (Multitrack Audio): Specifications

    44.1/48/96 kHz, 16/24-bit, 8-in/4-out

  • USB (Stereo Mix Audio): Class

    USB 2.0 Full Speed

  • USB (Stereo Mix Audio): Specifications

    44.1/48 kHz, 16-bit, 2-in/2-out

  • Dimensions (W x D x H)

    7.0 x 5.5 x 2.1" / 17.78 x 13.97 x 5.33cm

  • Weight

    2.1lbs / 0.95kg

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About Zoom F8 Multi Track Field Recorder for Filmmaking and Sound Design

FEATURED REVIEWS

Excellent Recorder

By INSUNG H.

This is the prefect recorder for indy filmmakers who want Sound Devices quality without the high ('though justifiable cost). This is a no-brainer, unless of course you only need the 4-channel version. Do yourself a favor and just get it.

Great for travel

By John R.

Keeps all my accessories in one place

THE ZOOM F8 For Filmmaking and Sound Design

Advances in video have made filmmaking accessible to creators everywhere. But the accessibility of professional audio devices has not kept pace. Field recorders, with essential features such as time code, have been unobtainable for most. Until now. The F8 is made for serious filmmakers and sound designers. With 8-input/10-track recording, super low-noise preamps, and support for 24-bit/192 kHz audio, the F8 captures the highest-quality audio.

Facts

Facts

Mic pre's
Outfitted with our finest mic preamps to date, the F8 features an extremely low noise floor (−127 dBu EIN) and high gain (up to 75 dB), with +4 dB line inputs.

High-resolution audio and advanced limiters
The F8 can record at 24-bit/192 kHz resolution and is equipped with onboard limiters designed to provide overload protection. Limiting can be applied to all 8 channels simultaneously at full resolution, with 10 dB of headroom and controls for setting threshold, attack, and release.

Facts

Time code with pinpoint accuracy
The F8’s time code is state-of-the-art. It utilizes a Temperature Compensated Crystal Oscillator (TCXO) that generates time code at 0.2 ppm accuracy, enabling rock-solid syncing of audio and video.

The F8 supports all standard dropframe and non-drop formats, and can jam sync to time code being provided by external devices. An input and output are provided on standard BNC connectors, enabling easy integration into any rig.

Weight and build
The F8 is not only versatile and feature rich, it is the smallest field recorder with eight XLR combo preamps ever made. Weighing just 2.1 pounds (without batteries), its aluminum chassis is both rugged and durable.

Facts

Display
Sound professionals sometimes work in dusty, hard-to-see environments. Level meters with adjustable brightness and its 2.4 inch full-color backlit LCD (which can be set to monochrome mode), make the F8 easy to use in any environment — from low-light to direct sunlight.

File formats, resolution, and sample rates
The F8 records in BWF-compatible WAV format at 16 or 24-bit resolution, and at any standard sample rate up to 192 kHz. When recording files in MP3 format, you can choose bit rates of 128, 192, or 320 kbps.

Redundancy is always good… Always.

Redundancy is always good… Always.

Dual SD card recording
Record on two SD/SDHC/SDXC cards*, up to 512 GB each, simultaneously, allowing you to instantly backup or split recordings (for example, save eight tracks onto one card and a stereo mix onto another).
* View a list of confirmed compatible SD cards.

Three power sources
A 4-pin Hirose connector allows the use of external 9-16 volt DC battery packs. Internal power is provided by 8 AA batteries. The F8 can switch power sources from a DC battery pack to the AA batteries at a user-defined voltage level for uninterrupted recording. You can also use the supplied 12 volt AC adapter when not on the go.

File protection
Files are saved periodically during recording. This provides an extra level of protection in the event of unexpected file interruption, for example, power loss or the removal of an SD card.

Dual-channel recording
The F8’s dual-channel recording mode allows you to create safety tracks on inputs 1-4, each with independent level, limiting, delay, phase inversion, and high-pass filtering.

Pre-record
The pre-record function allows you to capture up to 6 seconds of audio before you hit the RECORD button.

Comprehensive headphone monitoring

Comprehensive headphone monitoring

Out in the field, it's important to be able to quickly check levels as you're recording. With the F8, it's simple. A single display lets you monitor single or multiple tracks, as well as any of the Main or Sub outputs, via a dedicated ¼" headphone jack with a front panel volume control.

Signals can be freely routed to the left and/or right headphone channels, pre- or post-fader, and the headphone output can be switched to mono. You can set headphone alert tones for low battery, recording start/stop, or recording errors.

The F8 comes equipped with a built-in 100 mW headphone amplifier, allowing you to monitor in the noisiest of environments.

A first in the field

A first in the field

The F8 is the first field recorder to come with wireless Bluetooth control. The Zoom F8 Control App for iOS provides extensive wireless remote control of the F8 from your iPhone, iPad, or iPod Touch (5th Gen) using Bluetooth LE protocol. Functions include Record, Play, Stop, Fast-Forward, and Rewind, plus mixer pan and fader level. You can also monitor input levels, current time code, and battery status. With Zoom F8 Control, you can rename files, enter metadata, and set date/time information directly from your iOS device.

Download the Zoom F8 Control app via Apple's iTunes Store.

The hardware

The hardware

Inputs
The F8 provides 8 discrete inputs with locking Neutrik XLR/TRS combo connectors. Each preamp has a dedicated gain control knob, a 6-segment LED level meter, and Record Ready and PFL switch. A 10-pin connector on the rear panel enables the use of Zoom mic capsules, with an optional extension cable that allows for remote positioning. There's also a built-in slate mic and a variable frequency slate tone generator to confirm levels.

Outputs
In addition to its ¼" headphone jack with dedicated volume control, the F8 provides four outputs: two Main Outs (on balanced TA3 mini-XLR jacks) for connection to external mixers and processing devices; and two Sub Outs (on a single unbalanced ⅛" stereo mini-jack) for connection to a camera.

Time code and USB
Time code I/O is provided on BNC connectors. A USB port enables firmware updates, file transfer, and allows the F8 to be used as an 8-in/4-out USB audio interface operating at sample rates up to 96 kHz.

The Software

The Software

The F8's menu is easy to navigate and has a simple file structure. Cataloging is straightforward, with extensive metadata (both BEXT and iXML), which can be entered directly on the F8 or with the Zoom F8 Control App.

Onboard mixer
The F8's onboard mixer enables flexible signal routing from all inputs to all outputs, either pre- or post-fader, with user-adjustable level, pan, and input/output delay. In addition to advanced onboard limiters (which can be applied to all channels and tracks simultaneously), the F8 also provides high-pass filtering to reduce the sound of wind and other noise, plus phase inversion and Mid-Side decoding.

The VR Audio Dream Team

Pair your F8 with the Sennheiser AMBEO VR Microphone for a complete VR audio production experience. With the F8’s gain linking capability, you can evenly adjust the gain on all four capsules of the AMBEO mic in one fell swoop. Lightweight, portable, and easy to mount, the F8 and AMBEO mic combination lets you capture 360-degree audio anywhere

See and hear how FOVRTH Studios captured 360 audio to transport you to different locations around the world.
NOTE: To experience the VR audio and video fully, we recommend Google Chrome to desktop users and the YouTube app for tablet and smartphone users.

Zoom F8

Zoom F8 Features

  • 8-channel/10-track field audio recorder/mixer
  • 8 discrete inputs with locking Neutrik XLR/TRS combo connectors
  • Compact and lightweight aluminum chassis, weighing just 2 pounds (without batteries)
  • High quality mic preamps with up to 75 dB gain, less than -127 dBu EIN, and +4 dB line inputs
  • Support for up to 24-bit/192 kHz recording as well as 96 kHz, 88.2 kHz, 48 kHz, and 44.1 kHz, plus 47.952 kHz/48.048 kHz for HD video compatibility; 16-/24-bit resolution
  • Accurate Time Code (0.2 ppm) I/O on standard BNC connectors; dropframe/non-drop formats with Jam Sync
  • Three different power supply options: 8x AA batteries, external DC battery pack with Hirose connector, or 12V AC adapter (AA’s and DC battery pack not included)
  • Automatic switching of power source from DC to batteries at user-defined voltage levels
  • Dedicated gain control knob, 6-segment LED level meter, and PFL/Solo switch for each channel
  • Phantom power (+48V/+24V) on every preamp
  • Advanced onboard limiters for input and output
  • High pass filter, phase invert, and Mid-Side decoder
  • Input delay of up to 30 msec per channel / output delay of up to 10 frames per output
  • Compatible with Zoom microphone capsules; optional extender cable enables remote positioning
  • Dual mini-XLR (TA3) balanced Main Outs plus ⅛" stereo mini-jack Sub Out
  • Dedicated headphone output (100 mW) with front panel volume control
  • 2.4" full-color backlit LCD with monochrome mode
  • Dedicated PFL display with viewable trim settings
  • Dual SD/SDHC/SDXC card slots, up to 512 GB each
  • Records in BWF-compliant WAV or MP3 file formats
  • Support for extensive metadata (BWF and iXML); input time, date, project, scene number, etc.
  • Built-in slate mic/slate tone with front panel switch
  • Built-in tripod mount; camera mount adapter also included
  • Use as an 8-in/4-out USB audio interface (@ 96 kHz)
  • Free Zoom F8 Control App for iOS allows wireless remote control, file renaming, and metadata entry

Warranty Information

This used item has a FREE 90-day warranty. See details.