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Review Summary
Accidents happen. Protect your favorite Adorama products and purchase a protection plan to stay covered from accidental damage, mechanical or electrical failures, and more.
If we can’t fix it, we’ll replace it at no additional cost.
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Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
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Blue
PL Mount, Canon EF
42mm
T2.9-22
66.5 Degree x 33.8 Degree
36.7 x 25.54mm (Diameter: 44.71mm)
1.5x
Full Frame
17 elements in 15 groups
13
270 Degree
70 Degree
Dual Scale
19.68" (50cm)
Manual Focus
0.8M
77mm
80mm
3.4 x 4.76" (86.4 x 121mm)
2.27 lbs (1.03kg)
6940486708202
When it comes to capturing cinematic visuals with unparalleled precision, the Laowa Nanomorph 42mm T2.9 1.5x LF Anamorphic Lens for PL Mount and Canon EF, Blue Flare, stands out as a professional-grade solution. Designed to exceed the capabilities of a full-frame sensor, this lens offers a constant 1.5x squeeze ratio, ensuring exceptional image quality for theatrical productions and high-end films. Its unique anamorphic optics deliver a pronounced cinematic look, particularly when achieving a 2.66:1 aspect ratio on a 16:9 sensor after de-squeeze, surpassing the effects of a 1.33x anamorphic lens.
The Laowa Nanomorph lens features a generous image circle of 44.71mm, which significantly reduces vignetting and optimizes coverage for popular formats such as the ARRI Alexa LF 4.5K Open Gate. This extensive coverage supports full-frame sensors and various aspect ratios, including 16:9, 3:2, and 4:3, allowing seamless output to 2:1, 2.25:1, 2.66:1, and 2.4:1 formats while maintaining superior image quality.
One of the standout features of this lens is its consistent bokeh, which remains uniform from the center to the edges of the frame, eliminating the distracting "moon-shaped" bokeh often seen in other lenses. The iris, ranging from T2.9 to T22, facilitates filming in diverse lighting conditions, offering a stunning shallow depth of field and a smooth, organic waterfall focus roll-off in the background an iconic characteristic sought after in the film industry.
The Laowa Nanomorph lens excels in delivering outstanding image quality, with impressive sharpness and contrast that align with the performance of modern sensors. Even when used wide open, the lens maintains sharpness and clarity, making it suitable for both theatrical and cinematic projects. For those desiring a vintage aesthetic, the lens provides ample flexibility for post-production adjustments or pairing with filters, empowering cinematographers to fully realize their creative vision.
Unlike many anamorphic lenses that exhibit overcompressed edges, the Nanomorph LF offers excellent control over edge performance, minimizing the "swimming effect" and granting cinematographers greater creative freedom in composition. Additionally, its low focus breathing ensures consistent framing and a stable field of view during focus shifts, enhancing video quality with seamless focus pulls and smooth transitions.
The compact design of the Nanomorph LF lenses, which are half the size and weight of comparable lenses, strikes a perfect balance between portability and exceptional optical performance. This makes them ideal for a wide range of productions. The lens also features a sci-fi blue flare coating, catering to various creative preferences and usage scenarios.
Precision is further enhanced with an extended focus throw of 270 degrees, allowing for meticulous adjustments and smooth transitions between focus points. The easy back focus calibration mechanism ensures quick and accurate on-site adjustments. Moreover, the innovative interchangeable mount system allows users to switch mounts to match different cameras, with each kit including shims for precise micro-adjustment of flange depth, ensuring a perfect fit every time.
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