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Review Summary
2023-08-29T06:23:56
Hands down, one of the best purchases I've ever made for my students. Do yourself a service and get one. The only problem is that they are ALWAYS on backorder. I think they must make each one to order. (This is not a complaint about ADORAMA. They are amazing)
ACCOUNTS P.
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Our claims process is simple & easy and our customer service team is happy to help.
Adorama Protect powered by Extend is available for purchase to customers in the United States. Not available for international or U.S. territories purchases. Plans on open box items do not cover pre-existing damage.
Adorama Protect plans are available for ABS clients. If you have any questions or require assistanse, please call 800-223-2500
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Nikon Z
Silver
50mm
Super 35
T2.4 - T16
15 elements in 13 groups
13 blades
27.5" (70cm)
25.6 x 16mm
58mm
55mm
Horizontal: 42 Degree
Vertical: 18.2 Degree
2.36 x 3.78" (60 x 96mm)
13.75 oz (390g)
6940486704402
Great lens, long wait.
By ACCOUNTS P.
Hands down, one of the best purchases I've ever made for my students. Do yourself a service and get one. The only problem is that they are ALWAYS on backorder. I think they must make each one to order. (This is not a complaint about ADORAMA. They are amazing)
Take your filmmaking to the next level with the Laowa Nanomorph 50mm T2.4 1.5x S35 Anamorphic Lens for Nikon Z, Silver Flare. This lens, known as the world's smallest anamorphic lens compatible with Super35 sensors, offers a unique blend of compact size and superior performance. Weighing a mere 13.75 oz (390g) and measuring just 3.78" (96mm) in length, this lens is perfect for a variety of shooting scenarios, from handheld to drone-mounted.
Anamorphic lenses are a staple in Hollywood productions, prized for their ability to deliver a cinematic widescreen perspective. With the Nanomorph, you can achieve the same oval bokeh, horizontal flares, and shallow depth of field that give your film a distinct, artistic touch.
This lens is designed specifically for Super35 (APS-C) & Micro Four Thirds sensors, but its larger than S35 coverage allows it to be used on Full Frame cameras like the Sony A7siii 4K 16:9 with only mild vignetting. The silver version of this lens produces different flare colors based on the light source, adding another layer of versatility to your filmmaking.
With a 1.5x squeeze, the Nanomorph delivers a 2.66:1 aspect ratio on a 16:9 sensor after de-squeeze, providing a more pronounced anamorphic and cinematic look compared to a 1.33x anamorphic lens. This lens also offers a wider horizontal field of view and shallower depth of field than spherical lenses.
The Nanomorph's 1.5x squeeze ratio also produces stretched oval bokeh, adding an artistic touch to your images. This lens also boasts one of the shortest close focusing distances among all anamorphic lenses on the market, allowing for close-up shots with a shallower depth of field and stronger bokeh.
Unlike some cheaper anamorphic lenses, the Nanomorph guarantees a constant squeeze ratio at all focusing distances, eliminating the issue of anamorphic mumps. This lens also features a unique patented anamorphic design that ensures a uniform squeeze ratio, excellent optical quality, and a compact size at an affordable price.
The Nanomorph also includes a unified gear position for quick lens switching, a 55mm filter thread for screw-in filters, and industry-standard 0.8 mod gear on both aperture and focus rings. Filmmakers can fine-tune the back focus quickly with a 0.9mm hex key (included in the package), ensuring accurate and aligned scales even after changing cameras. Both imperial and metric scales are printed on the lens body for convenience.
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