Venus Laowa Nanomorph 55mm T2.9 1.5x LF Anamorphic Lens for PL Mount and Canon EF, Silver Flare

While the Laowa Nanomorph 55mm T2.9 1.5x LF Anamorphic Lens for PL Mount and Canon EF, Silver Flare, is a game-changer in the world of professional-grade anamorphic optics, it is meticulously designed to cover more than a full-frame sensor with a constant 1.5x squeeze ratio. This lens is engineered to deliver exceptional image quality, making it an ideal choice for theatrical productions and high-end films. With its versatile flare options, including the distinctive silver flare coating, it caters to a wide range of creative preferences and needs.

The lens boasts a generous image circle of 44.71mm, which significantly reduces vignetting and provides optimal coverage for the widely used ARRI Alexa LF 4.5K Open Gate. This ensures the best use of resolution without cropping, covering full-frame sensors and supporting 16:9, 3:2, and 4:3 formats. This flexibility allows for easy output to aspect ratios such as 2:1, 2.25:1, 2.66:1, and 2.4:1 while maintaining superior image quality.

The constant 1.5x squeeze ratio of the Laowa Nanomorph lens achieves a striking 2.66:1 aspect ratio on a 16:9 sensor after de-squeeze, offering a more pronounced anamorphic and cinematic look compared to a 1.33x anamorphic lens. Unlike other lenses where bokeh can become inconsistent towards the edges, the Nanomorph LF ensures a consistent bokeh across the frame, avoiding the distracting "moon-shaped" appearance.

With an iris range from T2.9 to T22, this lens is adaptable to all lighting conditions, meeting the dynamic demands of on-set production. It delivers a stunning shallow depth of field at wide apertures, creating a smooth, organic waterfall focus roll-off in the background, a highly sought-after characteristic in the film industry.

The Laowa Nanomorph lens excels in sharpness and contrast, making it versatile for various production needs and compatible with modern sensors. Even when used wide open, the image remains sharp and pristine, suitable for both theatrical and cinematic projects. For those seeking a vintage aesthetic, the lens offers flexibility for post-production adjustments or pairing with filters, empowering cinematographers to explore their creative vision.

Unlike many anamorphic lenses that exhibit overcompressed edges, the Nanomorph LF provides excellent control over edge performance, eliminating the "swimming effect" and allowing for greater creative freedom in composition. Its low focus breathing ensures consistent framing and a stable field of view during focus shifts, making it ideal for seamless focus pulls and smooth transitions, enhancing video quality with natural, professional-looking visuals.

Compact yet prestigious, the Nanomorph LF lenses are half the size and weight of comparable lenses, striking the perfect balance between size, weight, optical quality, and professional usability. The long focus throw of 270 degrees allows for precise adjustments, enhancing control over depth of field and focus effects with smooth transitions between focus points.

The lens also features easy back focus calibration, enabling quick on-site adjustments, and an innovative interchangeable mount system, allowing users to switch mounts to match different cameras. Each lens mount kit includes shims for micro-adjustment of flange depth, ensuring a perfect fit every time.