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Review Summary
2021-03-19T08:12:51
It is a good paper, and does work well with split grade exposures very well, however the light cream color base tends to give a greyish cast to intermediate highlights.
John M.
2020-12-27T12:54:31
Lovely, lovely paper, although I will note that sometimes exposure changes with a new box. That being said, the texture is that of a semi-gloss inkjet paper with a subtle, horizontal ripple across the surface giving it a very nice and understated look with a mild, diffuse gloss. If dried against a ferrotyping surface it does indeed produce a mirror-like gloss surface, although in practice this is almost impossible to achieve reliably these days without access to the now-historic chemistry needed to use old ferrotyping plates. Great detail in shadows and nice highlights. Response to Ilford contrast filters are as expected. It takes a very mild purple tint with very deep blacks in 1:3 selenium and barely any shift in 1:20 selenium. Without any toning it has a charcoal color with maybe a very slight dark greenish/yellowish tint, but it's subtle. I feel lucky to have access to such an affordable yet high quality darkroom paper.
Julius S.
2020-12-27T12:46:00
The 11x14 FB VC Glossy seems to be dramatically different than the Arista EDU FB VC Glossy in 5x7 and 8x10, both of which have a slightly textured, almost ripply surface which i'd describe as semi-gloss compared to an inkjet glossy paper, however when dried on a ferrotyping surface it does indeed become mirror-smooth. It also has no reflectivity difference between shadows and highlights. The 11x14, however, is far more matte than the smaller sizes, lacking in the rippled, art-paper texture that I love in the 8x10. The 11x14 also has a very major and very noticeable reflectivity difference between the shadows and highlights, with the shadows being much less reflective - it looks like a cheap inkjet without a chroma optimizer. The tonality and exposure times appear, however to be exactly the same as the 8x10 and 5x7 papers, which is great for testing prior to exposing an entire sheet at 11x14. Honestly I would rather spend the extra money and get a different brand than buy another pack of this, as it does not match the look and feel of their smaller sizes of what is supposed to be the same paper. Highly recommend FB VC Glossy in smaller sizes though!!
Julius S.
2020-06-15T18:01:33
I find this fiber base paper to be a very good product for making traditional photographs. So far, the only developer I've used with this paper is Ilford Multigrade, which is an excellent all-around print developer (different developers will produce different results.) The results were prints with excellent details in both highlights and shadow areas; blacks are velvety. Some of the prints were later toned with a Fomatone Sepia kit. I gave each print a light bleach bath followed (after a water wash) with a standard toning bath. After washing the prints, again, they would receive and selenium toning bath in order to further deepen the blacks (1:20 dilution.) All being said, the quality of the photos one gets from this Arista EDU Ultra VC FB or any other paper is determined, ultimately, by the skills of the printer. This paper can respond well with minimum fuss, but, with ambitions on the part of the printer, it can follow those ambitions. I suppose I could have given it five stars, but, when I remember the legendary papers that are no longer made, like Ilford Gallerie and Kodak's Elite and Ektalure, then I get so sad from their absence from the scene. I will be reordering Arista EDU when I need it.
JOHN K.
2019-02-26T10:18:21
Wasn't what I expected. First sheet of paper when to waste because I couldn't tell the difference between the front or back. The quality of paper is good but I do not like the matte finish. I just ordered a pack of 25 of the glossy fiber paper. The photos also came back darker, I wasn't impressed.
Audris V.
Negative
Fiber Base / Double Weight
Glossy
Multigrade
Neutral
100 Sheets
8 x 10" (20.3 x 25.4cm)
614572188846
My go-to paper, it's wonderful!
By Julius S.
Lovely, lovely paper, although I will note that sometimes exposure changes with a new box. That being said, the texture is that of a semi-gloss inkjet paper with a subtle, horizontal ripple across the surface giving it a very nice and understated look with a mild, diffuse gloss. If dried against a ferrotyping surface it does indeed produce a mirror-like gloss surface, although in practice this is almost impossible to achieve reliably these days without access to the now-historic chemistry nee...
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Because capturing the essence of a moment in a photograph is an art, Arista.EDU Ultra VC FB Paper provides the perfect canvas for professionals and enthusiasts alike. This high-quality, variable contrast, black and white enlarging paper features a robust double weight, fiber base that ensures durability and a professional feel. The glossy finish of the 8x10 inch sheets offers a striking look, with a texture reminiscent of a semi-gloss inkjet paper, complete with a subtle, horizontal ripple that adds an understated elegance to your prints.
The versatility of the Arista.EDU Ultra VC FB Paper lies in its ability to produce a wide range of contrasts. By utilizing yellow and magenta colored filters, users can select their desired contrast from a spectrum akin to that of graded papers, ensuring that every print meets their artistic vision. Whether using standard Ilford Multigrade or Kodak Polymax/Polycontrast filters, or an enlarger color head, photographers can adjust contrast from grade 0 through grade 5 with ease, allowing for complete creative control.
Designed for use with tungsten or tungsten quartz halogen light sources, the Arista.EDU Ultra VC FB Paper maintains a straightforward exposure process. The exposure guide ensures that prints are consistent and of the highest quality, with ISO P200 speed ratings for grades 00 - 3.5 and adjusted exposure for grades 4 through 5.
In the darkroom, the paper should be handled with care under standard OC, red, or sodium vapor safelights, keeping in mind the best practices for minimizing safelight exposure. Processing is seamless, as the paper can be developed in trays or machines suitable for photographic papers on a baryta base. With a recommended development time of 90 - 120 seconds at 68°F (20°C), the paper responds well to any standard black and white photographic paper developer.
After development, a standard stop bath should be used to halt the process and preserve the fixer's life, followed by fixing in a standard solution. The final step is a thorough wash in running water, which can be expedited with a hypo clearing agent to conserve water.
For optimal preservation, the Arista.EDU Ultra VC FB Paper should be stored in a cool, dry place, with the option of freezing for prolonged storage. Care should be taken to allow the paper to warm up adequately before use and to prevent condensation.
The Arista.EDU Ultra VC FB Paper is not only a testament to the legacy of traditional photography but also a nod to the affordability and accessibility of high-quality darkroom materials. Whether capturing deep, velvety blacks or finely detailed highlights, this paper is engineered to bring your photographic ambitions to life, making it an ideal choice for those seeking professional results without compromise.