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Review Summary
27mm
T2-T22
90 Degree
Minimum: 14" (350mm)
4" (109mm)
270 Degree
Maximum: 56 Degree (Super 35 Format)
Maximum: 76 Degree (24 x 36mm Format)
Maximum: 1.82" (46.31mm) (Diameter)
Two opposing focus scales - metric & footage. Scales marked from infinity to MOD
140 teeth 0.8 metric module x 6.0mm wide 103mm from the image plane
Two opposing linear T scales - whole and third stops marked
134 teeth 0.8 metric module x 4.0mm wide x 81mm from image plane
4.33 x 7.44" (110 x 189mm)
7.28 lbs (3.3kg)
Models | SKU: COE727 MFR: CKE7 27 $25,200.00 Special Order Generally ships in 7-14 days, subject to availability | SKU: COEPCFF18 MFR: CKEPCFF 18 Special Order Generally ships in 7-14 days, subject to availability | SKU: COEAFFSF32 MFR: CKEAFFSF 32 $39,950.00 Special Order Generally ships in 7-14 days, subject to availability |
---|---|---|---|
Kit Style | Base | Base | Base |
Format | Full Frame | Full Frame | Full Frame |
Lens Type | Wide Angle | Wide Angle | Wide Angle |
Fixed Focal Length | 27mm | 18mm | 32mm |
Lens Mount | PL Mount | PL Mount | PL Mount |
Maximum Aperture | T2.0 | T2.2 | T2.3 |
Zoom Focal Length | NA | NA | NA |
Focus Type | Manual Focus | Manual Focus | Manual Focus |
A cinematographer's dream, the 27mm T2.0 S7/i Plus Prime Lens for PL Mount is a masterful blend of precision engineering and optical excellence, tailored for the demands of high-resolution cinema camera sensors. This Cooke S7/i Prime lens is meticulously designed to deliver the iconic Cooke Look and is engineered to cover expansive formats ranging from 35mm and Super 35mm to Full Frame and VistaVision, with an image circle that extends to at least 46.31mm.
Crafted for versatility, the lens allows filmmakers to seamlessly transition between various shooting formats without compromising on quality. Its optical and mechanical prowess ensures exceptional control over flare, veiling glare, distortion, and spherical aberrations even when shooting wide open at full aperture, ensuring reliable performance in any filming scenario.
The lens is color-matched and compatible with a range of Cooke lenses, including Anamorphic/i, S4/i, miniS4/i, 5/i, and Panchro/i Classic, allowing for a consistent visual aesthetic across your production. The integration of the next-generation /i Technology facilitates the automatic capture of comprehensive lens metadata, which is invaluable for post-production workflows.
This prime lens is a testament to traditional craftsmanship, utilizing time-honored grinding and polishing techniques for unmatched precision. The meticulous metrology process ensures every lens meets Cooke's stringent quality standards, while the high-temperature vacuum evaporation technique used in coating and cementing guarantees durability and performance.
The optical design is engineered for peak performance at full aperture, with large, legible focus scaling on both sides of the barrel to aid focus pullers in challenging lighting conditions. The /i Electronics are easily accessible through contacts in the PL mount, syncing seamlessly with compatible cameras.
All Cooke S4/i Primes feature a uniform front diameter of 110mm, with precision-cut gears for both focus and iris, ensuring compatibility with a wide range of accessories. The external finish of the lens is a scratch-resistant PTFE hard anodized coating, designed to withstand the rigors of demanding shooting environments.
The true T2 aperture of the S4/i primes is ideal for low-light conditions, and the eight-leaf linear module iris assembly offers a smooth aperture range from T2 to T22. The focus movement is smooth and precise, thanks to the Academy Award-winning cam-style mechanism, which also allows for an increased number of focus markings, especially at closer distances.
Balanced for both handheld and Steadicam use, the lens maintains a comfortable weight-to-size ratio, compatible with the latest compact camera systems. The Cooke Hardened PL Mount with /i Technology contacts ensures a secure and reliable connection to your camera.
In summary, the 27mm T2.0 S7/i Plus Prime Lens for PL Mount is not just a tool but an extension of a filmmaker's vision, providing unparalleled optical quality, robust construction, and intelligent features that stand up to the challenges of modern cinematography.
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