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Review Summary
IPS-Type LCD
6" (15.2cm)
1920 x 1080
16:9
Horizontal: 160 Degree (80/80)
Vertical: 160 Degree (80/80)
No
450 nits / cd/sq. m
1000:1
16.7 Million Colors (8-Bit)
No
Yes
Anamorphic De-Squeeze, Check Field, Color Temperature Selection, False Color, Focus Assist, Focus Peaking, Histogram, Image Flip, Image Freeze, Screen Markers, Vectorscope, Waveform, Zebra
1x HDMI 1.4 Input
1x HDMI 1.4 Output
HDMI
1x 1/8" / 3.5 mm Headphone Output
No
1x Barrel (12 VDC) Input
1x USB-C (5 VDC / 2 A) Input
1x Barrel (8.4 VDC) Output
1x USB-C (Firmware/LUT Upload) [Shared with Power I/O]
No
No
No
No
HDMI
UHD 4K: 30/29.97/25/24/23.98
1080p: 60/59.94/50/30/29.97/25/24/23.98
1080PsF: 24/23.98
1080i: 60/59.94/50
720p: 60/59.94/50/30/29.97/25/24/23.98
576p
576i
480p
80i
7 to 24 VDC
1x L-Series Mount on Fixed Plate
8 W (Maximum)
Bottom/Right
1x 1/4"-20 Female
Optional, included
Lithium ion
NP-F
1
No
-4 to 122 Degree F (-20 to 50 Degree C)
-22 to 140 Degree F (-30 to 60 Degree C)
5.9 x 3.6 x 1.2" (151 x 92 x 29.5mm)
6.7 oz (190g)
6971863818641
Amazing Shooting Experience
6" LCD display with 1920x1152 resolution shows bright, clear images - making it an ideal monitor for the gimbals and lightweight camera systems especially those without a built-in display.
4K HDMI Input/ Output Without Delay
Support 4K format: 4K UHD 3840X2160p (30/29.97/25/24/23.98Hz), 4096X2160p (24Hz). S55 Features HDMI I/O connections to HDMI cameras and can output to larger on set monitors for instant review.
Tilt Arm Mounting for 360 Degree Rotation
360 Degree rotation of Tilt Arm allows you tilt the view for excellent framing. Included an extra shoe mount for accessories like microphones, video lights.
Real-time Camera Power Supply System
With the battery users can power both the monitor and their camera, extend the camera runtimes, thanks to the monitor's 8.4Volt power output. Dummy Battery (optional for Sony, Canon, Nikon, Panasonic). Integrates with a dual-purpose battery plate: compatible Sony F970, Canon LP-E6.
Unleash Your Camera's Full Potential
Have three fast keys for quick operation. Designed to unlock many of your DSLR's restrictions and add on the professional features you expect to see on high-end cameras. Include Focus Assist, Histogram, False Colors, Zebra Exposure, Aspect Ratio, Image Flip, Nine Grid, Zoom, Anamorphic, Image Flip, Safe Area, etc.
6" Monitor with Widescreen
The high resolution 6" LCD display shows bright, clear images - making it an ideal monitor for the discerning DSLR user. The S55 features a panel with native 1920x1152 resolution, 500cd/sq. m brightness, 1000:1 contrast ratio, which facilitates the onscreen image to be a more vibrant, more accurate rendition of what the camera sensor sees.
Different Angles, The Same Beautiful Picture
IPS monitor, gives you a large visual view to enjoy, offers consistent image clarity and colors from 160-degree viewing angle vertically and horizontally. And the wide viewing angle makes it easy for multiple crew members to watch at the same time.
True Color . Professional Color Calibration
Use Rec.709 color standard Accurate color reproduction
Intuitive Controls and Menus
The menu controls are intuitive and easy to use. Two different feature buttons which are programmable to the various features that you use the most.
4K HDMI Input & Loop Output
The S55 has 4K HDMI in and loop-out, allowing it to not only display live signals, but also send them out to other monitors simultaneously. The HDMI output can transmission to broadcast monitor, convenience director and photographer monitoring at the same time.
Multiple Installation Methods - Convenient for various angle monitoring
The FEELWORLD S55 has a standard 1/4" mounting point (bottom, right) for attaching it to the camera and rig. The 1/4 screw can remove mounted to the bottom or right side.
Flexible Install Both on Camera and Gimbal
If you install it on the bottom of the device, you can also combine the image flip function to maintain the correct orientation of the screen! S55 equipped with one 1/4 screw, if you also want to fast install at gimbal, you can buy one more 1/4 screw.
Newest Sunshade Design, Easy Install
The S55 monitor is equipped with a sunshade, which allows the photographer to focus more on the video and avoid the interference of strong light, providing a better visual experience.
Video Assist Functions
Brightness Histogram
Embedded Audio
Support 3D LUT Log to REC.709 and user 3D LUT upload
Peaking Focus Assist (Red, Green, Blue three colors optional highlight over parts of the image in focus)
False Colors
Zebra Exposure (1-100IRE adjustable)
Scan Mode (Under Scan, Over Scan)
Check Field (Red, Green, Blue, Mono)
Anamorphic Mode (1.3x, 2.0x, 2.0x mag, User-defined adjustment: 1.20X-2.00X)
Image Flip (H, V, H/V)
Image Freeze
Center Marker
Screen Marker (80%,85%,90%,93%,96%, 2.35:1)
Ratio marker (4:3,13:9,14:9,15:9,16:9,1.85:1,2.35:1)
Color Temperature Adjustment
Nine Grid (Zoom one of the images to realize the full screen)
Zoom (4X, 9X, 16X)
Aspect Ratio
Pixel to Pixel
Zoom All (0-100 adjustable)
U/D Zoom (0-100 adjustable)
L/R Zoom (0-100 adjustable)
Brightness Histogram
The Brightness Histogram is a quantitative tool to check the picture brightness. The feature shows the distribution of brightness in an image as graph of brightness along the horizontal axis (Left:Dark, Right:Bright)and a stack of the number of pixels at each level of brightness along the vertical axis.
Embedded Audio Monitoring
The Audio Level Meters provide numerical indicators and headroom levels. It can generate accurate audio level displays to prevent errors during monitoring. The audio meter is green, and will turn yellow when exceeds -20dB, and turn red when exceeds -9dB.
Peaking Focus Assist
The Peaking Filter is used to aid the camera operator in obtaining the sharpest possible picture. When activated, the internal processor will display a colored highlight on the screen where sharp edges appear. You can switch the putline color between red, green, blue according to different tone of the subject.
False Colors
The False Colors filter is used to aid in the setting of camera exposure. As the camera Iris is adjusted, elements of the image will change color based on the luminance or brightness values. This enables proper exposure to be achieved without the use of costly, complicated external test equipment.
Exposure (zebras)
The Exposure is used to assist in exposure adjustment in the mode of Zebra Pattern. It is considered overexposed and displays the moving warning lines onto the over exposed areas. 1-100IRE adjustable.
Check Field
Check Field is an assistant function to adjust camera color settings. Under the check field mode, you can use red, green, blue or mono pixels to generate the image, because hue and saturation can be adjusted more quickly and accurately in this environment.
Zoom In (4X, 9X, 16X)
Image magnification is HD signal in any part, an amplification for high quality close-up.
Anamorphic Mode (1.3x, 2.0x, 2.0x mag, User-defined adjustment: 1.20X-2.00X)
Built-in selection of no squeeze, 1.3 x or 2.0 x allows you to use anamorphic lenses or adapters and see the image unsqueezed, even if your camera does not de-squeeze in camera. A 2.0 x mag mode, magnifies the center of your image so you can check the focus of your scaled image.
Image Flip
The Horizontal, Vertical and Hor&Ver of the image around flip.
Nine Grid
Zoom one of the images to realize the full screen. You can switch the Mark color between Red, Green, Blue, White, Black according to different tone of the subject.
Pixel to Pixel
Enable the filmmaker to check the image from the 1:1 signal source without scaling. This feature is essential for capturing optimum detail.
Center Marker & Safe Marker
Safe Mark for View Finding and Composition (80%, 85%, 90%, 93%, 96%, 2.35:1). You can switch the Mark color between Red, Green, Blue, White and Black according to different tone of the subject.
Ratio Marker
(4:3, 13:9, 14:9, 15:9, 16:9, 1.85:1, 2.35:1). Frame blanking zone includes 6 Levels, from 0-6 (Transparent to Black). You can switch the Mark color between red, green, blue, white and black according to different tone of the subject.